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Steven spielberg biography second edition page essay
Steven spielberg biography second edition page essay
Steven spielberg biography second edition page essay
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Bridge of Spies tells an account of the Cold War from American attorney James Donovan through his involvement in negotiations for captured American U-2 pilot Francis Gary Powers, in exchange for Soviet spy Rudolf Abel. Released on October 21, 2015 and directed by Steven Spielberg, this film was nominated for, and received numerous awards. It was met with critical acclaim and was a box office success, earning $165.5 million, over four times its budget. In 1957, Rudolf Abel, a European man living in America, is arrested with suspicion of being a Soviet spy. Insurance lawyer James Donovan is assigned to the case to act as the defense for the accused spy. Due to an enraged public and a judge who seems to have already made his decision, the suspected spy, Rudolf Abel, is found guilty, …show more content…
In Bridge of Spies, the film score is composed by Thomas Newman, a new composer for Director Spielberg, as he usually works with John Williams. The music Newman crafted for the film contains a mix of American and Russian musical themes, fitting and encouraging the emotions felt throughout the plot. Film sound recorders Andy Nelson and Gary Rydstrom worked together to create the sound effects for Bridge of Spies. Describing the opening scene where Abel is followed through a New York subway, Newman said, “Down on the platform Steven wanted to create a few different languages of people passing by to sense that multicultural influence in New York, and the distraction of someone’s line or a giggle or a laugh as they walk past them...” (Desowitz). This contrasts from the chilling sounds of despair commonly heard from citizens in East Berlin later on in the film, or the adrenaline inducing explosions and engine failure of the U-2 plane Francis Gary Powers piloted. The music, sound effects, and dialog of the film all work in unison to strengthen the effect and message it has on the
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
The film, “Bridges of Spies” did accurately portray the historical events during the Cold War, but to an extent it did have some discrepancies in the film. This film portrayed the Cold War and the Communist hysteria very accurately. The film got the part of the prisoner exchange correct. The prisoner exchange occurred at Glienicke Bridge on February 10, 1962. First, the Yale college student, Frederic L. Pryor, was released at Checkpoint Charlie. Then the United States received confirmation of the release of Pryor then allowed for Rudolf Abel to start walking across the bridge. According to “Bridge Of Spies Reel VS. Real” it states,” Soviet spy Rudolf Abel was then swapped at Glienicke Bridge for downed American U-2 pilot Francis Gary Powers.”
The movie Shock Doctrine revolves around the concept of the same name. The film begins by discussing psychological research on the effects of shock therapy. It is evident that a person under extreme stress and anxiety commonly experienced during a crisis functions and performs inadequately. It is noted that the studies are conducted by a man by the name of Milton Friedman, from the University of Chicago; the studies took place in the past, and some of the subjects are still recovering in the aftermath. From this research, interrogation techniques were learned and the concept of the shock doctrine was formed. Essentially through causing a crisis, the population of a country can be shocked into complying with accepting laws that favors the United States and capitalism. This theory coexists with Friedman’s belief in that government regulation is bad, and through a crisis a country would better itself with deregulation. The video uses Chile as an example and shows how America allowed a crisis to occur in Chile, through coups, interrogations and subterfuge. In the end a new government is formed that allows capitalism. Unfortunately afterwards violence and riots occur, as the rich gain most of the wealth and poverty rises. In addition to Chile, Argentina, Russia and even Iraq underwent the shock doctrine. Almost in every account, poverty rises and violence ends up erupting. The movie ends by showing how the US was in the process of the shock doctrine, and still is but the population has taken notice. Protests such as Occupy Wall Street are some of the initiatives necessary to bring awareness to the problems of class inequalities in order to prevent capitalism from benefitting the rich and increasing the wealth gap among the classes.
At the start of the film, Marker put in this familiar noises of the planes to tell us that it was situated at the airport. Without the use of the sound in this particular scene, it would be just a photo montage whereby the viewers wouldn't probably feel the present of planes. Music helps to establish a sense of the pace at each of the accompanying scene and sometimes overlap voice-over musical score. At the beginning of the film, the images of the war torn Paris was accompanied by some sort of choir music that sounded very depressing and melancholic which then adds to the atmosphere. With the film starting off with this eerie atmosphere could also foreshadow a depressing storyline later on, that the protagonist meets his own death. Furthermore with the deliberate use of music in various part of the film, it kind of foreshadow the tragic ending whereby the fixated image of him as a child watching someone die at the
destruction seen in the film into their own lives, by using familiar, mundane sounds that make a
Enhancing the sustained fright of this film are an excellent cast, from which the director coaxes extraordinary performances, and Bernard Herrmann's chilling score. Especially effective is the composer's so-called "murder music," high-pitched screeching sounds that flash across the viewer's consciousness as quickly as the killer's deadly knife. Bernard Herrmann achieved this effect by having a group of violinists frantically saw the same notes over and over again.
We notice nondiegetic sound in Breathless immediately when the film opens. In the background, a nondiegetic jazzy, gangster like musical score by Martial Solal dominates the ‘feel’ of Breathless. Trumpets, piano, chimes, and orchestra music cue the audience to suspenseful events such as, the chase in the first act. For example, sleepy jazz music is suddenly transformed into
For this essay I will be looking at the work of Hans Zimmer to discuss how music in film engages the viewer and evokes emotion and pulls the viewer toward the film. Hans Zimmer is a German born music composer. Hans Zimmer’s love of music stems from his childhood when he learned how to play various instruments. Before Zimmer began composing music for films he was in a well-known band. The band was called The Buggles whom were famous for their song Video Killed the Radio Star. After the Buggles Zimmer played in other bands but never had another hit. As Zimmer has progressed as a film composer so has his list of nominations and awards. Zimmer has won 4 Grammy Awards and 2 Golden Globes and many more for his outstanding film scores. The reason I chose to write this essay on Zimmer was that his genres and music score are extremely versatile ranging from animations to comedy to dark thrillers. This is important to highlight as it shows Zimmer can create almost any atmosphere with his music whether it be sad or creating tension that all cause us to engage with the film. Zimmer's use of themes and introduction of different instruments allowed him to create these wonderful engaging film score. In this essay I will look at three films by Hans Zimmer these are The Holiday Rush and Rain Man.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
In conclusion, I have demonstrated how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types. With this sequence, Coppola has shown the savagery of war and our complicity in this violence as an audience.
Pearl Harbor was a very vicious attack by the Japanese on the US. On December 7, 1941 US Pearl Harbor was attacked by Japanese fighter jets. United States had been aware of a possible attack since the 1920s; the US became more involved when the Japanese invaded Manchuria. Attack on Pearl Harbor was the beginning of something big, a bloody war between the Japanese and the United States. United States was not expecting such an event; it was such an unannounced attack on the naval base in Pearl Harbor, Hawaii. That unexpected attack on December 7, 1941 was originally just a preventive effort for keeping the US from interfering with military action the Empire of Japan was planning in Southeast Asia. Japan wanted to cripple the pacific fleet so they wouldn’t foil their plan to create a defense perimeter in the Southwest Pacific. Japanese aircraft launched two aerial attack waves sinking four US Navy battleships and damaging two other battleships. The attacks also led to a high number of deaths. There original plan was to attack all of the US aircraft carriers. The attack on Pearl Harbor resulted in US entry into World War 2.
Alfred Hitchcock’s 1960 thriller Psycho is commonly referred to as a cinematic masterpiece, with its chilling cinematography and thrilling storyline. However, the music and sound in Psycho can be easily overlooked in comparison to its visual aesthetics. The article “Psycho and the Orchestration of Anxiety” by Stephen Deutsch focuses on the film’s iconic soundtrack and the stylistic, emotional, and storytelling role that it plays. Deutsch credits the sound’s stylistic influence to television dramas of the 1950s.
...n, the use of sound in films is highly significant in the development of the plot and in turn the development of the theme. Although, the sound components play a very significant role individually, it is through the combination and manipulation of such components that the sound design of the sound track has a greater impact emotionally upon the audience. Moreover, the effectiveness of this emotional impact can be significantly increased through the implementation of an effective combination sound to the image. Such combination can be seen within Gravity which exhibits a soundscape that successfully assist in bringing the world of the film to life. Sound is important to films and is an essential feature, many a time an audience will not even self-consciously acknowledge the music or sound effects but if they weren’t there the viewing pleasure would not be as pleasing
Although admittedly some scenes have a comical side to them, Besson's fast paced action and gruesome images hold the tension and suspense brilliantly. His use of close-ups and camera movements, especially the subjective stance used by the victim, convey the feelings felt by the characters and the way in which they behave. Sound plays a crucial role in the opening sequence because, in my view, it is used to control the level of suspense and intrigue.
Along with the scenes, dramatic music plays with a drum beat getting louder and louder. Then the film opens up with a quote saying “Our biosphere is sick. We have a planet that’s behaving like an effected organism.” The consistent quick images of total destruction leave the audience with a feeling of impending doom and the end of the world. Our society usually lives in a bubble completely forgetting what’s happening around us.