Man Ray was an American filmmaker, painter and photographer. As a young child, he indulged himself in the life of expression of emotion through various forms of art. Ray’s interests had lead him to create some of the World’s most memorable pieces, such as Black and White; a photograph taken in 1926. Man Ray was born on August 27, 1890, in South Pennsylvania as the eldest of four children. He was born with the name of Emmanuel Radnitzky, but developed the title “Man Ray” from his childhood nickname “Manny”. Raised by Jewish immigrants, Ray and his younger siblings were recruited to help their parent’s small tailoring business. Even though Ray preferred to have few details of his family in his public life and art, art historians have been able
to identify works of tailoring and patterns throughout his art. During his time at Brooklyn’s Boys’ High School from 1904-1909, he was given techniques of drafting and other forms of art that lead him to pursue a career in artistic fields. Man Ray’s career had a rough start. Without a lot of support from his family, he began by squeezing an art studio into his bedroom. Things steadily got better as he began to make money from commercial art. Eventually, after years of school, he moved to Paris, France in 1921 and began to experiment with photography. Sadly, he was forced back to the United States when World War II began. Once back into the U.S., he settled in Los Angeles, California. My personal favorite piece of Man Ray’s work is the photo, Black and White. Taken in 1926, this photo shows a contrast between the white skin of Kiki de Montparnesses and the dark tone of the African Mask she is holding. I chose this photo because the simplicity of it doesn’t really compare to the meaning it holds. Man Ray’s interests as a child lead him to create meaningful works of art and pursue his artistic dreams. Without his determination, we would not have been given the opportunity to ponder and appreciate beautifully elaborate photographs like Black and White.
Raymond Lewis was born on October 8, 1910 in Hamilton, Ontario. He was the youngest son of Cornelius Lewis and Emma Green. Living in that era, Lewis faced racism in many forms, such as kids his age calling him names, or teachers treating him poorly because of his skin colour. While this may have been upsetting and demotivating for most, for Ray it was actually helpful, as all the negativity just motivated him to do better and work harder. Apart from that, he was also known as “Rapid” Ray Lewis, as he could outrun anyone his age. From that moment, anyone knew that he would outshine his peers in the future.
Ernie Barnes was and still is one of the most popular and well-respected black artists today. Born and raised in Durham, North Carolina, in 1938, during the time the south as segregated, Ernie Barnes was not expected to become a famous artist. However, as a young boy, Barnes would, “often [accompany] his mother to the home of the prominent attorney, Frank Fuller, Jr., where she worked as a [housekeeper]” (Artist Vitae, The Company of Art, 1999). Fuller was able to spark Barnes’ interest in art when he was only seven years old. Fuller told him about the various schools of art, his favorite painters, and the museums he visited (Barnes, 1995, p. 7). Fuller further introduced Barnes to the works of such artists as, Raphael, Michelangelo, and Correggio, which later influenced Barnes’ mannerist style of painting.
3. Throughout the movie, it was apparent that Dr. Francis and Dr. Gallo, displayed the same objective of wanting to discover the cause of AIDS; however, in terms of critical thinking, it’s obvious that they utilize different styles of critical thinking. To further explain, in one segment of the movie, Francis compares and correlates already known viruses that cause cancer, damage t-cells, and exhibit the same symptoms with what he thinks might be the cause of AIDS. However, Francis is comparing his fields of expertise in which he already knows and thinks might be true, not with what has been scientifically proven; therefore, he is using wishful thinking, a speed bump of critical thinking. There are also times in the movie, where Francis thinks
...ce was recognized for his talent. Despite the primitive look of Lawrence’s painting the gesture are read and reveals a set of principles inspired by African-Americans. Thus, the modernist aesthetic of his art shows the critical faith of a people oppressed and striving to get ahead. Therefore, elements of his work and themes like man’s struggle produce one of the United States most famous African-American Artist of all times Jacob Lawrence.
Two of the most extensively analyzed works of art are Diego Velasquez's Las Meninas and Jan Van Eyck's Arnolfini Double Portrait. Both of these artist's talent won them recognition not only during their lifetime but after as well. Both Velasquez and Van Eyck have a justly earned title as the most talented artists of their respective times. A detailed examination of the details and intricacies of these artist's respective masterpieces, their similarities, and what sets them apart not just from each other but from other paintings from their time period and style, will lead the viewer to a better understanding of the mentalities of these gifted artists and how they transcend their respective genres and contemporaries to create their own artistic identities.
Sam Gilliam is was born in Tupelo, Mississippi on November 30, 1933. He served in the United States Army for two years. He received his education from University of Louisville and is a world renowned color artist. Morris Louis and Ken Noland’s works of art had a huge impact on Sam Gilliam and his works. Gilliam taught in Louisville publics schools and many art colleges. He is known for his colorful and unique art. He was one of the first artists to not frame his art work instead he would just paint on a bare canvas or drapes. His art style is very modern and loud. When someone looks at his works of art they have instant imagination and questions. Gilliam leaves his works of art up for interpretation, there is no solid meaning to them. Anyone can make see whatever they want, his art allows for freedom and Ray II is no different.
The Sociologist and the Movie Man Gerry Garibaldi, a high school teacher, and Michael Kimmel, a professor of sociology, both explain how the consequences of the feminist movement are harming boys in school and later in life. Kimmel and Garibaldi present their views on the gender education problems in their articles “How Schools Shortchange Boys” and “A War Against Boys”. Both make passionate arguments and prove that boys are at a disadvantage in modern feminized classrooms. Kimmel’s arguments about the problems boys face in the American educational system are more convincing than Garibaldi’s, because his style of argumentation is more objective, supported by more statistics, and provides an unbiased restatement of opposing views. Garibaldi shares his professional experience in order to prove that boys are the ones who are being short changed in schools today.
Many of Frank Gehry’s early works reflect a refined manipulation of shapes and structures, whereby many of his buildings present distorted shapes or apparent structures. From the Guggenheim museum to the Walt Disney concert hall, Frank Gehry’s architecture is close to none. He cleverly plays with shapes and geometries. In this essay, I shall start with a brief analysis of Gehry’s house and the influences in the design of the house. I shall then analyze the extent to which Frank Lloyd Wright has inspired and influenced Gehry in the design of his house through a comparison with Frank Lloyd Wright’s Jacob’s house.
Nicholas Ray's films frequently address a competition between a 'father' and 'son' (whether literal or figurative filial relationship). More importantly, Ray has an ideological approach to these struggles. In his films, homosocial struggles are always supplanted by Ray's desired outcome of an idealized heterosexual coupling. That is, the threat of prolonged homosocial desire between his characters is usually eradicated by the death of one of the dueling men. The deus ex machina nature of the deaths implies that the resulting heterosexual coupling is somehow the way things "ought to be". In Bitter Victory and The Lusty Men, the women are clearly the people over whom the men fight in their struggle to establish a 'home' or security (with that woman). In Rebel Without a Cause, however, the male-male-female love triangle is complicated by the on-screen presence of a nuclear family that effectively literalizes Freud's Oedipal conflict.
[1] Hollywood is no longer just a name, it is a business, a living entity holding America’s people in its grasp, and it is not about to let them go. Gradually taking on more responsibility and trying to build up its reputation over the years, Hollywood has progressively assumed the position of history-teller for the American public. This role, whether or not an appropriate one for an industry such as Hollywood to tackle, has catapulted actors and actresses into high paying, high visibility positions. History has and will continue to be one of the main subjects that the movie industry has been fascinated with. It is an alive and very fragile subject that, through its multi-dimensional character, requires careful attention by everyone involved in the project. Whenever Hollywood tackles an historical topic, whether portraying a non-disputable factual event or only a vaguely one, the industry is bound to encounter dispute and criticism.
The Bolshevik Revolution was a defining turning point in Russian history. This overall revolution consisted of two individual revolutions in 1917 which resulted in the overthrow of the Tsarist government and the formation of a socialist society led by Vladimir Lenin’s radical Bolsheviks. For a moment with such enormous weight like the Bolshevik Revolution, there will be various interpretations on the true results of that moment and the meaning and value of these results. The film Man with a Movie Camera deals with the results of the Bolshevik Revolution and the early Soviet Society it birthed as it utilizes footage of one day in this early Soviet Union, thus making it worthy of examination. In the film Man With a Movie Camera, Vertov impressively
..., where his paintings grew even more popular due to their religious themes. His study in drawing and painting became beneficial to becoming friends with a renowned mentor, Stuart Davis. “In the early 1930’s, he joined the Harlem Artists Guild and was responsible for the drawing of cartoons that were to be published in Baltimore Afro-American. He formed the spiral group that dealt with the promotion of the black artists’ works, as well as, exploring ways for contributing to the civil rights movements at that time” (edu, 2014). His lifelong commitment to African Art, helped shape the way that African American art was viewed.
On May 11th, 1904 a young artist by the name of Salvador Dali was born in Figueres, Catalonia, Spain. An artist who would grow and who works would impact the world. Dali has several museums around the world with his artworks displayed. During my visit to the Dali Museum located in Saint Petersburg, Florida it was an intriguing and informative trip into the artwork of Salvador Dali.
Born on 28 February 1929 in Toronto, Canada, Frank O. Goldberg entered a household with a strong Polish and Jewish heritage. Twenty years earlier, Thelma Caplanski left Poland with her parents, a couple with deep religious morals. Once they settled in Toronto, the two decided to change their last name to Caplan. The owner of a hardware store, her father was also the president of a synagogue. His wife, Frank’s grandmother, was said to have good visual abilities. Thelma would continue working with the Jewish community through a Yiddish theater and the Jewish Women’s Organization as she raised Frank. Like several of Howard Gardner’s figures, Frank was close with his mother and grandmother.
This is a movie about a professional killer, or "Cleaner", named Léon played by Jean Reno, and his unlikely interaction with a 12-year old girl, Mathilda played by Natalie Portman. Mathilda's family is murdered by corrupt Drug Enforcement Agents (DEA) lead by Agent Stansfield played by Gary Oldman. Agent Stansfield, is portrayed as a drug addict, mentally unstable and an overtly violent and corrupt law enforcement team leader.