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More handpicked essays just for you.
Cultural identity
Gender roles throughout literature
Cultural influences on identity
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Throughout the short stories, “By Any Other Name” by Santha Rama Rau and “Apollo” by Chimamanda Ngozi Adiche, the authors reveal that one persons overriding power can have negative affects on the lives of others. In “By Any Other Name”, a young Indian girl named Santha and her older sister Premila have to attend an Anglo-Indian school in India after their mother’s health declines. The headmistress insists on giving them “pretty” English names, which consequently causes identity problems for Santha, “At that age, if one’s name is changed, one develops a curious form of dual personality.” (Rau 1)Santha explains how as a result of being given a new name, she starts to form duel personalities. By changing her name, the headmistress causes identity issues for Santha and causes her to question who she is. …show more content…
At the end of the story, while Okenwa is afflicted with Apollo, his friend doesn’t come to visit him at all, unlike Okenwa, who visited him everyday while he was qualmish. As soon as Okenwa comes downstairs, he discovers Raphael acting differently as he talks to a girl named Josephine.And so, Okenwa tries to get his attention to converse with him. “‘I’m hungry! Where is my food?’ Josephine’s face puckered, as though she were about to break into slow, long laughter. Raphael said something that I could not hear, but it had the sound of betrayal.” (3 Adiche) After not speaking to him for a few days, Okenwa is desperate to talk with Raphael, his friend. However, Raphael doesn’t acknowledge his presence and tries to impress Josephine by mumbling something Okenwa couldn’t hear. Ordinarily, Okenwa would have more power than Raphael, since Raphael is the servant to his family. However, in this situation, Raphael and Josephine are older than Okenwa, so they believe have more power than
“Choosing My Name” by Puanani Burgress is a poem that reflects Burgess idea of her identity and how it is related with her different names. Despite having three different names Chirstabella , Yoshie and Puanani, she particularly likes identifying herself as Puanani although it is not her “official name”. Strange as it sounds, I aslo have three different names: Basanta, Kancho, Xxxxxx. My third name Xxxxxx is my cultural name that I cannot disclose thus I have decided to write it Xxxxxx as it is made up of six letters. Xxxxxx is my favorite and preferred name because it connects me to my family, my culture and my land.
Joy-Hulga from “Good Country People” by Flannery O’Connor and Dee-Wangero from “Everyday Use” by Alice Walker are strong protagonists who share similar motives and characteristics. Joy-Hulga and Dee-Wangero both change their names in an attempt to change themselves. They both share comparable motives and reasoning for changing their names. Similarly, Joy-Hulga and Dee-Wangero act selfishly while try to escape something from their past. Joy-Hulga and Dee-Wangero both alienate themselves from their mothers while in search of their authentic inner self. Joy-Hulga and Dee-Wangero are hiding from past childhood events, both consciously and subconsciously. Although their motives and characteristics are alike, their backgrounds and heritage are extremely diverse.
Imagination is a quality that everyone has, but only some are capable of using. Maxine Hong Kingston wrote “No Name Woman” using a great deal of her imagination. She uses this imagination to give a story to a person whose name has been forgotten. A person whose entire life was erased from the family’s history. Her story was not written to amuse or entertain, but rather to share her aunts’ story, a story that no one else would ever share. The use of imagination in Kingston’s creative nonfiction is the foundation of the story. It fills the gaps of reality while creating a perfect path to show respect to Kingston’s aunt, and simultaneously explains her disagreement with the women in her culture.
...e of character is cumulative.” (Emerson,617) Our nameless heroine is depending unwittingly on that very ideal. Her husband whispers sweet names to her, although never her own name, thereby belittling and reducing her to a child state, she’s wise to him: “-and [he] pretended to be very loving and kind. As if I couldn’t see through him!” (Gilman, 1780)
Different environment makes people gradually different way of thinking and values, the roles have their own experience of background influence in the formation of their personality. Maggie and Dee has an opposite trait to generate their mother’s attitude toward different way. Alice has cleverly written by black people of generation complex attitude on the ideas and cultural heritage in Everyday Use. Mother-daughter relationship also is complicated in those two articles. In No Name Woman, the mother tells the daughter a story about her aunt and do not allow tell anyone else. The mother is traditional person and she hopes the daughter go with her. Both two articles shows conflict between traditional and new, mother and daughter’s relationship.
Nilanjana Sudeshna Lahiri, an Indian by descent, was born in London in August 1967, to a Bengali immigrant Indian parents. “Jhumpa” is the nickname easier for the teachers remember his name. The Lahiri family moved from England to Rhode Island when Jhumpa was two years old. Her father was a librarian at Rhode Island University and her mother was a school teacher. At age of seven, Lahiri started to embrace writing about what she saw and felt. While growing up, Lahiri lived two lives: An Indian at home and An American outside of the home. Despite of living most of their life in the western world, Lahiri’s parents called “Calcutta” their home unlike Lahiri who thought Rhode Island as her hometown. Lahiri always felt her family had a different li...
The Namesake by Jhumpa Lahiri Living in America, the Ganguli’s have the difficult choice of choosing between two dramatically different cultures. As a second generation Indian American, Gogol Ganguli is expected to preserve the ideals of his traditionally Indian parents while still successfully assimilating into mainstream American culture. In “The Namesake,” Jhumpa Lahiri reveals the stark contrasts between the perceptions of Ashima, Ashoke and Gogol in relation to their Indian and American views of relationships.
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
The novel, The Namesake by Jhumpa Lahiri has shown me the strength in identity and how it can constrain one’s values to mold themselves to fit their identity. As Vishva said in book club, Gogol has become an independant new person as Nikhil after he changed his name. The nature of the two distinct names led to two well defined personalities. Nikhil was a separate
“You must not tell anyone,” my mother said, “what I am about to tell you” (Kingston, 1507). Within the stories “The Swimmer” by John Cheever, “Woman Hollering Creek” by Sandra Cisneros, and “No Name Woman” by Maxine Hong Kingston all revolve are the stifling of voices and lose of identity. In “The Swimmer” the main character Neddy loses his identity while he swims across “Lucinda’s River.” Cleofilas in “Woman Hollering Creek” has her voice stifled by her abusive husband. While the protagonist in “No Name Woman” has her voice stifled by her mother about certain subjects. Within these stories both men and women struggle because of who they surround themselves with that stifle their voices and lose identity.
A main character in the novel, Okonkwo has several wives. He orders them around like dogs. They are never to question what they are instructed to do; they are expected to be obedient. We see this early in the story, when Okonkwo brings Ikemefuna into his home. Okonkwo tells his senior wife that Ikemefuna belongs to the tribe and that she is expected to look after him. She in turn asks him if he will be staying with them for a long period of time. This sends Okonkwo into a fury. He snaps at her in a very degrading manner, "Do what you are told woman. When did you become one of the ndichie (meaning elders) of Umuofia?"(pg.12) Clearly she receives no respect. Later in the story we see this woman try to comfort Ikemefuna. She "mothers" him as if he is one of her own children. She tries to put him at ease and can almost instinctively feel how much he misses his own mother.
Fear of failure and weakness dominates Okonkwo throughout his life. At first this fear motivates him to rise to success by working diligently and doing everything his father did not do. However, even when Okonkwo establishes an honorable reputation, fear of failure continues to overwhelm him and drives him to perform acts that lead to his suffering. One example of this is when the men of Umuofia decide that Ikemefuna must be killed and Okonkwo kills Ikemefuna even though he is told not to partake in the killing of Ikemefuna. Okonkwo panics when Ikemefuna turns to him and cries for help, and without thinking, Okonkwo slays Ikemefuna with his machete. Okonkwo does this because in the split second where Ikemefuna runs to Okonkwo for protection, Okonkwo is overpowered with fear of being seen as weak and kills Ikemefuna. This is an unwise act on behalf of Okonkwo, and as a result, he suffers emotionally in the next few days. He enters a stage of depression and cannot eat or sleep as all he can think about is what he has done to Ikemefuna. It is at this point that things start t...
In Things fall Apart, labels and titles signify power, and where you stand as a person, or leader. Okonkwo really values his position in his tribe and in society, and the titles he has rightfully earned, unlike his father. Okonkwo feels hatred, anger, and embarrassment towards his father Unoka, who was referred to as "Agbala," a title used for women as well as men that have not taken any title. Okonkwos' fathers failure is what truly drives him to be as powerful and as respected as possible, and with this power comes many respectable titles and honors. With three wives and many children, Okonkwo earns great titles and also great respect, he is recognized as a powerful and wealthy man who worked hard to transform himself from a man with nothing to a man with everything; wealth, power, respect, yams, wives, children, everything that is valued in Umuofian tribe.
He dates American girls. He shares life in relationships. His way of life, food, everything changes. But a new dilemma clutches him. He changes his name, but “he does not feel like Nikhil” (Lahiri, 105).
Although the reader feels remorseful for Okonkwo’s tragic childhood life. It is another reason to sympathize with a man who believes he is powerful and respected by many when in reality, he is feared by his own family and that is another reason that leads Okonkwo to his downfall. He started positive, motivated but down the line, Okonkwo treats his wife and children very harshly. When the author mentioned, “Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children” (pg.13).