Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Hip hop dance critique
Hip hop dance observation
Hip hop dance observation
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Breakdancing
The history of choreography is also very important Any choreography that seems new, fresh and different is usually a variation of something that has been done before. As long as men and women have lived upon this earth, they have danced. The art of movement is among the oldest of the arts.
So for eight months I’ve been learning the skills of hip hop and breakdancing by going to at a hip hop club at every week where I learned the basic skills of breaking like how to top-rock and six-step. B-boying is a form of hip hop dancing which is popularly known as breaking. It consists of top or up rock, footwork, spinning moves (power moves), and freeze. B-boying came from Bronx, NY. The term "B-boy" or "B-boying" was created by Kool Herc who was a DJ spinning at block parties in Bronx back in the days. B-Boys means break boys and they were called so because they dance to the break part of music. Later, by repeating this break part done by DJ, "breakbeats" was born. Although people tend to pick up only power moves, real b-boys should master the all elements of b-boying. There are controversy between people who emphasize on style and power moves. One puts his emphasis on power moves and their combination and the other shows their style and individuality by footwork and freeze. Rock Steady Crew has been the one who emphasizes styles to show dancer's individual flavor. Even though power moves have a great impact and very energetic, it is hard to put individual flavor...
Forman, narrated how hip hop culture maintained local tie and in built element of competition waged through hip hop’s cultural forms of rap, break dancing
In recent years pop and rap musicians have been collaborating with many artists that have different musical backgrounds like rock and metal. The new trend nowadays has been an influence from the Middle East with many songs having belly dancing beats in the background. The song I have chosen to discuss is a collaboration between Jay Z and Panjabi MC, the single is called “Beware of the boys” and it features a mixture of bhangra beats and a sample from the '80s hit television show, Knight Rider. The mixture of both sounds is something that had never been heard of before this collaboration and makes for a very interesting song.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Breakdancing was born as a result of the song “Get on the Good Foot” by James Brown when it was featured on television. People would attempt to copy his moves in their living rooms. Clive Campbell, or more famously known as DJ Kool Herc, is credited with evolving breakdancing. Breakdancing started with fancy footwork and intricate tricks such as head spinning. Breakdancing became popular in dance and disco clubs. As breakdancing further evolved, there was the addition of groundwork with moves like handgliding, windmilling, and headspinning. This addition of groundwork helped shape what we know breakdancing to be today (Bedinghaus).
Many famous jazz dancers and choreographer have influenced how jazz is seen today. Today, Jazz dance has many different styles, all with their own movement and rhythm. Also, jazz dance is performed on a variety of different platforms Looking back we can see how much jazz dance has evolved, changing with each time period. Jazz dance today has influenced the media and is seen in advertising, popular television shows, and music videos. Jazz dance is presented in many different forms today and continues to grown, both changing and staying the
Underground hip-hop is filled with groups such as The Pharcyde, The Roots, Jigmastas, and Jurassic 5 who use live instruments to not only enhance their lyrical talents, but also to give audiences a great show. All four of these groups are dedicated to preserving hip-hop culture. Emcees battle to prove they are iller, Djs do the same thing, and breakers, break dancers, poppers, whatever you want to call them, continue the tradition of mixing their dance art form of popping, locking and spinning using the music to help create different techniques.
A club known as the Whitey’s Lindy Hoppers possibly began this trend in 1935 when they formed their group of 12 dancers (Swingin’). This group of dancers began, and performed the majority of their lifetime as a group in the Savoy Ballroom. They created the Lindy Hop quite simply, using movements from the Charleston as well as basic tap movements. And because of their dance, they had the opportunity to perform both on Broadway, and even in some movies. First, two partners would dance around together in various ways. Then, the man would complete a series of lifts with the girl, usually ending with them apart. Finally, a section of solo footwork would occur to bring the couple back
That funky music starts playing, and everyone in the building can’t help but to get down and groove. Breakdancing, like many other dance styles, is that type of dance that allows people to express themselves that words cannot. Breakdancing in particular started from the Bronx during the 70’s, but it has changed over the past 40 years. These moves have grown in difficulty, and new moves have emerged from the creativity of these athletic dancers, and the reason for this change is because of how American culture spreads so widely and quickly throughout the world. It all starts with a single step to get to the beginning, or maybe six steps.
For the dancer, music and choreography are paramount. The music guides the dancer, and the moves express the music. However, the dance has to start from somewhere.
New Dance is described as a developing art form; this dance was articulated in the early 20th century. According to Chapter 8 in History of Dance book, “the new dance emerged as a response to the ballet that populated the variety shows and music halls, which had a rigid formula of steps and poses” (Kassing). The New Dance was a product of several strands that interlaced together dancers’ studies and backgrounds; these strands and others were woven together in a historical, political, and societal framework. For instance, one strand of New Dance consisted of the concepts, techniques, costumes, and stage settings from around the world. These strands influenced major dancers and choreographers, such as, Isadora Duncan, Loie Fuller, Ruth St. Denis, and Ted Shawn.
Dance today is completely different from what it was like during the Renaissance. Steps and movements were much more simple than what choreography is today. Performances were at courts, provinces, bourgeois houses and marketplaces (Mccowan 1) instead of on a stage or in auditoriums that were invented later by Italian set designers (Homans, 11). Dance studios, as the world knows them today, would not exist without the influence of the renaissance kings and queens.
Breakdancing, a form of dance that combines acrobatics with dance, also came originated in block parties and house parties. B-Boys, as well as B-Girls, would dance to the breaks in the music, hence the name.
The longevity of Hip-Hop as a cultural movement can most directly be attributed to its humble roots. For multiple generations of young people, Hip-Hop has directly reflected the political, economic, and social realities of their lives. Widely regarded as the “father” of the Hip-Hop, Afrika Bambaataa named the cultural movement and defined its four fundamental elements, which consisted of disc jockeying, break dancing, graffiti art, and rapping. Dating back to its establishment Hip-Hop has always been a cultural movement. Defined by far more then just a style of music, Hip-Hop influences fashion, vernacular, philosophy, and the aesthetic sensibility of a large portion of the youth population (Homolka 2010).
“Call and response” is also utilized, which is when the DJ and the dancers will communicate in order to maintain a certain hip hop flow, and to encourage audience enthusiasm. The moves, along with the music works together to emphasize the rapid rhythm breaks. The dancers perform moves that involve flips, upside down movement, and spinning, along with “drops” that were smooth transitions to “front swipes, back swipes, dips, and corkscrews”.” One dancer even performs a “chair freeze” which was originally one of the most popular break dancing moves, and is when the arms and upper body support the body while the legs and lower half of the body are free flowing (Forman & Neal, 2012, pg. 58). These moves require much momentum and balance, which according to popular b-boy Ken Swift, is an essential aspect to this hip hop movement (Forman & Neal, 2012, pg. 59). In both films, b-boying or breakdancing is a way to resolve some type of conflict or competition due to being able to “attack without mercy yet still see their opponents as distinct and valuable human beings” and avoid any unnecessary violence that already occurs in drastic rates within inner city neighborhoods (Chang, 2006, pg.
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).