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Christian reflection on salvation
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Christians often view salvation as a heavenly resting place of love and comfort; in reality, however, salvation is a lifelong journey that bridges the gap between Heaven and Earth. Believers cross this spiritual bridge through faith coupled with good works. “Bridge,” a short story by Daniel O’Malley, features a young, boy who struggles to comprehend, and find, salvation. In the story, “Bridge,” various Biblical allusions express the motif of a path to salvation.
Two biblical allusions immediately propel the reader into the complexities of salvation; as the narrator contemplates his daily routine, he remembers two Bible stories as he says, “...but also about the flood and locusts and frogs and other plagues that had happened before and could
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happen again…(192). Here, the narrator references the stories of Noah and the Flood in the Book of Genesis and The Ten Plagues in The Book of Exodus. These stories discuss the consequences nonbelievers face if they fail to recognize the God of the Hebrews as the one, true God. They, however, also express the graces that believers will receive. Noah and his family, always following God’s law, escape drowning and establish a new covenant stating that God would never harm humanity as He once had. Promoting the overall motif of salvation,, O’Malley alludes to the hopes and the promises God made with Noah, therefore giving the readers the same confidence and hope the narrator feels as he remembers a cherished Bible story and. When discussing the capabilities of his memory, the narrator displays his feeling of confidence when he proudly states, “[b]ut his memory was strong”(192). Although the narrator may forget, his hope for salvation, or more locally his hope for his parents’ mercy, prevails. Like Noah’s tale, the Ten Plagues is the tale of Moses as he leads the enslaved Hebrews to freedom and eventually, their promised land. In the Book of Exodus, Moses narrates the condemning, harmful, and hellish plagues that fell upon the Egyptians for refusing to free the Hebrews; however, it also conveys the blessings, protections, and miracles that will come to the followers of God. The narrator feels protected as he climbs under his bed, “he found it easier to think this way, easier to concentrate”(194). Like the Hebrews, the narrator feels frightened; however, he manages to find safety under his bed as he concentrates on his lessons. The bed represents God’s protection, and since the narrator is under it, he receives all the physical, emotional, and spiritual protection he requires. O’Malley achieves the feeling of miraculous protection through graciously executed allusions. The motif of salvation becomes solidified with the final Biblical allusion which occurs when the narrator discusses the lost souls who consume the fish in the log cabin, “On the other side of the bridge, he knew, was an enormous building built to look like a log cabin where people came to live for a few days at a time and eat fried fish…[a]s for where the fish came from, he wasn’t sure”(192-193).
This lesser known story recounts that, while out preaching, Jesus, rather than sending a hungry crowd away to starve in their barren, unfruitful city, performed a miracle and fed them all with fish and bread. The story of Jesus feeding Five Thousand from the four Gospels indicates a strong and significant Biblical allusion. O’Malley uses the final allusion to show that those still learning can begin to receive the fruits of salvation. The narrator, still learning his faith, receives this blessing as he witnesses the miracle of the suicidal couple turning into birds, “... their bodies shrank and their arms turned flat and wide, flapping”(195). For any child, witnessing death, especially suicide, can cause negative psychological side effects. Because of this, God grants the narrator peace of mind, one of the fruits of the Holy Spirit, as he begins his personal path to …show more content…
salvation. Although the narrator could be focusing on the punishments described in Genesis, Exodus, and the Gospels,readers learn he is not..
Like all believers, he learns to comprehend the stories in the Bible and view them as stories of hope and happiness. Having understood this, he expresses feeling of content, rather than fear as he says, “...he wasn’t upset anymore”(195). His feeling of contentment allows readers to allow for “Bridge” to contain the motif of salvation.
The uncrossed bridge of salvation represents the motif of salvation. Unused, mistreated, and practically forgotten, the bridge represents the neglected path of salvation seen with modern young adults and teenagers. “Bridge” uses Biblical support to encourage readers to reconnect with salvation and begin the journey that starts in the soul. At the end of the story, the narrator questions, “[p]eople crossed it now...usually only halfway….”(195). As the story concludes, the narrator strengthens the motif by showing that Christians must not simply expect salvation, they must actively seek it
out. Easy to find, yet hard to cross, the bridge to salvation in “Bridge” shows readers that study of the Bible will only get believers so far; like in all three Bible stories, believers have to completely cross the bridge to find eternal peace. The stories found in both the Old and New Testament portray the spiritual completeness and perfection that believers can find on the path of salvation which can change heathens to devout believers. “Bridge” by Daniel O’Malley illuminates the saving bridge to eternal happiness that every reader, like the narrator, should begin to think about crossing.
All biblical stories are dedicated in providing a life lesson. They are God’s ways in teaching His people on how they should behave and how to better their relationships with Him. In addition, the accounts also give insight to characteristics and truths of God. The lives of numerous biblical characters serve as archetypes that affirm the fact that God is the sovereign Creator, the supreme Judge, and the merciful Savior.
The story “Salvation” found his genesis from Langston Hughes ' childhood about the struggle to reconcile adult concepts with a childish mind. The metaphor applied in this narrative short story was “to bring the young lamb to the fold”. Other of symbolism was used in this short story as well like simile. The setting of this narrative story was a church, a revival, the
Because of Daniel Keyes’ allusion to Genesis Chapter 3 in his short story, “Flowers For Algernon”, it is made apparent that Charlie, an individual once unaware of his vulnerability, faces societal and mental repercussions due to his sudden attainment of knowledge, illustrating to the reader; with knowledge comes consequences.
The book, just like his perspective, is broken down into three different section: “Breaking Down Barriers”, “Touching the Face of God”, and “Building Bridges”. Godsey believes that the
Engagement with others is the most fertile ground for spiritual growth. Yet, salvation cannot come through individual questing nor good works in the community of the world alone. Salvation can only come when the journey and the work become
“Their foot shall slide in due time.” This biblical verse is core to Jonathan Edwards’ speech to the congregation in several churches. Edwards preaches against nonbelievers, warning them of their imminent retribution from God. He highlights that God’s wrath is upon them and will annihilate their entire being to the highest degree. Through a complex incorporation of various descriptive imagery tools, Edward invokes fear and despondence to his audience; his audience are bullied into believing in his God. Edward provides requisite imagery through well structured arguments, use of relevant evidence, and appeal to fear.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
He leads us to question whether this story actually takes place, or is the story merely a tool, a demonstration of a moral Puritan principle, similar to a parable found in the Bible. The effect is the same: a lesson about morality, about living life as God would want us to, and the consequences we suffer when we fail to do so.
Both of these encounters prove that while Christian meets obstacles that are seemingly impossible to overcome, he not only survives, but is able to arrive at his destination in the Celestial City. The Celestial City, a place of eternal peace, security, and freedom from the bondage of sin, is comparable in value to the difficulty of the trials Christian
14 Jonathan T. Pennington. Heaven and Earth in the Gospel of Matthew. (Baker Academic: Grand Rapids, 2009), 214.15 Dale C. Allison, Jr. Studies in Matthew: Interpretation Past and Present. (Grand Rapids: Baker Academic, 2005), 101.16 Frank J. Matera. Passion Narratives and Gospel Theologies: Interpreting the Synoptics Through Their Passion Stories. (New York: Paulist Press, 1986), 115.17 Dale C. Allison, Jr. Studies in Matthew: Interpretation Past and Present. (Grand Rapids: Baker Academic, 2005), 229.
When Hughes was thirteen he attended a revival with his Aunt it was his turn to "see Jesus," his entire community and church all waiting expectantly for the moment when he was finally saved from sin. Unfortunately for Hughes, salvation did not occur. His fellow peers that he would be delivered, to Jesus convinced him. He was so caught up in the idea that when it did not happen, and when it did not, he felt like an outcast amongst his religious community. People crying, and praying for him at his feet, Hughes did not want to be the reason for all the madness happening around him. He stood up and acted as if his salvation had come to him, although deep within he knew it had not. "My aunt came and knelt at my knees and cried, while prayers and songs swirled all around me in the little church. The whole congregation prayed for me alone, in a mighty wail of moans and voices” (Hughes 111-112). Influenced by the wales and the cries, Hughes started to feel as if he was the problem, that something was wrong and it was up to him to fix it. As the congregation prayed for him alone, and his aunt cried and prayed by his feet, a wave of social pressure came to him at once. To stop the crying, and the constant praying there was only one thing to be done, although he knew he was never actually saved, he stood to his feet, and the religious community and church all rejoiced as they
...lights the importance of being broken and the role it plays in leading the speaker back to the Lord.
Unredeemed humanity is on a run-away freight train careening down a slithering track at breakneck speed hurdling towards a 10’ thick brick wall. Their train has no brakes, the engineer is gone, and they are doomed. However, there is hope - they can be saved. All they have to do is reach out and take the hand of a Savior, but will they? We see the hand of the Savior reaching in through the windows of the train. He is desperately searching the train cars, His eyes are moving to and fro, His hand is darting in and out of the windows as He plucks each redeemed soul and holds them close to His bosom. He knows the emanate danger and can see their calamity and horrible death. A few lucky souls have reached out and taken hold of the promise of salvation. He gently lifted them out of the peril and set them on solid ground. They are not that different from the doomed sinners on the train, they just wanted salvation from the clear and present danger they saw before them. The other poor wretched unredeemed in their company will now absolutely perish. They will be lost like so many billions before them. The ironic thing is that they all knew in their hearts what would happen if they did not grab hold of that Hand of Salvation thrust through the window of that train. They knew that Salvation was required in order to save them. What drove them to turn from their obvious rescue? Sin stopped them from accepting the Hand of salvation when He offered it. We see in 1Revelation 16:10-11 that even after humanity sees the end times tribulation and has suffered great curses and torment, they still will not repent. Sins hold on their eternal souls is so deep-seated they would rather succumb to eternal torture and death than repent and acc...
The three parables contained in chapter fifteen of the Gospel of Luke are a tightly woven trio anchored on either side by closely related teachings. The preceding chapter gives instruction on humility and hospitality, telling the reader to open the invitation to one’s meal table to all, including the poor, the sick, and the unclean. In the following chapter the reader finds instructions for how to use wealth to benefit those same people. In the middle of these we find chapter fifteen, containing the parables of the lost sheep, the lost coin, and the prodigal and his brother. As a part of the triplet, the parable of the lost sheep challenges the reader to not only invite the poor into one’s community, but to receive them as family with joy and celebration.
In his first opening story his use of descriptive words like lovable and furry helps the congregants envision the story in their mind as if they were watching it unfold. This opening story follows Wilson’s idea to open a sermon by “starting with a not-too-serious experience of the general theme.” The second story encountered in his sermon that reinforces his theme is also descriptive and is told like one was experience watching a scene in a