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Depiction of women in movies
Depiction of women in movies
Gender stereotyping films on male
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The film Boys Don’t Cry, directed by Kimberly Pierce, brought mainstream media attention to the life and tragic death of Brandon Teena in addition to an unveiling educational debate. “For the first time, audiences were introduced to a transgender character that was not branded as either killer, sexual predator, or deranged psychopath” (Rigney 2004). The fascination with the life and murder of Brandon within contemporary American culture classified the potential to operate as a force of interruption and disruption, suggesting a moment when a critical, potentially educated transgender movement might open up within mainstream culture. The media has a long history of depicting characters who transgress gender boundaries as comic, weak, or as …show more content…
The Silence of the Lambs is an excellent example of the way in which a transgender figure is othered and the heteronormative gender is reinforced and stabilized. In this film, the self-castrated killer murders and skins young women in order to stitch together a female body suit (Rigney). The motive of the killer is formed by the desire to possess and to become the unattainable, a biological woman. His anger derives from the deception that, he was born in the wrong body, cheating him out of what is rightfully his. In the case of The Silence of the Lambs, the film implies that biological sex is fixed at birth, that the desire to change one 's biological sex is rooted in abnormality and psychosis, and that the ultimate and unattainable wish to change one 's sex leads to both madness and murder. The Silence of the Lambs is just one example of a number of contemporary films that portray a male-to-female character. In contrast, female-to-male characters, prior to the release of Boys Don 't
While trying to figure whats going on with his wife and protecting his young daughter, the male protagonist is caught in difficult situation as series of brutal murders happen all around him. We find out that these murders are the product of the wife’s ability to give birth to mutant children through a psychoplasmically-induced external womb. These mutants or “broods” are born out of the mother’s rage for certain people. This film hits on many of Creed’s theories including the abject mother, monstrous womb, and femme castrator. We see that the female character can give birth to these children that do her bidding without the act of sexual intercourse, which can symbolize a castration of the male figure. This relates back to Creed’s notion and idea of castration introduced by Freud. They male character is undoubtedly threatened by the female character and in many ways is stripped of his masculinity. So the female form does become a symbol of castration and in this way exemplifies evil. example in The birth of one of the broods at the end of the film also supports Creed’s point of the female “womb” being a source of evil. As the film is literally centered around the womb being the source of all evil and
I watched the foreign film Ma Vie en Rose (My Life in Pink), a Belgian film by filmmaker Alain Berliner. It is a warm, startling, funny, and realistic study of what happens when a seven-year-old boy is convinced, beyond all reason and outward evidence to the contrary, that he is really a girl. His certitude is astonishing in one so little, and his gender conviction is so strong that his belief can't be laughed away as the result of a “phase” or an “active imagination.” Yet the crux of Ma Vie en Rose is not a study of trans-gendered children per se, despite the fact that such sensational subject matter would seem to be surefire material for attention-grabbing moviemaking. You're never even quite certain about the long-term psychological ramifications of young Ludovic's obsession: Is he trans-gendered, a transvestite, gay, or straight? Such determinations are not the movie's concern. What Ma Vie en Rose is interested in is what it means to be a “difficult” child, a child who whose difference always sets him apart, and what it means to be the parents of such a child. Here we see some cultural differences with the characters.
What if I told you that I know the outcome of your life and where you will end up before you even know it? Wouldn’t you be scared? See for a regular person who has a supporting family around them this question will almost feel almost like a death sentence. Nobody wants anyone to judge them before they even go through life on what they will end up being.
This just manifests how horribly we allow women to be treated in this male-dominated world. These women would kill to be treated as a man, just for a day. John puts down Lana and her girlfriends just as her did, her mother. It is a sickening commentary on the maltreatment of females. Brandon just does something about it. All of the girls in the story want respect, it is only Brandon who has figured out a way to get it: by becoming one of the respected, a man. He was on his way to the surgical sex change procedure, which would make his transformation complete, until he was interrupted by another injustice in our patriarchy, the fear and hatred of what is different. Brandon is brutally raped and ultimately shot by his assailants for reporting it.
Laverne Cox is a prominent actress and advocate for trans rights, most recently gaining attention for her role in the Netflix original show “Orange is the New Black”. Cox plays a transgender prisoner named Sofie, who throughout the course of the show faces bigotry and cissexism from her peers as well as the prison staff. The role gained attention for being one of the first prominent trans characters to be played by a trans actress in a way that accurately demonstrates the difficulties trans individuals face. Though recent years have seen an increase in trans awareness, there is still a distinct disconnect in the communicative cultures between trans and cis speakers when it comes to the subject
Consequently, they must then take on parties, dates, auctions, beach days, and fashion shows, all while concealing their true male identities. While doing this, the movie portrays extreme stereotypes of gender roles and expectations. Although the portrayal of female expectations and characteristics is exaggerated for comedic effect, the underlying points and issues still remain. The way the brothers dress, speak, act, and understand their new social life as females, all contributes to the obvious contrast in gender specific qualities. The consistent sexualization of women and over pompous attitudes of men throughout the film provides exceptional evidence that society has established acceptable norms for both genders. These established roles of femininity and masculinity conflict within the undercover agents as they struggle to act poise, arrogant, non-confrontational, and sexy like their fellow female friends are, yet this is completely out of the norm for them as they are truly males. However, when they slip-up and allow their defensive masculine traits to show through it allows for not only a comedic break, but an exceptional
Laura Mulvey claims that the camera is almost always masculine and that all women in these films are objectified and punished if they don’t please the male characters by obeying gender roles. Carol Clover, however, believes that there is more to Mulvey’s claim. Clover argues that the boys of the film also die, insinuating that punishment does not just fall on the women. She also argues that the camerawork and the film itself are about gender fluidity; both boys and girls can identify with any character of the film, be it the killer, a boy, or the final girl. Sexual ambiguity, especially in regards to the first-person camera work, are the focus of the films. To some extent, I believe both women’s claims. However, I believe there is more truth in Clover’s argument due to the fact that retributions are inflicted upon all characters regardless of gender. Yet, it does seem that women in horror films have a special place in terms of their sexuality and roles for the film. The women have ambiguous gender rules as evident by the final girl. Her act of fighting is considered a masculine activity. These masculine activities performed by females seem to be more acceptable in these films than if a male was actively portraying something feminine, such as cowering in fear. This gives validity to the argument that being masculine or
Barbie is tall, thin, has large hips and a large chest; she is beautiful, blonde, and she loves to shop; overall, Barbie is the feminine ideal. As researchers Jacqueline Urla and Alan Swedlund acknowledge, “little girls learn, among other things, about the crucial importance of their appearance to their personal happiness and to their ability to gain in favor with their friends” (1995:281). Gender roles are both centered around behavior as well as around bodies; this poses huge problems for transgender people, as well as explanations for transphobia; society has, for so long, accepted gender and sex to be synonymous. Because of this, a person whose gender is female and whose body is (rhetorically) male is a frightening and concerning deviant to most people’s understanding of the way in which gender exists. Everything that has to do with ideals for bodies leads to problems for transgender people; whether it is, as Urla and Swedlund also commented, that “...woman’s body was understood through the lens of her reproductive functions” (1995:287), or the general idea of “norms” for body proportions. When considering women’s bodies’ main purpose to be that of reproduction, it is apparent why the concept of transgender people may be concerning; transgender women -- that is, people, assigned male at birth but who live as women -- are women whose bodies cannot reproduce in the way that women are expected to; transgender men -- people assigned female at birth but who live as men -- may still have bodies which are viewed as useful mainly for their reproductive capabilities, but which they do not intend to acknowledge or use as such. When things stray so drastically from a norm which has long been accepted with minimal thought, onlookers panic that other norms will start to change as well. Straying from this norm also
Silence of the Lambs, is commonly said to be one of the most famous thrillers made. After watching the film for the first time, I noticed the director had many interesting themes and concepts. Some of these themes included, good vs. evil, the search for peace, judging a book by its cover, and gender and sexuality in the workplace. The theme I found most interesting, and what I found the director made most apparent, was gender and sexuality in the workplace. The director showed that gender and sexuality in the workplace was the most noticeable theme because of the constant contrasts set between Clarice and her male co- workers, her continuous denial about her femininity, and the amount of danger Clarice runs into because as a women, she is always having to do things on her own.
The eye opening article utilized for this analysis is titled, “Trans Women at Smith: The Complexities of Checking ‘Female’” ,written by contributing writer, Sarah Fraas on August 24, 2014 (pg 683-685). Fraas starts off by introducing the audience with a school that accepts trans women, Mills College, and talks about how glorious this decision is. The author then begins to talk about other schools not as accepting as Mills, especially Smiths College. She spews many facts and analysis on the issues trans women face today throughout the article including how transgender women are not gaining enough support to succeed, most transgendered women are neglected in school, and the fact that many have been accused of being a woman for the “wrong” reason. She also mindfully includes the image of a woman of color holding up a sign saying, “Support your sisters, not just your CIS-ters!”. The author utilizes this image to show people that we are all one whether we
First; comes, the notion of nature. West and Zimmerman term this as sex, referring to a person’s biological makeup through genitalia, having a penis or vagina, or simply chromosomal pairing of XY or XX (29). Although there is no escape or control an individual has, if their foetal tissues formed into a penis or vagina, biology does play an underlying role in an individual’s identity and personality formation which is socially constructed. What is the correlation between biology and socially constructed gender then? The case study West and Zimmerman present of “Agnes, a transsexual person who was born (31), ” and raised a boy, but went through sex reassignment surgery, and identifies as a female, shows that although biology may result in a certain genitalia, an individual’s response to that may be one that is conforming or opposing to it. By the terms conforming and opposing I mean to say that Agnes could have either continued to
The depiction of transgender women characters in mainstream television has been offensive, insulting and derogatory. An article from GLADD called “Victims or Villains: Examining Ten Years of Transgender Images on Television”, examines 102 episodes and storylines on mainstream television that contained transgender characters since 2002. Of these, more than half were characterized as containing negative representations of transgender. In 2007 only 1% of television series had a recurring transgender character, which has slowly increased to 4% in 2013.
In the film Boys Don’t Cry Brandon was a born female who was trying to adopt a male identity. During this time Brandon was not fully accepted by
Within the recent years, the transgender movement has become more apparent than ever. With television shows like “RuPaul’s Drag Race”, “Keeping It Up With Cait” and “I Am Jazz”, the voices of transgender people are more public than ever. Celebrities like Caitlyn Jenner and Laverene Cox are changing the face of the movement by showing people that it is never too late to be their true selves. American laws acknowledge the rights of transgender people, but not in a positive way. These are just people trying to be their best selves.
First I just want to say that if I didn’t have to watch this movie for class, then it wouldn’t normally appeal for me to watch it. I didn’t have anything against this movie; I just personally do not like watching movies that have a negative vibe like it did at the end of this movie. I know that this movie was supposed to be based on the true story of Teena Brandon, however, after watching this movie, I looked up the true story and it turned out that the movie was really faithful to the actual real life events that occurred.