Brief History Of Claude Garamond

1053 Words3 Pages

An old-style serif typeface is a group known as Garamond all of which are named after the punch-cutter Claude Garamond (ca. 1480–1561). Although they are named after Garamond, most fonts are known to be closer in appearance to the work of Jean Jannon. Robert Slimbach than designed adobe Garamond in 1989. The roman weights were based on the true Garamond, and the italics on those of punch cutter Robert Granjon. This font has been expanded to include small caps, titling caps, expert fonts, and swash caps, which were typical in the fifteenth and sixteenth centuries.

Claude Garamond born in Paris, France in 1490, started his career as an apprentice for the Parisian punch-cutter and printer, Antoine Augereau in 1510. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punch-cutter. It was during the early part of the 16th century that Garamond and co-workers realized that the typography industry needed unique multi-talented people, in order for the finest books to be produced. Claude Garamond was the first to specialize in type design, punch cutting, and type founding in Paris as a service to many famous publishers. Although most printers during the time period were able to master the artistic and technical skills behind the production of books, from type design to bookbinding.

In 1545 Garamond publishers his own types including a new italic as well as became his own publisher and publishing his first book called Pia et religiosa Meditatio of David Chambellan. Having to rely on his creativity with much discipline Claude Garamond was able to produce magnificently well-crafted products. He than used the publishing style of the Venetian printers who catered to the absolute elites of hi...

... middle of paper ...

...as been reissued as a Pro type family allowing advanced typographic capabilities, thus allowing the elegant type family an even greater efficiency and precision within applications such as InDesign.

Adobe Garamond was produced with a latter approach, thus the design process for Adobe Garamond took over a year’s period of time, and known as Adobe’s first revival. Slimbach started studying Garamond samples food in books. As well as the well-known Egenolff-Berner specimen sheet of 1592 displaying, a number of Garamond’s and chose size (approximately 18 points) as the primary model for the roman design. Working from available Garamond specimens he made a set of trail drawings that would be digitized and would be made into a working font. The trail font was than reviewed by the Adobe Type Advisory Board, which included the late designer and type historian Steven Harvard

Open Document