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Compare and contrast dracula books and movies
Dracula book vs movie essay
Compare and contrast dracula books and movies
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Bram Stoker's Dracula Meets Hollywood
For more than 100 years, Bram Stoker’s Victorian novel, Dracula, has remained one of the most successful and revered novels ever published. Since its release in 1897, no other literary publication has been the subject of cinematic reproduction as much as Dracula. Dracula has involuntarily become the most media friendly personality of the 20th century. When a novel, such as Dracula, is transformed into a cinematic version, the end product is usually mediocre and provides non-existing justice to the pain staking work endured by the author.
Due to production costs and financial restrictions, the director and screenplay writer can never fully reproduce an entire literary work into a screen version. With the complications of time restriction in major motion pictures, a full-length novel is compacted into a two-hour film. This commonly leads to the interference in the sequence of events, alternation of plots and themes, and the elimination of important characters or events. But the one true adversary of novel-based films is Hollywood fabrication. Producers, directors, and playwrights add or eliminate events and characters that might or might not pertain to the storyline for the sake of visual appeal, therefore defacing the author’s work.
The above explanations have not paralyzed the countless attempts made by directors to bring the legendary Dracula to the big screen. Some cinematic reproductions of the novel have been more successful and critically acclaimed than others. According to Stuart, “ From 1897 to 1993 there have been at least 600 vampire movies. Dracula has been portrayed on film at least 130 times” (Stuart 217). But three versions of the genre have emerged as the most d...
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...James Craig. Dracula in the Dark: The Dracula Film Adaptations. Westport:
Greenwood Press, 1997.
Skal, David J. The Monster Show: A Culture History of Horror. New York: W.W.Norton
& Co., 1993.
Silver, Alain, and James Ursini. The Vampire Film: From Nosferatu to Bram Stoker’s
Dracula. New York: Limelight Editions, 1994.
Tibbetts, John C., and James M. Welsh. Novels into Films: The Encyclopedia of Movie
Adapted from Books. New York: Checkmark Books, 1999.
Filmography
Browning, T. (Director), & Fort, G. (Screenplay). (1931). Dracula [Motion Picture].
United States: Universal Studios
Murnau, F.W. (Director). (1922). Nosferatu: Eine Symphonie des Grauens [Motion
Picture] Germany: Prana Films
Coppola, Francis F. (Director), & Hart, James V. (Screenplay). (1992). Bram Stoker’s
Dracula [Motion Picture]. United States: Columbia Pictures
Many time in our lives, we have seen the transformation of novels into movies. Some of them are equal to the novel, few are superior, and most are inferior. Why is this? Why is it that a story that was surely to be one of the best written stories ever, could turn out to be Hollywood flops? One reason is that in many transformations, the main characters are changed, some the way they look, others the way they act. On top of this, scenes are cut out and plot is even changed. In this essay, I will discuss some of the changes made to the characters of the Maltese Falcon as they make their transformation to the ?big screen.?
Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Loosely based on the novel Dracula by Bram Stoker, the film is the story of a
Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are numerous contrasts.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
The most prominent resemblance between Bram Stoker’s Dracula (1992) and the infamous Apocalypse Now (1979) is the glimmer sense of realism thorough the movie. The director, Francis Ford Coppola has been known for his verisimilitude; effortlessly creating and directing each setting in the film looks schematized and deliberately natural. Innately, the one of the most apparent functions of a setting is to create an impression of reality that presents the viewer a sense of a real place and time and the sensation of being there. His consciousness of realism admits the great importance of an authentic setting play in making his films overwhelmingly imaginable. With a judiciously supervision from the director, numerous factors such as location and setting, costume and visual design contribute to a successful plausible film.
Some would say watching horror movies and being scared out of your wits is a fun way to spend their hard earned money. They go see these movies on average once a week, each time choosing a newer version of a trilogy like “Chucky” or “The evil Dead”. Film making has come a long way over the last few decades, the graphic...
The film, Dracula was directed by Tom Browning and first premiered in 1931. The movie starts by following Mr. Renfield as he travels through Transylvania to reach Count Dracula’s castle. This young man was there on business to finalize Dracula’s plans to move to a new home in London. Renfield becomes enthralled with the vampire and agrees to do his bidding in exchange for small, animal lives. This is discovered when both Renfield and Dracula are on a boat back to England. On this boat, Dracula had murdered the entire crew and when the authorities had found it they only found Renfield and assuming he was crazy, sent him to an asylum run by Dr. Seward. Dracula meets with Seward and his daughter Mina and her friend Lucy. Dracula ends up turning
While studying the diabolical figures in the devil, the idea of presenting Dracula came to mind. Dracula represents the devil in many similar ways. Dracula remains as a character in many diabolical movies and films. For instance, Van Helsing provides a good interpret of how Dracula remains noticed in the past and in present day. Although Dracula’s character obtains different views in every movie and film, he plays an important role in Stephen Sommers Van Helsing movie. In the movie, he acts as many different things. Demonstrating both the kind and evil inside, Dracula portrays his character as a mystery. Different views of Dracula throughout the movie include harsh, strong, powerful, evil, the devil, and unstoppable. The studies of Dracula
In Senf’s essay she points out that modern readers of Stokers novel are more likely to be surprised by this version of Dracula. In Stokers novel most of the action occurs in nineteenth-century London. Senf also shines a light on the fact that Stoker has made it so he cannot comment directly on his characters’ failures in judgment, or their lack of self knowledge with the type of narration selection he has chosen, Dracula as well is never allowed a voice in this novel.
In act 2 scene 6 and act 3 scene 6 of the play ‘Dracula’, the
And Anthony Hopkins play the priest of the Christian church of the opening sequence and also does the voice-over for the film. Plot The film starts out in 1462 where Muslim Turks try to invade Transylvania with a massive army. Dracula, before becoming the vampire, is the commanding officer of the defending Christians of Transylvania. The eve before the battle Dracula says farewell to his wife, Elizabeta.
Horror movies force us to confront our many fears and phobias, chief among them, our fear of the dark. Even their titles reflect this: Night of the Living Dead, Fright Night, Dracula, Prince of Darkness, Dark Waters. Because movies, by their very nature, must be viewed in the dark, this is an element that is highly exploited and capitalized upon by movie-maker...
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...