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French revolution artistic impact
Baroque and High Renaissance art
Baroque and High Renaissance art
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Throughout history, art has been ever-changing. There are four main periods that I believe made breakthroughs in the evolution of art. Firstly, I will talk about Baroque, which is dark and emotional, that definitely reflects the political tensions during that time. Next, I will talk about Romanticism, which is based more on nature and outdoors. This period also showcases artwork that is light, happy, and more imaginative than previous periods. Then, I will show how Impressionism artwork is light and rather carefree. There were many people and objects that are shown. Finally, I will tell you about Fauvism, which is quite extreme and over the top. The paintings are abstract and interesting to look at. These are only four of the many art periods, but they are four that I found to be particularly interesting.
Baroque art is very dark and rather two-dimensional. Baroque originated in Italy, and then quickly spread to France, Germany, Netherlands and Spain. Baroque was also known as the Age of Enlightenment, in which there was new knowledge spreading about astronomy, world view, music, arts, and government. There were new discoveries, including photography, which is said to be created by Caravaggio, who showed the effect of light and shade. The paintings in the Baroque period were dark and showed tension. The tension is showcasing the political tensions between the Catholics and Protestants. Economically, the baroque period was the beginning of the middle class. All these events occurring during this period are all reflected in the art. Claude Lorrain was a famous baroque artist. Claude’s paintings are very limited, meaning that he didn’t really branch out at all. All his paintings are similar and he never really felt the need ...
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...es.com/renaissance_info/economic_social_and_religious_change_in_the_renaissance.htm
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http://www.nationalgallery.org.uk/artists/michelangelo-merisi-da-caravaggio
http://www.huntfor.com/arthistory/c17th-mid19th/rococo.htm
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http://www.huntfor.com/arthistory/c17th-mid19th/romanticism.htm
http://www.wga.hu/frames-e.html?/html/c/claude/index.html
http://www.ethnicpaintings.com/popular-painting-styles/baroque.html
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In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
The Baroque era was born out of the Roman Catholic Church’s Counter Reformation, during which the church made considerable efforts to strengthen the relationship between the secular world and the religious order. In an effort to engage the common people and create piety, the Catholic Church wanted art to appeal to human emotions. Gentileschi successfully accomplishes this in her painting, Judith Slaying Holofernes. By infusing the Apocryphal tale of Judith with dramatic techniques such as chiaroscuro and foreshortening, she created a deeply moving and realistic piece of art that engages the viewer physically and emotionally, which is quintessential to the Baroque style.
Scientists started to study the earth and it’s positioning in the universe. This was a time when the people started taking more of an interest in astronomy and mathematical equations. During the time of the Catholic Reformation, artists began to challenge all the rules that society has set for artistic design. Artists starting with Parmigianino, Tintoretto, and El Greco began to add a wide variety of colors into their paintings, challenging the way things have been done in the past. These artists also added abnormal figures or altered the proportions in paintings.
When we think about art there are many mediums used to express how artist feel. Some artists express themselves using pictures, music, or films. When you think of specific time periods the art work of that period expresses the overall emotions of the people, and we can learn a lot about a time period by studying the art of the time. The time period that most expresses is the Renaissance.
During the Renaissance artists changed the way they painted and sculpted, they learned how to paint in all three dimensions, which brought life and realism to their works. Also, getting away from the religious roots of art created an entirely new type of art that was rich in drama and emotion. This was also the time period when painting with oils was started.
The Renaissance was a time of rebirth, as its name entails. In Italy, more people were becoming literate and more books were being printed. More scientific discoveries were being made and therefore more theories were being published. In this time of intellectual prosperity, art also made a great leap. Perspective was the main change during this time period, and throughout the years, starting around 1400, it became more involved and more intricate. Eventually artists were so adept at using it, that it became the primary way to insert intimacy and feelings of emotion into a painting. This evolution of technique paved the way for later artists to play with new approaches to allow the viewer to experience an image in different ways.
One of the characteristics of the Italian Baroque is the realistic depiction of human figures, vivid use of color and foreshadowing techniques, especially in the paintings. In addition, the figures of the paintings seem to emerge from the background, giving huge differences between light and dark. The Italian baroque structure has a sense of movement and that of energy when in static form. The sculptures make the observers to have multiple viewpoints. The Baroque architecture has characteristic domes, colonnades, giving an impression of volume and void.
...ic landscapes. The baroque marked the time in which painters considered using subjects other than scenes from the Bible and from classical traditions. The baroque period also was the period in which artists painted portraits, and everyday life scenes. Baroque artist broke away from trying to make the calm balance known to the renaissance artists. Artists from the baroque era were interested in no longer tried in the extreme. They wanted to paint subjects possessing strong emotions; they wanted to capture those emotions and feelings in their work. Instead of just extremes of feeling sometimes, these strong emotions were personal. More often artists tried to portray intense religious emotions. Baroque art attempted to explain how and why their subjects fit as strongly as they did by representing their emotional states as vividly and analytically as possible.
Northern and Italian Baroque art were unique in their own ways but were also similar as well. While Northern Baroque Art aimed for excitement and move viewers in an emotional sense, Italian Baroque art was more detailed and captured the personality of the figure. The arts compared to one another by the use of self-portraits and the famous feature of light and dark as well. Art back in the 17th and 18th century was the center of everything and much more important back then compared to how it is now.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
The French Revolution, indeed, changed the structure of economics and social sphere of the old regime, and also the ideology of that time. In the years that followed the Revolution, the always increasing senses of both freedom and individuality were evident, not only in French society, but also in art. As stated by Dowd, “leaders of the French Revolution consciously employed all forms of art to mobilize public sentiment in favor of the New France and French nationalism.” In between all the artistic areas, the art of painting had a special emphasis. After the Revolution, the French art academies and also schools were now less hierarchical and there was, now, more freedom of engaging into new themes, not being the apprentices so tied up to their masters footsteps, not being so forced to follow them.
People decided to rebel against the political and social rules of their time and started a new trend of art. It conveyed dramatic subjects perceived with strong feelings and imagination.
The Baroque era was the age of magic. Flat surfaces became three-dimensional and paint on plaster became alive. It was the age of masterful illusion. Nothing exhibits this mastery better than Baroque ceiling paintings.
During the 19th century, a great number of revolutionary changes altered forever the face of art and those that produced it. Compared to earlier artistic periods, the art produced in the 19th century was a mixture of restlessness, obsession with progress and novelty, and a ceaseless questioning, testing and challenging of all authority. Old certainties about art gave way to new ones and all traditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and sculpture came around the age of 19th century. Art originated in Paris and other different European cities. However, it became more popular in United States around 19th century.
It is not limited to just painting and sculptures, but architecture and many other forms as well. The Italian Renaissance time period was a very crucial part of art history. Many famous artists that many people, even those who are not find of art, known of were around during this time period. Divided into two parts, early and high renaissance, each part had it’s own contribution to the advancement of art. The early part of the time period was used for experimenting different techniques and production and was mainly in Florence. Later on, during the high period, the techniques that were effective moved to Rome and Milan. Leonardo Di Vinci was, and still is, a very known artist. Di Vinci created many beautiful paintings. His most famous painting, Last Supper was created between 1485-1498. He used oil, tempera, and varnish on plaster. Another great artist of this time period, was Filippo Brunelleschi. Brunelleschi was an architect, sculptor, and theorist who revived the classical architecture. He also invented a the first laws of a technique we still use today called one point perspective, or linear. He was the one who said that all parallel lines in a drawing/painting should meet at a vanishing point. Since then there have been more perspectives discovered, like two and three pint perspectives. Like one-point perspective, the picture plane was discovered during the Renaissance. It isn’t as commonly used as the other but it still is