Love is ironic because the course of true love never runs smooth. It is an edict in destiny that lovers are fated to have trouble, and be mis-matched by class, age, or height. Sometimes lovers have to choose by another’s eyes, or fall in love due to spells gone wrong. That said, according to the “wise ass” Bottom in that “hack” William Shakespeare's “play” a Midsummer Night's Dream, love and reason share little company. Bottom and Titania are the epitome of Love and Reason sharing little company because Titania is under a spell, causing her to fall in love with a wise ass that does not speak correctly. Bottom is an actor who wants to play every part in plays. Titania is the fairy queen, and is what is thought of as the typical fairy. Fairypical?
Bottom and Titania's crazy relationship is the result of a love spell that Oberon cast on Titania. Oberon decides in order to get the Changeling boy from Titania he will have to distract her from her flower child. The
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They may not be perfect for each other, but they do help each other. Even though Bottom is saying odd remarks that come off as insulting, he only has the best of intentions, trying to flatter everyone. “I cry your worship's' mercy, heartily.—I beseech your worship’s name....“I cry your worship's' mercy, heartily.—I beseech your worship’s name...Mustardseed. Good Master Mustardseed, I know your patience well. That same cowardly, giant like ox-beef hath devoured many a gentleman of your house. I promise you your kindred hath made my eyes water ere now. I desire you of more acquaintance, good Master Mustardseed. He is saying these compliments because he wants to show Titania that he is trying. Titania on the other hand is happy and feels that they are meant for each other, which she did not feel with Oberon. Oberon was not giving her the control that she is able to exert over
When Oberon ordered Puck to anoint Demetrius, he anointed Lysander, therefore causing chaos among the lovers! Puck was the one making his own choices based on his knowledge. Secondly, when Titania ordered the fairies to serve Bottom, she was under the love potion. Since she madly pursued Bottom, she didn’t truly know what she was doing, which caused chaos!. Though it may seem like Bottom and Oberon were controlling, they are both at the
Titania has been giving all of her time and affection to a “changeling” child, left in the custody of Titania. Not only is Oberon jealous that Titania no longer gives affection or time to him, but Oberon selfishly wants the boy to be employed as his henchman. When Titania refuses to disclose the boy’s location to Oberon, Oberon devises a plan to use magic on Titania by forcing her to fall in love with the next living creature she lays her eyes upon. How this is supposed to lead to the boy, I have no idea. But Titania ends up falling in love with an Athenian man who has the head of a donkey; using the strange donkey-love distraction, Oberon is able to locate and take the boy. Does Oberon want the boy solely for the purpose of employing him as a henchman, or does Oberon wish to rekindle a relationship between himself and Titania that the boy has interrupted? Either way, forcing your wife to fall in love with a donkey man is pretty outrageous and
The love-in-idleness flower nectar plays a big part in demonstrating the unpredictability of love, since “[t]he juice of it on sleeping eyelids laid / Will make or man or woman madly dote” (II:i:155-156) This potion depicts the whole love-at-first-sight trope, and shows how volatile people are when it comes to love, especially when it’s merely superficial. Titania’s condition was caused by Oberon, who might have been slightly jealous of Theseus. Love caused Oberon to do things that Titania would probably have never predicted he would do, and Titania falling in love with a creature like Bottom could never have been planned. She clearly did not believe that such a thing could have happened, as she says, “Methought I was enamored of an ass” (IV:i:60) - and yet that is exactly what happened.
“Love looks not with the eyes, but with the mind, and therefore is winged Cupid painted blind. ” (Pg. 18). The. By creating a comedy using both dramatic and situational irony, Shakespeare was able to get the true meaning of A Midsummer Night’s Dream across to his audience: “love is blind”. When using situational irony, the readers were often tricked into believing in different outcomes to certain events in the story.
Every action made in A Midsummer Night’s Dream revolves around the idea of love. It is a concept which few people can understand because of the extremity a person can go through to go after their love. “Lovers and madmen have such seething brains, such shaping fantasies that apprehend more than cool reason ever comprehends.” Lovers see the world in a way which everyday people cannot comprehend. The idea of love leads to them making irrational choices which may seem
Love is ironic. It can take you anywhere in the world unexpectedly, and turn you into a person that you never were. However, love is also two-faced, having both a negative and positive view. It is what drives you to the point where you do not know who you are anymore. In Shakespeare's story, The Tragedy of Romeo and Juliet, Shakespeare perceives love with the personalities and actions of the characters, Romeo and Juliet. Both Romeo and Juliet are characterized as immature and irrational due to their "love." In addition, both characters fail to realize the reality of life and go towards the path of adolescence. Even though Romeo and Juliet are doomed at the end of the journey of "love," their demise was caused by their rash and silly decisions because their belief of everlasting love blinds them from reality and shapes their lives into an unstoppable time bomb.
The contrasted humor is clearly shown as Titania weaves flowers into the hair of Bottom’s donkey-like head. Titania is a beautiful and delicate creature, while Bottom is completely grotesque. Magic creates an unreal image of Bottom, which in turn creates a comical contrast between Bottom and Titania. As part of the already comical sub-plot, Bottom’s altering through magic adds even more humor to the overall play. Next, the misuse of magic causes conflict among the four Athenian lovers.
However, the ideal relationships are not immune to experiencing unharmonious periods. Despite this, the ideal couples eventually found harmony which allowed them to experience a joyous ending. Lysander and Hermia have a harmonious relationship in that they display similar desires and mindsets. In the beginning, after declaring their love for one another Lysander and Hermia devise a plan to run away and elope (A Midsummer Night’s Dream 1.1.156-178). Even when they are not of the same mindset Hermia and Lysander find an amicable solution. After becoming lost in the forest, Lysander’s desire is for them to sleep together, Hermia refuses for fear of the disgrace that would be placed upon her if for some reason they did not become married. Even though Lysander is a reluctant he respects her wishes (A Midsummer Night’s Dream 2.1.47-67). On the other hand, the relationship between Oberon and Titania in spite of being plagued by dysfunction comes to a harmonious agreement. At the beginning Titania and Oberon are quarreling over the control of an Indian changeling boy (A Midsummer Night’s Dream 2.1.18-31). While under the influence of an enchantment that Oberon had placed on her Titania relinquishes the control of the changeling boy to Oberon (A Midsummer Night’s Dream 4.1.56-60). After the enchantment is removed from her Titania no longer has feelings of defiance toward Oberon (A Midsummer Night’s
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
The character of Bottom in Shakespeare’s A Midsummer Night’s Dream is frequently foolish, but he is not a fool. His exuberance and energy are allied to practicality and resourcefulness, with an alarming lack of self-consciousness. He, at any rate, is not at all tongue-tied before the duke, as Theseus has known others to be. We do laugh at Bottom in many situations, but should note that these are situations in which any man might seem ridiculous: amateur theatricals are almost a byword for unintended comedy, whether in planning (1.2) rehearsal (3.1) or performance (5.1); any artisan afflicted with an ass's head and appetites, and beloved of the fairy queen would have difficulty retaining his dignity.
Helena + Demetrius = One sided (Unrequited) Hippolyta + Theseus = Stable Love (Mutual love and respect) Titania + Bottom = Unrequited and magical (fake) Egeus + Hermia = Family - Father and daughter Titania
...uch like Helena, who overlooks Demetrius’ shortcomings, Titania looks past Bottom’s very apparent ignorance out of love.
In "A Midsummer Night's Dream," William Shakespeare explains the difficulties of the nature of love. Both false love and true love prevail in the end, leading the reader to come to the conclusion that all types of love can triumph. Hermia and Lysander represent the existence of a "true love", while Helena and Demertrius represent the opposite extreme. Shakespeare presents the idea that love is unpredictable and can cause great confusion. Love is something that cannot be explained, it can only be experienced. Shakespeare challenges us to develop our own idea of what love truly is.
To emphasize, in Act III, the reader is presented with the play’s most extraordinary contrast, the relationship between Titania and Bottom. “What wakes me from my flow’ry bed?” (III.i.131). Titania is awoken by the so-called melodic singing of Bottom. In the present scene, both characters are under some particular sort of spell. Titania’s eyes were anointed with the nectar of the love flower, thus causing her to fall in love with the next living thing she encounters. In the meantime, Puck pulled a prank on Bottom, turning his head into that of an ass. Both characters of the play are interpreted as complete opposites. Titania, characterized as the beautiful, graceful fairy queen; Bottom is portrayed as overdramatic, self centered, and as of now, not keen on the eyes. However, the love nectar never fails and seems to bring the two into a state of lust. The contrast between the two is overwhelming. An important scene in the pl...
The second interpretation could be of the dream Bottom thought he had when Titania, the queen of the fairies, had fallen in love with him when he looked like an ass. He wasn't sure whether it was a dream or real because "the eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report what [his] dream was" (page 135). The thematic nature of this is that there is no real explanation for love. Even Bottom himself said, "Reason and love keep little company together nowadays" (page 79). The third interpretation could have been that the entire play had been a dream.