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Essay on gender roles in media
The rise and development of feminism
Gender roles in media
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When observing television shows and movies, many stereotypes of women commonly exist such as a mother, a dutiful wife or a sex object. Many of these movies and television shows display women as prize for men to compete for by generalizing their abilities and feelings. While it is typical for a woman to play a lead role in a romance film with some sort of fairy-tale ending, Bridesmaids defies the typical by portraying women as main characters in a comedy. Bridesmaids, the movie, focuses in on the struggling life of the maid of honor, Annie, who is competing with another bridesmaid, Helen, for attention from the soon to be bride, Lillian. Annie’s life happens to also be spiraling out of control after losing bother her jobs as a baker and a jewelry …show more content…
The theories of Feminine Mystique suggest that “all women are inherently domestic” and giving Annie, the main character, the title of a baker, the film suggests that she is domestic (Ankerson, 2016). Additionally, symbolic annihilation states, “if women worked outside the home at all, they worked as secretaries, nurses, teachers and in other positions subordinate to men” (Ankerson, 2016). When examining the title of a baker, it is typically seen as a woman’s job as opposed to a man’s job. Along with this theory, it is also supposed to be beneath men who are typically seen having professional jobs such as CEOs of firms or lawyers. This helps to establish that the film represents the women being portrayed in it as domestic. Ultimately making them seem less successful in the job force than men. Along with this notion, rather than having Annie or any of the other main female characters in the film having a high ranked job, they are all mainly seen as housewives, stay at home mothers or have a stereotypical domestic job. Following in the film, Annie receives a job as a jewelry sales woman, her job had her use her looks to sell the jewelry. The audience can clearly see this when Annie’s boss tells another employee to “show Annie your love is eternal face” (Townsend, Mendel, Apatow & Fieg, 2011). This helps to show how the employees boss treats is workers like sex objects in order to help sell and promote more products in the store. This specific action helps to represent women in this particular film as unintelligent people whose only important quality is their outer physical appearance. Alongside this stereotype, women portray the stereotype of a mother in this film. This can clearly be seen by Rita in the film who is constantly cleaning up after her children. When she first met Annie, she says her kids, “are cute, but when they reach
Jeunet’s Amelie and Ham’s Tilly enter as outcasts; who long for acceptance and normalcy from the members of their societies. The use of settings in the novel and film are used as a visual representation of Tilly and Amelie’s isolation. Tilly is “detached” at the top of the hill but able to “[see] everything”, just as Amelie is in her high positioned apartment that overlooks the unfairness in Raymond Dufayel and Lucien’s lives. They experience detachment in different ways, with Amelie growing up “deprived of playmates”, never learning the social skills necessary to enter society, and Tilly being isolated, for being “the dangerous one” and sent away from the society at a young age. They are after the approval of everyone around them as the women
My Big Fat Greek Wedding is a film made in 2004 directed by Joel Zwick that evidently portrays several sociological concepts throughout the film. This film highly demonstrates the sociological topics of gender and culture all through the movie. The roles of gender, gender stratification as well as gender stereotyping are exemplified during the film. As for culture, the film displays subculture, counterculture, ethnocentrism, cultural relativism and cultural diffusion. My Big Fat Greek Wedding focuses on a single 30-year-old Greek woman, Toula Portokalos, who works at her family’s restaurant. Toula’s life takes a turn when she unexpectedly falls in love with a man who is not Greek. The film revolves around Toula’s family as well as her boyfriend,
contradicting roles the women play are used as ambiguous symbol for how women should act,
Written for the average American housewife, author Betty Friedan’s The Feminine Mystique is a true feminist novel. The piece of work was published in 1963, almost two decades after the end of WWII, at a time when a woman’s expected role was to be a housewife and a mother. It was during the war, however, that it was seen as socially acceptable, and even patriotic, for a woman to work and have a career outside of the home, being that the men were away at combat. With the demand of women in the workforce at an all time high, images of strong, ambitious, working women emerged throughout the media and press. Marketers capitalized on the theme of war and on this newfound sense of patriotism for women, and used it to sell their products. For women
The 2011 film Bridesmaids is a female-dominated romantic comedy that exemplifies all of the themes of Margaret W. Matlin’s textbook titled The Psychology of Women. The movie has commonly been referred to as the female version of The Hangover, which is only the first of many gender stereotypes that this movie represents (Savage, 2011). While it might be considered a stereotypical “chick flick,” this movie is a realistic portrayal of the difficulties that many women face in their adult lives. For instance, these women experience the struggles of romantic relationships, the stress of wedding planning, and the challenges of friendship. It revolves around six women: Lillian, the bride, and her five bridesmaids--two of which spend most of the film
with Oz. Chris “Oz” Ostreicher, played by Chris Klein, is a semi-experienced virgin and lacrosse player. Oz actually changes the kind of person he is to get the girl. Oz takes a more sensitive approach to land the “hot choir chick” American Pie, played by Mena Suvari. Heather Gardner, played by Mena Suvari, is the object of Oz’s affection.
“No one puts baby in a corner” and “no one will ever put the movie Dirty Dancing in a corner as long as it exists.” Dirty Dancing is one of my favorite movies. It has a great cast, awesome classic music, and fantastic choreography. Released in 1987, this romance film stars one of my favorite actors, Patrick Swayze. The story is a coming of age drama that documents a teenage girl’s coming of age through a relationship with a dance instructor whom she encounters during her family’s summer vacation.
In movies, the “girl next door,” the dangerous vixen’s, and the gold digger’s are female stereotypes.
Throughout the whole film you can really see how the women stand their ground and act towards men in the film, such as the girls Polly, Carol, and Trixie when they are discussing how to start Barney Hopkins film, men didn’t really listen to women’s advice but in that particularly scene Barney did listen. Carol one of the main characters, shows independence and strength and when Brad's older brother J. Lawrence professes his love to her but then gets rejected in the result of him not allowing Polly and Brad to have his consent on their marriage, Carol simply says “No” because, how is it right for them to get married but not her friend and his brother due to the fact that Polly is a showgirl as well as Carol. J. Lawrence shows how men were biased in the Great Depression and throughout the years to come, it also relates back to the title of the film “Gold Diggers” which was how Lawrence perceived women who were involved in the show business or not married. Trixie another show girl exemplified how gold diggers were during this era and she portrays a gold digger by taking advantage of Peabody the family’s lawyer and having him pay for her expenses and whatever she may want, although she does like him you can't really
Thinking traditionally, certain careers women commonly choose come to mind. Curiously enough, the careers of the women on Wisteria Lane entertain those exact jobs. Susan Mayer, a young mother of a school-aged boy, is sporadically employed as an art teacher. When she gets fired from a conservative private school for being too outspoken, her family loses their house and Susan takes up making soft-core porn to supplement her husband’s income. Bree, a divorced and fiercely independent redhead, owns her own catering business. Don’t be fooled by this seeming break in traditional gender roles; writers try to give her more job equality by making her an powerful owner, but the fact that she owns a food business, which is t...
The American society has been under the influence of the media since the early 1900's. The invisible pressure is hidden behind subconscious and subtle images and messages. One of the main examples, in this case of the cinematographic media, about spreading and validating stereotypes, is the movie "Clueless" from the year 1995. We can find many examples in this project about this aspects. The protagonist "Cher" is a clear example of how many times the media characterize teenagers as superficials, fashion and trend addicts and careless spoiled young women. One of the scenes that expose clearly this stereotypes, Is the scene when Cher has to go to her driving test and she wants to wear super exclusive clothes to impact her DMV officer.
You can tell by the therapist’s facial expression that she doesn’t believe their lies. The setting of this scene is in an office. It can be assumed that it’s a therapist’s office by the set- up of the long couch opposite the single armed chair and the office desk with the coffee table in the middle. In most romcom movies the characters are dressed very relaxed unless they’re attending a special occasion and very minimal makeup is used. In this Joy wears, very formal blue dress which emphasizes her business side. All the characters are dressed quite formal in this scene, this adds to the feel of a therapy meeting. The colours of a romcom are very saturated. Colours are bright and bold. We can see this in the bright blue colour of joys dress. There office consist of warm natural colours and gives a homey feel. Each character is very well lit. There are no extremely dark shadows or any overly exposed areas.
In the film there is one main character that is a male and the rest are female. Marc never shown to be a macho man because he is always the one scared of being caught, he wears high heels, and most importantly is submissive to Rebecca. In America, a man is thought of to be fearless, not feminine, and superior to women; all of which Marc is not. The girls in the film are the ones in charge and are resisting the stereotypes of how a woman is thought of to be. The resistance of the female characters in the film is still reinforcing the films portrayal of the American Dream because in today’s society women are fighting back their
On April 30, 2004, one of the most major film roles was released called Mean Girls. Director Mark Waters and producers Lorne Michaels and Tony Shimkin taught the audience on how to survive cliques, gossip, relationships, and other adolescences. Mean Girls gives viewers an empowering message about being themselves and not allowing anyone to bring down their self-esteem. Starring Lindsay Lohan as Cady Heron, Rachel McAdams as Regina George, Lacey Chabert as Gretchen Wieners, and Amanda Seyfried as Karen Smith these girls made the movie an inspiring impact on young girls lives.
The male and female characters have different social positions, but they each have an element of control. While the male gender is in position of power in terms of making money for their families, the females are in sort of control of the men's emotions and dictate what the men crave. The women in this film who do work are working in supporting roles, such as servers, secretaries, nurses or models. While the popularity of certain female stars offered them legendary status, the kinds of roles they were asked to play often reinforced traditional gender