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Lgbt media portrayal
Representation of gays/lesbians in cinema
Representation of gays/lesbians in cinema
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“Brokeback Mountain,” The Gay Cowboy Story“ A large portion of Americans will hear the phrase “the gay cowboy story” and automatically associate it with “Brokeback Mountain.” Even my lesbian parents praise the original story and its popular film adaptation for being controversial for their time. Indeed, during the time of the creation of both the story and the film, there was very little representation of queerness in any form, thus making “Brokeback” especially controversial. However, since my parent’s generation, LGBTQ+ representation in media and literature has made numerous advancements. In the time of my parents (roughly the past fifty years), having any non-straight characters (“non-straight” at this time defined as mostly white cisgender …show more content…
Finding your conservative relatives, who are unexposed to non-heterosexual issues, watching and reading Brokeback Mountain, exposing them to aspects of queer life, is positive. Yet, within the LGBTQ+ community, there remains a strong desire to have representation that feels substantial. Any representation is better than none at all, but there remains a need for representation that that portrays the complexity and diversity of the queer community. Mainly, there needs to be more queer works that explore beyond the gay cisgender white male (which does not cover the large spectrum of the queer …show more content…
In other words, Jack and Ennis don’t seem stereotypically gay. By describing the characters in this hyper-masculine way, the story allows for those queer stereotypes (weak, feminine, gay accented) to deteriorate. To a receptive reader, the appearances of Jack and Ennis sends the message that queerness does not necessarily correlate with outward appearance. Even someone who looks like an “average straight man” can actually be queer. This causes discomfort, though in an ultimately beneficial way, amongst Brokeback’s heterosexual audience and readership, because it deteriorates the subconscious bias that someone has to meet certain requirements, or has to be appear a certain way, in order to be queer. From this perspective, the appearances of Jack and Ennis have a positive effect on the public perception of queer
What I’ve noticed in the film is that the two main characters fit two standard archetypes of gay men. One who welcomes their sexuallity and one suppresses it. Ennis Del Mar is a man who before the story started was engaged to a woman named Alma. When Ennis and Jack begin their sexual relationship and Ennis tells Jack that he wasn’t queer,
In Vicki L. Eaklor’s Queer America, the experiences of lesbians, gay men, bisexuals, and transgender people in the years since the 1970s gay liberation movement are described as a time of transformation and growth. The antigay movement, threatened, now more than ever, created numerous challenges and obstacles that are still prevalent today. Many of the important changes made associated with the movement were introduced through queer and queer allied individuals and groups involved in politics. Small victories such as the revision of the anti discrimination statement to include “sexual orientation”, new propositions regarding the Equal Rights Amendment and legalized abortion, were met in turn with growing animosity and resistance from individuals and groups opposed to liberal and
The movie I watched was Brokeback Mountain. It was released in 2005 and produced in the United States. The movie is 134 minutes long. The screenwriter for Brokeback Mountain was Larry McMurty and the Director of the film was Ang Lee. The movie stars Heath Ledger as Ennis Del Mar opposite Jake Gyllenhaal as Jack Twist. Anne Hathaway and Michelle Williams play their wives Lureen and Alma respectively.
There is arguably no group that has faced more discrimination in modern society than queer people of color. Although often pushed together into a single minority category, these individuals actually embrace multiple racial and sexual identities. However, they suffer from oppression for being a part of both the ethnic minority and queer communities. As a result, members are abused, harassed, and deprived of equal civil rights in social and economic conditions (Gossett). In response to the multiple levels of discrimination they face in today’s society, queer people of color have turned to the establishment and active participation of support organizations, resources, and policies to advocate for overall equality.
The difficulty of determining what gay and lesbian text is poses a challenge in finding material applicable to queer theory. However, being subtitled as a Gay Fantasia on National Themes by its openly homosexual author, Tony Kushner’s Angels in America is most appropriately viewed through this lens, as the play’s content directly illustrates the purpose of queer theory. Entangling the personal with the political, Kushner seeks to deconstruct the heteronormative agenda by illustrating the relationship between Reagan, AIDS, religion, and homosexuality through their impact on his characters. All struggling with some aspect of homosexuality, each perspective told in the play expresses the depth at which societal norms damage the freedom of American citizens. With sexual identity at the f...
Discrimination has always been prominent in mainstream society. Judgments are quickly formed based on one’s race, class, or gender. The idea that an individual’s self-worth is measured by their ethnicity or sexual preference has impacted the lives of many Americans. During the early colonial period, a social hierarchy was established with white landowners at the top and African-American slaves at the bottom. As equality movements have transpired, victims of discrimination have varied. In the late 1980’s when Paris is Burning was filmed, gay rights were still controversial in society. The lack of acceptance in conventional society created hardships in the lives of transgender women and gay men.
...Brokeback Mountain” is allowed to defy the societal term we know as homosexuality, in regards to masculinity.
In the film adaption of Brokeback Mountain, Ang Lee, with the help of Larry McMurtry and Diana Ossana, expands certain scenes in the screenplay in order to shed more light into the lives of the two main characters. Lee directly parallels the Thanksgiving dinner scenes of Jack and Ennis to contrast each character’s status in their lives outside of Brokeback Mountain while also using these family scenes as a reminder of Jack and Ennis’ other lives. These Thanksgiving scenes represent a shift in power; Ennis is no longer the calm and composed one with a handle on his life—Jack is now the one who is starting to feel more secure in his life. By juxtaposing the two scenes, Lee illustrates the strong friction of Jack and Ennis’ realities following the sudden shift in their relationship after Jack drives over after hearing about Ennis’ divorce. Because Annie Proulx focuses on Ennis’ life and his regrets, we are unable to understand Jack’s side of the story. The film, however, is able to expand on the idea that the divide between dreams and reality drives Jack and Ennis apart over time; in these Thanksgiving dinner scenes we see the inevitable change and consequences of their distinct beliefs.
Today television shows are widely praised for their portrayal of different characters sexuality. On Modern Family a same-sex couple’s life is shown through their relations with their family and raising a child. There’s also shows aimed at young adults that are receiving attention for their depiction of gay or lesbian characters such as Glee and Pretty Little Liars. Even the Disney Channel has shown a same-sex couple on the show Good Luck Charlie (with some backlash claiming that since Disney is intended for children that they should seek merely to entertain and not to push an agenda). On the contrary to this argument is the idea, that same-sex couples are becoming more and more normal thus they should make it recognizable to children.
When television first appeared back in the 1940's, times were very different. What we would consider completely normal today would have seemed quite taboo just a few decades ago. For example, in 1953, Lucille Ball was not allowed to say the word "pregnant" while she was expecting baby Ricky and it wasn't until the 1960's show Bewitched, that we saw a married couple actually sharing the same bed. Considering how conservative the television networks were back then, it is not hard to deduce that something as controversial as homosexuality would be far from discussed or portrayed at any level. It was only in 1973 that television premiered its first homosexual character. Over the next three decades the emergence of gay and lesbian characters in television has increased and decreased as the times have changed. Due to the resurgence of conservatism that came back in the early 1980's, homosexual topics were again reduced to a minimum. Since that time though, as many people can see, there has been a rise of gay and lesbian characters on television. One might think after a first glance at the previous sentence that there has been progress among gay and lesbian communities to have a fair representation in the media. However, if one looks hard at the circumstances surrounding their portrayal, many people may start to believe that if there has been any progress then it has been quite minimal.
“The unprecedented growth of the gay community in recent history has transformed our culture and consciousness, creating radically new possibilities for people to ‘come out’ and live more openly as homosexuals”(Herdt 2). Before the 1969 Stonewall riot in New York, homosexuality was a taboo subject. Research concerning homosexuality emphasized the etiology, treatment, and psychological adjustment of homosexuals. Times have changed since 1969. Homosexuals have gained great attention in arts, entertainment, media, and politics. Yesterday’s research on homosexuality has expanded to include trying to understand the different experiences and situations of homosexuals (Ben-Ari 89-90).
The 1990s saw surge of gay characters in both television and movies. From Ellen Degeneres and her character Ellen Morgan coming out under much scrutiny on the TV show ‘Ellen,’ to Julia Roberts and Rupert Everett comedically playing off each other in the motion picture ‘My Best Friend’s Wedding.’ Sure, gays and lesbians have been around forever, especially in Hollywood. But never has there been a time to be more out. With the popularity of shows like Will and Grace, which feature leading gay characters, as well as Dawson’s Creek and it’s supporting character of teenager Jack McPhee, we are slowly seeing gay and lesbian characters creeping into the mainstream media.
On television, I watched characters such as Marco del Rossi and Paige Michalchuk on the Canadian teen-drama Degrassi. These were the first positive experiences I had of what gay culture was like. Of what I saw, I did not feel like I fit into that lifestyle/group. On the other hand, the movie The Matthew Shepard Story shared the violent side of homosexuality’s history in the retelling of Matthew Shepard’s murder.
In the face of a homophobic society we need creative and critical processes that draw out the complexity of lesbian lives and same sex choices, not a retreat into the comforting myths of heroines and unfractured, impeachable identities
middle of paper ... ... Works Cited Adam Sharpiro, Megan Schultz, Christina Roush, Cassandra Schofar, Emily Shilling, Tawnia Simpson, Natalie Sampiller. Portrayal of Homosexuality in Media. 26 March 2014 http://www.bgsu.edu/departments/tcom103fall2004/gp16.pdf>. Huegel, Kelly.