In Anzia Yezierska’s novel entitled Bread Givers, there is an apparent conflict between Reb Smolinsky, a devout Orthodox rabbi of the Old World, and his daughter Sara who yearns to associate and belong to the New World. Throughout the story, one learns about the hardships of living in poverty, the unjust treatment of women, and the growth of a very strong willed and determined young woman—Sara Smolinsky.
After leaving Poland to venture out into the New World of America, the Smolinsky family endured impoverished lifestyles and countless hardships. For example, After an incident between Reb and the landlady (which made Reb revered), boarders began to occupy the Smolinsky family’s place, the three sisters Bessie, Fania, and Mashah had jobs, and they could purchase things they could have never afforded. These possessions included butter, regular towels, “toothbrushes[…] to brush [their] teeth with, instead of ashes”, and “separate knives and forks instead of” eating “from the pot to the hand as [they] once did” (29). Today, these are belongings that must people have in their everyday lives. To have them marvel at these material things further emphasizes the poor life they were so used to. In addition, when Bessie (Sara’s sister) dolls up the house with lace, oilcloths for the table, and cleans up all the clutter in the house for a man named Berel Bernstein, the mother suggests that they cover up the whiteness so as to prevent it from getting dirty. The mother warns the sisters not to “fly away with [themselves] in fairyland” because “[they’re] poor people yet…and poor people got to save”(39). Their family had to withhold any pleasures in material things because they did not have time to impress others. All of the family members’ wages went to the rent and what little food they had to eat. It was not realistic for them to be worrying about material possessions when they worry so much about where to get the money to put breakfast, lunch, and dinner on the table. Furthermore, Reb was always fixed in being the matchmaker for his children. He always made sure that the men they would marry was stable in their work, and that could support the rest of the family as well. There was a situation with Berel Bernstein in which Reb asked that if Berel was to marry Bessie, Berel would have to fork up some money to he...
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...nt in such simple things further emphasizes the various hardships she had faced while growing up. In a way, she does adopt an American identity by taking advantage of what America had to offer. There was nothing wrong in Sara appreciating the riches of what awaited her outside of Hester Street. In the end, Sara does not sacrifice her European roots in exchange for an American way of life. Sara simply fuses the two cultures to create a new “Sara” who was successful because of her hard work and dedication to stay true to her dreams. This is proven by the fact that throughout all her father had put her through, she still wanted her father to be involved in her life by taking him into her home. She even allowed her significant other Hugo Seelig, to ask Reb if he could teach him Hebrew and their religion. In the end of the novel, Sara states that “it wasn’t just [her] father” whose shadow was still upon her, “but the generations who made [her] father whose weight was still upon [her]”. Sara is proof that even though she may have become assimilated to a New World, the Old World will always be a part of who she is.
Work Cited
Yezierska, Anzia. Bread Givers. New York: Persea Books, 1999.
In the novel The Bread Givers, there was a Jewish family, the Smolinsky family, that had immigrated from Russia to America. The family consisted of four daughters, a father, and a mother. The family lived in a poverty-stricken ghetto. The youngest of the daughters was Sara Smolinsky, nicknamed ?Iron Head? for her stubbornness. She was the only daughter that was brave enough to leave home and go out on her own and pursue something she wanted without the permission of her father. The Smolinsky family was very poor, they were to the point of which they could not afford to throw away potato peelings, and to the point of which they had to dig through other people?s thrown out ash in order to gather the coal they needed. They could not afford to buy themselves new clothes or new furniture.
... while she still has time (257). She fails at first, thinking her father is “bereft of his senses” in his second marriage (258). She believes this despite the Torah saying, “a man must have a wife to keep him pure, otherwise his eyes are tempted by evil” (259). Gradually, Sara begins to understand her father: the only thing he has in life is his fanatical adherence to traditions; “In a world where all is changed, he alone remained unchanged” (296). Reb has a deep and true fear of God, to expect him to change beliefs that he believes have been handed down by God, beliefs that have persisted for thousands of years, is illogical. It is impossible to reconcile fully the New World with the Old, and it is the responsibility of the New to be the more flexible, unfair as it may be.
Sandra Cisneros’ The House on Mango Street, written in 1984, and Anzia Yezierska’s Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deep disturbing themes about serious social conditions and their effects on children as adults. Both books are told in the first person; both narrators are young girls living in destitute neighborhoods; and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and strength remaining intact.
The busy season for the shop she was working on came and the owner of the shop kept demanding for what we call overtime. She got fired after she said, “I only want to go home. I only want the evening to myself!.” Yezierska was regretful and bitter about what happened because she ended up in cold and hunger. After a while she became a trained worker and acquired a better shelter. An English class for foreigners began in the factory she was working for. She went to the teacher for advice in how to find what she wanted to do. The teacher advised her to join the Women’s Association, where a group of American women helps people find themselves. One of the women in the social club hit her with the reality that “America is no Utopia.” Yezierska felt so hopeless. She wondered what made Americans so far apart from her, so she began to read the American history. She learned the difference between her and the Pilgrims. When she found herself on the lonely, untrodden path, she lost heart and finally said that there’s no America. She was disappointed and depressed in the
The Smolinsky family in Bread Givers immigrates to the United States due to political strife. They actually leave Russia as an indirect result of the father’s refusal to serve in the army. His refusal is based on his religious beliefs. The mother, Shenah Smolinsky, explained the reason to Sara, the narrator, by saying, "The tsar of Russia [ …] wanted to tear your father away from his learning and make him a common soldier" (33). The family buys the father out of the army. Then due to the sudden death of Mrs. Smolinsky’s father, Mr. Smolinsky takes over his father-in-law’s business. Mr.Smolinsky’s business knowledge is hindered by his dedication to his religion and the business is forced to close. Thus, Mr. Smolinsky took to heart the American Dream, "And when everything was gone from us, then our only hope was to come to America, where Father thought things cost n...
Since the story uses a certain object, the Jacket, as the meaning of several issues, it primarily focuses on the narrator's poverty-stricken family. First of all, an example of the poverty is demonstrated when the narrator complains that the jacket "was so ugly and big that I knew I'd have to wear it a long time"(paragraph 3). It is clear that his lack of money was a problem in which he would have to keep the jacket because he could not afford a new one. The narrator then feels embarrassed and upset by the jacket by stating "I blame my mother for her bad taste and cheap ways"(paragraph 10). By mentioning his mother's "cheap" ways he is conveying that he is aggravated because of his mothers option to choose bad and ugly clothes in ord...
Anzia uses the narrator Sarah, to tell the story of family who newly moved to America and is living in New York City. From Sarah’s narration, we can see the idea that some first-generation immigrants had a resistance to assimilating to American culture, whereas their children quickly became Americanized. Sarah describes her father Reb Smolinsky as the patriarch of the family, who is often accused of keeping his children only for their wages. By her father relying on his daughters to bring in money for the family, he can continue to practice Torah like he did in the old country. We can further see this resistance to assimilate by Sarah’s father when he says “Sell my religion for money? Become a false prophet to the Americanized Jews! No. My religion is not for sale” (111,cite). By Sarah’s father refusing to get a job and contributing to his families American Dream, it shows that he has no desire to assimilate to new American ideals. Reb Smolinsky becomes a representation of a generation that is so deeply rooted in the past and has no intention to move forward. Sarah and her sisters are the newer generation and their view of assimilation is clearly different. Sarah recognizes that her father is stubborn and his difference in ideas of how life is supposed to be when she states that “he was the old world. I was the New” (cite). Unlike her father, her sisters work to further themselves and fulfill the American Dream. Sarah engages in hard work and doesn’t want to beg on the street for food, instead she has the desire “to go into business like a person” and proves this when she buys herring to resell on the street and despite her little knowledge of business she ends up earning an unexpected twenty-five cents profit (21
Being one of the greatest Russian writers of 20th century, Aleksander Solzhenitsyn had a unique talent that he used to truthfully depict the realities of life of ordinary people living in Soviet era. Unlike many other writers, instead of writing about “bright future of communism”, he chose to write about everyday hardships that common people had to endure in Soviet realm. In “Matryona’s Home”, the story focuses on life of an old peasant woman living in an impoverished collectivized village after World War 2 . In the light of Soviet’s propaganda of creating a new Soviet Nation, the reader can observe that Matryona’s personality and way of life drastically contradicted the desired archetype of New Soviet Man. Like most of the people in her village,
A main factor in the storyline is the way the writer portrays society's attitude to poverty in the 18th century. The poor people were treated tremendously different to higher classed people. A lot of people were even living on the streets. For example, "He picked his way through the hordes of homeless children who congregated at evening, like the starlings, to look for the most sheltered niche into which they could huddle for the night." The writer uses immense detail to help the reader visualise the scene. She also uses a simile to help the reader compare the circumstances in which the children are in. This shows that the poor children had to live on the streets and fend for themselves during the 18th century. Another example involves a brief description of the city in which the poor people lived in. This is "nor when he smelt the stench of open sewers and foraging pigs, and the manure of horses and mules" This gives a clear example of the state of the city. It is unclean and rancid and the writer includes this whilst keeping to her fictional storyline.
The Schlegel’s are known for loving their art and literature, compared to the Wilcoxes who would rather speak about sport, economics, and polities. Margaret Schlegel, who is apart of the upper class, does not all her social standing to unrecognized social injustice. Margaret encounters Leonard Bast, a working man who is apart of the lower class, as Forster describes “He was not in the abyss, but he could see it, and at times people whom he knew had dropped in, and counted no more. He knew that he was poor, and would admit it: he would have died sooner than confess any inferiority to the rich” (Forster). Although his family disowns him because of his marriage to Jacky, a woman of a questionable past from the extreme lower class, Leonard “intuitively recognizes the ethics of his romantic commitment to her, as well as the perilous nature of the ‘fallen woman’ in his society 's class structure” (Womack). Margaret seeked advice from, Henry Wilcox a business man and the head of the Wilcox family about Leonard Basts employment at Porphyrion Fire Insurance Company, because Henry believes that the lower classes should be kept at a discreet distance, a maneuver that he accomplishes himself through the art of gratuity, he had little to no interest in Leonards employment. Although Henry information about Leonards employment was misleading he does nothing to help; “A word of advice. Don 't take that sentimental
While the first sentence is mostly objective description, the second sentence is full of the affectation of a subjective point of view. Aunt Amy is described as wearing a “white collar [that] rose from the neck of her tightly buttoned black basque, and round white cuffs set off lazy hands with dimples in them, lying at ease in the folds of her flounced skirt.” Words like “tightly,” “lazy,” and “ease” seem to describe what would be considered the traditional concept of the Southern woman. The wealthy Southern female is conservative, pure, fragile, peaceful, and delicate. These descriptive words could be viewed as an alignment with the traditional Southern view of women; therefore Amy is “beautiful and charming” in the eyes of the Grandmother and “every older person” and “everyone who had known her.” However, within those same words there appears the rather opposite yet still highly subjective view of the young girls who are attempting to reconcile the new values and ideas of the present with the old traditions of the past. The words “tightly,” “lazy,” and “ease” could be seen from the young girls perspective as negative descriptions suggesting boundaries, confinement, limitations, and exclusion.
...nment. In Stage 2, the girls realize that must put forth a great effort to adjust to the new surroundings and culture, which causes some to feel alone, uncomfortable, and even depressed. Stage 3 is when the girls start to wonder why people in this new culture live the way do and may believe that their own culture is far better than the new one. The girls become more comfortable in their new environment at last in Stage 4, as they understand it better. Finally, the girls find it simple to be able to be a part of both cultures in Stage 5. All of these stages in the story represent some of the different phases in an immigrant’s life. By writing “St. Lucy’s Home for Girls Raised by Wolves”, the author, Karen Russell, puts the readers in perspective of immigrants, helping them to further understand and comprehend how challenging life can be when moving to a new place.
Mainly, this book educates the reader about the past. When Sasha entered his communal apartment you got to see all of their living conditions with 12 families in their small apartment and what they had during Communism. The reader seeing all of these hardships in Sasha’s
People usually have a specific item that identifies their personality. It may certainly be more than one item. Whatever the case may be, that item(s) represents in part or in whole that certain individual. In the same way, every culture has something that identifies them. The item could be either a tangible or an abstract object so as long as it calls to mind the culture as soon as one sees it or after it is explained to them. For this project however, I have chosen a tangible artifact. The artifact that I have chosen is bread.
Hester had expensive tastes and she insisted in keeping up the latest style. The “expensive and splendid toys” that filled the nursery were more than the parents modest income could afford. Paul asked for an explanation of luck. Hester responded by saying “it’s what causes you to have money”, quickly making a connection between luck and wealth. And while she discovered she had a knack for sketching “furs and dress materials” she adored, making hundreds of pounds per year did not appease her elegant tastes, for it still wasn’t enough to keep up her extravagant lifestyle. When Hester found that she had mysteriously acquired five thousand pounds, she quickly asked for the whole sum at once. This money was not used to pay off the debts the household so sorely needed; it was used to purchase more cozy and unneeded items. The “sprays of mimosa and almond blossom” emanated from the home and was more pungent than before. Hester felt that her financial state couldn’t afford to buy a car but ironically she purchases tutors for Paul and expensive items for their home.