The major plot outline in both the short story and the movie
The central drama and point of conflict in any love story is the obstacle between the lovers. In the best known tragic love story in Western history, Romeo and Juliet, the obstacle is their feuding families; in the classic film Casablanca it's virtue and in Brief Encounter, it's the marriage of one of the lovers. This is a story of unfulfilled love in Wyoming. Ennis and Jack, a ranch hand and an aspiring rodeo rider, work together as sheep herders in the summer of 1963 on Brokeback Mountain in Wyoming. When both drunk in one cold night, they raised their friendships to a new level of intimacy. They tried hard to hide their loves behind the social society because they wouldn’t be accepted in those conservative days. But their loves still were alive. They spent over 20 years stealing moments to affair. Brokeback Mountain becomes their dreams in their minds, which they never fulfilled in again.
Both the story and the film represent the concept of homosexuality, and the intertwined literary traditions of elegy and nostalgic discourse, which are so central to the depiction of sex love and passion. But Brokeback Mountain, film is much more complicated, as many other characters attempt to manipulate Ennis and Jack along their way. It involves a detailed subplot about Ennis relationship with Alma and Jack relationship with Lureen, and how she involves him with life. It is important to note that, while the film has the same premise as the story, the story focuses on men who have loved another man and lost him. Nostalgia and longing is hidden under the unaffected style of short story and film. That is why the works make such a strong impact on the Audince.
Foreshadowing
Heavy with foreshadowing, the film's climax is even more poignant because it's been set up time and time again throughout the script. From the moment Joe Aguirre warns the men to obey his rules and sleep with the sheep, we know that by ignoring his warning things will go wrong. Ennis communicates his fear of repeating his parents' mistake and driving off the curve in the road. His stumbling upon a bear in the woods spells the first signs of approaching danger. A second warning from nature comes in the form of the disembowelled sheep, lost to a predator, when Ennis and Jack break Aguirre's rules and spend a night away from the sheep.
The Outsiders by S.E. Hinton Published 1967 Published by: Puffin Books Genre: fiction The book The Outsiders is the realistic story about this between two very different groups in a town in the United States: the poor Greasers from the east side, and the Socs, whitch is what the greasers call the socials, the richer boys from the other side of the town. Ponyboy Curtis is the narrator of the story, a 14-year-old boy who lives with his two older brothers, Darry and Soda. He is a pretty good athlete and student, but is not treated the same as the richer students at his school. Ponyboy uses to have long hair that he greases back, a symbol of being in the outsider gang. He is unhappy with his situation, because Darry is too protective of him
Twelve Angry Men is a very interesting play about an unfortunate young man, who was convicted of killing his dad. The worst part was, the young man was only nineteen, and his life was just starting. The jurors listened to all the evidence, then came the hard part, making the decision: guilty, or innocent. Eleven jurors said guilty and only one said innocent. There was a lot of peer pressure involved. I decided to write about different peer pressures three of the jurors used.
Juror #1 originally thought that the boy was guilty. He was convinced that the evidence was concrete enough to convict the boy. He continued to think this until the jury voted the first time and saw that one of the jurors thought that the boy was innocent. Then throughout the movie, all of the jurors were slowly convinced that the boy was no guilty.
The movie is about two cowboys Jack and Ennis whose job it is to protect sheep on a mountain called Brokeback during the summer of 1963 in Wyoming. During the summer Jack and Ennis fall in love. But at the end of the summer they part ways and continue on seeing each other at various times in their lives. Jack goes on to marry a woman named Lureen Newsome and they have a son together. Ennis himself marries a woman named Alma and they have two daughters together. But Alma finds out about Jack and what see saw she can’t forget and she eventually leaves Ennis and remarries. Jack finally decides that he wants to leave his wife for Ennis ...
Frank Darabont (writer-director-producer) in 1999, returned to the director’s chair for the first time in five years. Darabont, who not only directed Shawshank Redemption, but adapted it from a Stephen King story, followed the exact same path with The Green Mile. The film was released by Warner Bros. Pictures, and Produced by Castle Rock Entertainment, Darkwoods Productions, and Warner Bros. David Valdes is the producer, David Tattersall, B.S.C. is the director of photography, Terence Marsh is the production designer, and Richard Francis-Bruce is the film editor.
Good Will Hunting is a film which conveys many interlocking themes and messages to its viewers. One of these nicely woven themes is placing trust in the people we care about as well as people we have only recently become acquainted with. Another message, arguably more significant than the last is finding and pursuing the potential one has and bringing meaning into our lives in any form we choose. I believe the potential and success this film demonstrates is that success, growth, and meaning in a person’s life does not always have to come in the form of advancing in a career or social status but rather in the form of overcoming hardships and developing close reciprocating relationships.
“Raging Bull” (1980) is not a so much a film about boxing but more of a story about a psychotically jealous, sexually insecure borderline homosexual, caged animal of a man, who encourages pain and suffering in his life as almost a form of reparation. Martin Scorsese’s masterpiece of a film drags you down into the seedy filth stenched world of former middleweight boxing champion Jake “The Bronx Bull” LaMotta. Masterfully he paints the picture of a beast whose sole drive is not boxing but an insatiable obsessive jealously over his wife and his fear of his own underling sexuality. The movie broke new ground with its brutal unadulterated no-holds-bard look at the vicious sport of boxing by bringing the camera into the ring, giving the viewer the most realistic, primal, and brutal boxing scenes ever filmed. With blood and sweat spraying, flashbulbs’ bursting at every blow Scorsese gives the common man an invitation into the square circle where only the hardest trained gladiators dare to venture.
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
An individual is shaped and molded by how they are treated by those that surround them. Most people value the opinions of those they care about and want to act in accord. Consequently, the choices people make are greatly influenced by the people in their lives. Sometimes, someone will become close with people who are different from each other. Such is the case in Good Will Hunting. Will Hunting (Matt Damon) struggles between the people that created him and the people that discovered him.
The Outsiders, by S.E. Hinton was written in 1967. This novel tells the story of the conflict between two different social groups, the greasers and the socs. The socs were the socials who lived in the rich part of town, and the greasers were the lower class youths. This novel tackles issues such as violence, class conflict, and prejudice. The novel takes place in the early sixties. The Outsiders examines how two different groups compete, and unite for survival, which is often justified with violence. Hinton’s publishers decided that she should publish the novel under the name S.E. Hinton. They were worried that readers would not respect a females perspective on violence, and that is why they chose the non-gender author name of S.E. Hinton.
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
The main themes of the story are loneliness, materialism, and freedom from society. Tyler was created because of the lack of connection the narrator had with the people around him. The narrator was lonely and attended so many support groups because of it. He was not rejected at the support groups because the members thought he was sick just like they were. Materialism is a reoccurring theme as the narrator mentions how he has worked his entire life for the Ikea items in his apartment. He tried to fill the void in his life by buying worthless, meaningless stuff. People spend too much time working for things they do not need. The narrator comes to the conclusion that, “You are not your job or your possessions.” Only once a person realizes that can he or she finally let go and start living. “It’s only after you’ve lost everything,” Tyler says, “that you’re free to do anything.” In order to be free, we must not care about the stuff we own. Our whole lives are spent working to pay for stuff. If we did not have stuff to pay for, we would not have to work as hard and our time could be spent doing something more meaningful.
It has been said that the best things in life are worth fighting for. In the
While one could watch both love stories in a surface level way for purely entertainment purposes, the acknowledgement of what the social orders were during time periods each movie was made in, as well as what the movie’s purpose was, creates a tension between the reality portrayed on screen and real life reality. Through the application and deployment of genre conventions common of the romantic comedy, Classic Hollywood cinema is able to produce two iconic couples which act as physical manifestations of both Singin’ in the Rain and It Happened One Night’s larger themes of the illusionary characteristic of movies and the challenging of traditional gender