Even Cowgirls Get the Blues - Within the Guidelines of Feminist Discourse

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Even Cowgirls Get the Blues - Within the Guidelines of Feminist Discourse

Surprisingly, in spite of being a male from the 1970s, Tom Robbins has written a novel, Even Cowgirls Get the Blues, supporting feminism. This is a term that most of us are familiar with; yet, what is feminism? The Routledge Critical Dictionary of Feminism and Postfeminism defines "feminist purpose" for us as "an active desire to change women's position in society" (Brown, Meginis, and Bardari, 231). In order to discuss feminism in terms of Robbin's novel, we need to know what feminist theory means when applied to literature. According to Jonathon Culler, a professor of English and comparative literature at Cornell University and author of Literary Theory: A Very Short Introduction, feminist theory is based on "women writers and the representation of women's experience" (124). Naturally, Robbins does not fit the first category of being a woman author since he is male. Nevertheless, his novel Even Cowgirls Get the Blues fits within Culler's description of feminist novels that "champion the identity of women [and] demand rights for women" (123-124). Robbins does this through the development of his female characters and the plot.

Robbins produces a strong female character named Sissy Hankshaw whose beauty is marred by enormous, somewhat useless thumbs. In order to become independent, Sissy leaves the repressive atmosphere in her southern home by participating in the male-dominated phenomenon of hitchhiking as embodied by Jack Kerouac in On the Road. Sissy herself says in reference to her hitchhiking, "I'm the best there is, ever was or ever will be" (53) and develops a national reputation as a hitchhiker. She even competes with and befriends the...

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