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Foucault, femininity, and the modernization of patriarchal power, sandra lee bartky summary
The study of body image
The study of body image
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Recommended: Foucault, femininity, and the modernization of patriarchal power, sandra lee bartky summary
As Sandra Lee Bartky stated in her paper Foucault, Femininity and the Modernization of Patriarchal Power, there is no reason for women to fight for their rights, because they already enjoy them- well, at least in the developed countries. Women have the right to show their breasts in public, but majority of them decide not to. What is pulling them back? Is it really them who decide or an “anonymous power” who is responsible for this unconscious reinforcement? (Bartky,88). Based on the Breast of Intentions, Swedish Women Shed Bikini Tops in Pool Campaign and Dixon-Muir’s Breast Test articles in the course pack, there are certain reasons why majority of women choose not to go topless in public, although they have the right legally to do so. On the other hand, Bartky analyzes some of the possible regimes, which enforce women to submissiveness, but also recognizes that they are the ones who seem to practice them on and against their bodies.
To start with, Bartky describes how women personalize men’s expectations in regards to their physical appearance, style, attitude and behavior, by using “internalization”. The author is trying to explain that women incarnate “patriarchal standards of bodily acceptability” meaning that have embodied the social standards; which make them feel guilty if they fail acting in accordance with the appropriate principles. Furthermore, women struggle to meet men’s expectations with the fear that if they don’t, they will face male refusal. ‘Male gaze’ constructs how women’s appearance should be according to what is more attractive and more appealing to men. It is also recognized from Bartky that women willingly accept what men want and the disciplines are forced to, but she also understands that the...
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... she refers to it as no one in particular, meaning that even people we hardly know, can be the “top sergeant in the disciplinary regime of femininity” (Bartky,88).
While societies change and old forms of patriarchy corrode, new ones concentrate and develop (Bartky 94). A woman’s feminity is no longer restricted to certain forms of disciplinary practices such as her dressing and her smile. However, the center of attention in today’s modern society is a female’s body and its appearance. Bartky argues that when this anonymous power controls a woman about how she should feel about her body, oversees everything she does and directs her to change what is not good enough, she immediately becomes objectified (Bartky, 94). While today‘s world is advancing, a female’s body, such as her breasts will always be the center of attraction and always be seen as sexual.
Women have spent a large amount of time throughout the 20th century fighting for liberation from a patriarchal form that told them that they must be quiet and loyal to their husbands and fathers. For the duration of this essay, I will be discussing how the “Modern Woman” image that appeared through the Art Deco style — that emulated ideas such as the femme fatale and masqueraded woman, and presented new styles to enhance women’s comfortability and freedom — is still prevalent and has grown in contemporary art and design since. Overall I will describing to you how fashion, sexuality, and the newly emerged ‘female gaze’, and how these tie in together — in both periods of time — to produce what can be described as powerful femininity.
The exterior influences of society affect a woman’s autonomy, forcing her to conform to other’s expectations; however, once confident she creates her own
It seems if a woman does not follow what the television or magazines do, they will be considered a ‘disgrace’ to society. “By the 1930’s, mass advertisements on radio and in magazines persuaded women to purchase cosmetic products by appealing to her fear of growing old or being rejected by social acquaintances,” (Gourley 56). The beauty industry specifically targeted women, using the ideas of an often highly feminine related idea of vanity. This also talked about women’s apparel in clothing and how they weren’t able to dress casually since they would be titled, slob. As looks represent a lot in a woman, the body type of a woman has always struggled with maintaining since the ‘perfect’ body types are not what everyone has. “In the 1890’s women had full bosoms, round hips. In actual measurements they were probably no rounder than Miss Cox but they seemed so because they were shorter, tightened their waists into an hour-glass effect … Now, though, the ideal figure must have a round, high bosom, a slim but not wasp-like waist, and gently rounded hips” (“This is What…”). Ideals women that society has pushed onto women to be for them to have any chance in romance. Though many women can drift away from this the women, though they won’t admit to it, had struggled to meet the ‘set standard’ for women. This shows how after women have gained the rights of voting, gender roles
Travis, Cheryl Brown, Kayce L. Meginnis, and Kristin M. Bardari. "Beauty, Sexuality, and Identity: The Social Control of Women." Sexuality, Society, and Feminism. Ed. Cheryl Brown Travis and Jacquelyn W. White. Washington: American Psychological Association, 2000.
After all, a late grant has modified that detailing by uncovering a great record of female activism. The assignment is to depict and celebrate as well as to contextualize and along these lines to get it. Also, the structure of the work power and the business, the worldwide strengths that encroached on nearby occasions these particularities of time and place adapted ladies ' decisions and molded their personalities. Similarly, vital was a private world customarily pushed to the edges of work history. Female relationships and genders, between generations and class collisions, held the fuse of new shopper wishes into an element territorial culture stimulated ladies ' support. Ladies thusly were authentic subjects, making the circumstances from which the strik...
Women in today’s society seem to be having a very difficult time expressing themselves without dealing with lots of criticism. Common values are standing in the way of women’s drive toward molding themselves into whatever they desire. Our culture has made standards about how should women look, act, and conduct themselves that greatly limits what they can do, and still gain respect. Martin S. Fiebert and Mark W. Meyer state that, “[there are] more negative [gender] stereotypes for men than for women.” This idea doesn’t seem to have a great amount of validity in our present society. Society set certain standards that men are supposed to live up to such as strength and confidence, which are more behavioral characteristics. Women seem to be more trapped than men by societies standards because they are supposed to live up to standards dealing with beauty and size, which are more physical characteristics These specific guidelines have been set by society that are sometimes unattainable for a majority of women. The women that follow the specific criteria are greatly respected, and the ones that try and be innovative usually are criticized if not disliked.
Even today, despite much debate, we live in a patriarchal society—we live in a world ruled by men and their thoughts, feelings and ideals. Women are a large part of a man’s life, and there are standards and inferences made about them. Berger explains man’s view of its counterpart through art. The earliest depiction of nudity is in art surrounds the biblical story of Adam and Eve. In the tale, Eve is pictured as a temptress and because of her rebellion against God; she is a lesser being. This is what kicked off the prejudice against the female race. The discrimination reflected in society by the roles women are given in the world. They are objects owned by men. Women are expected to clean, bake, cook and please their men in anyway possible. They do not hold jobs; their job is to obey and dote on their husbands. Women are passive members in art, so they become ...
The reading assigned titled “The Socially Constructed Body” by Judith Lorber and Yancey Martin dives into the sociology of gender with a specific focus on how the male and female body is compromised by social ideals in the Western culture. She introduces the phenomenon of body ideals pressed on men and women by introducing the shift in cosmetic surgery toward body modifications.
Particularly upperclassmen have substituted “knobs”, a name used to denote the lowerclassmen, for women at the Citadel. Just like how they would treat women with violence and hateful gender-specific language, the upperclassmen would behave the same with students they would deem to be more feminine: “Virtually every taunt equated him with a woman: whenever he showed fear, they would say, “You look like you’re having an abortion,” or “Are you menstruating?”” (Faludi 85). The students could “re-create a male-dominant society…by casting male knobs in all the subservient feminine roles” (Faludi 85). Through these actions, it can easily be inferred that the student body itself has created male and female roles within itself. This shows that even without women, the men still had the need to divide their society by gender ranks. With the admission of a woman, the entire structure of the society the students had built would fall apart. Thus the negative reaction to the admission of a female student is supported here by the need of defending the strange situations the students have created for
Sexy, attractive, dependent, traditional…successful, smart, determined, independent; why must a woman choose, why can they not be a woman of all these characteristics? Dalbey and duCille explain how women are objectified starting at a young age of playing with dolls and attending pageants. This objectification continues into advertisements, Kilbourne, Bailey, and Powers all argue why women are portrayed as objects of sex which ultimately dehumanizes women. The reliance on a man is a constant issue women are faced with, along with the notion that men are to be the breadwinners. What if a single woman making half a million dollars as a doctor is out buying a new vehicle; does a dealer have the right to ask “shouldn’t you ask a man permission
...aching young women of all races of the objectification present and enforcing the idea that women are human and should not have to, although they can, adjust linguistically to stay humanized.
From the Mid Century of the 1900’s to today, women have strived to be noticed and respected by society; and to be a part of a world with little confidence and many insecurities leads to wanting more and stepping out of the box that society builds to keep traditions alive.
There has been a long and on going discourse on the battle of the sexes, and Simone De Beauvoir’s The Second Sex reconfigures the social relation that defines man and women, and how far women has evolved from the second position given to them. In order for us to define what a woman is, we first need to clarify what a man is, for this is said to be the point of derivation (De Beauvoir). And this notion presents to us the concept of duality, which states that women will always be treated as the second sex, the dominated and lacking one. Woman as the sexed being that differs from men, in which they are simply placed in the others category. As men treat their bodies as a concrete connection to the world that they inhabit; women are simply treated as bodies to be objectified and used for pleasure, pleasure that arise from the beauty that the bodies behold. This draws us to form the statement that beauty is a powerful means of objectification that every woman aims to attain in order to consequently attain acceptance and approval from the patriarchal society. The society that set up the vague standard of beauty based on satisfaction of sexual drives. Here, women constantly seek to be the center of attention and inevitably the medium of erection.
Exact Beauty: Exploring Women's Body Projects and Problems in the 21st Century. Mandell, Nancy (5th ed.). Feminist Issues: Race, Class, and Sexuality (131-160). Toronto: Pearson Canada, Inc. Schulenberg, Jennifer, L. (2006).
16.)Utt, Jamie. "Navigating The Difference Between The Appreciation of Beauty and Sexual Objectification." Everyday Feminism 18 Apr. 2013: n. pag. Web. 19 Apr. 2014. .