Boy In The Striped Pyjamas Essay

1257 Words3 Pages

Introduction
The novel ‘Im Not Scared’ is a riveting tale of a boy’s coming of age, in the ironically named Aqua Traverse written by Niccolo Ammaniti. The chosen film ‘The Boy In The Stripped Pyjamas’ is a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a German concentration camp, directed by Mark Herman. The director and author of the texts employ various narrative and cinematic techniques to emphasise themes of fear, loss of innocence and friendship.
Paragraph 1 –innocence
One of the main themes of the film is innocence. Bruno is unaware that his father is a Nazi commandant and that his home is on their periphery of Auschwitz. The dolly shot is used to follow Bruno running through the woods; this …show more content…

In the film, the director foreshadows the detachment of Bruno’s family from one another. Through the use of mise-en-scene, the viewers perceive that the family is restricted to the boundaries of their home, as the viewers rarely see any outside of the home. Bruno is not allowed to go any further than the boundaries of the courtyard, his father is restricted by his profession, followed by his mother who is limited to being a housewife. Amongst all of that, Shmuel is contained by the electric barb wired fence of where he resides. Shmuel and Bruno are separated by a fence and lament that they can’t play or explore together. They are also separated by the strict rules inherent in Nazi Germany which forbid Germans to be friends with Jews. Long shots of the car traveling to the new house are used to highlight its isolation. The house contrasts severely with the previous house as it appears drab, dull, a concrete fortress which fits the job of its occupier as opposed to light, airy, bursting with colour and heritage. The intrusion of soldiers entering the house highlights the father’s authority and positions the wife and children as the ‘outsiders’ of this place. The repeated framing of Bruno behind bars, for instance, the window slats and stairs, is used as a motif to symbolise the feeling of ‘captivity’ that he feels. Correspondingly, the theme of isolation In the …show more content…

There is no dialogue within the opening sequence which indicates that the director wants the audience to concentrate on what is going on and the journey of the children as opposed to what the characters are saying. The editing cuts back and to from the house that Bruno is traveling to and the journey he is taking to get there, shows the continuity throughout the opening sequence which makes it easy for the audience to follow and understand. Shmuel and Bruno are two boys left untouched by the prejudices of adults and are prone to form friendships irrespective of differences in ethnicity. While Bruno regularly hears derogatory comments from Germans regarding Jews, he is unable to reconcile the negativity in those comments with the humanity he identifies in Shmuel. In the scene at the end, with Shmuel being corralled into the gas chamber along with other prisoners, Bruno cannot let go of his friend's hand, he says, “You’re my best friend, Shmuel. My best friend for life”. The fence divides the two boys, both physically and metaphorically. It becomes a recurring motif that ironically separates the boys, and ties them together. It is through the barbed wire that their friendship grows and it is ultimately the fence, and Bruno’s entry to the other side, that brings his ultimate end. Michele initially learns that loyalty and trust are far more valuable than money when he

Open Document