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Chapter 1 the nature of art and creativity
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ANALYSIS OF JOHN WOLSELEY’S “BOTANIST’S CAMP” WRITTEN BY ANTHONY NGO, 8E The “Botanist’s Camp” is a lithograph illustrated by John Wolseley during 1997. As a botanist, John Wolseley takes inspiration from Australia’s unique outback, detailing the minutiae of the flora and fauna in his artworks. His unconventional yet innovative artistry style includes an abstract method whereby natural agents act as printmaking tools or as stimulus. With these principles, John painted many diverse sets of masterpieces and in this case the infamous “Botanist’s Camp”. Within the 74 cm by 93.5 cm canvas, John depicted an assortment of desert wildlife. These include a frog, frill-neck lizards, and various types of flora. Furthermore, as a contribution to the painter’s
Tomatoland is a book written by Barry Estabrook, an investigative food journalist. Throughout the pages of Tomatoland, Estabrook explores the path of tomatoes, from the seed in South America to the hands of migrant workers in the fields of Florida. Through his exploration he discovers several issues that exist within the fresh tomato industry in Florida. Two of the major issues that he discovers include the use of highly toxic chemicals that cause severe damage to the health of humans and the environment, and the exploitation of migrant workers. Estabrook directly blames the continuation of such issues on those who support the tomato industry, “it’s a world we’ve all made, and one we can fix”; this includes consumers, crew bosses, the government and the corporate farm owners, like the executives and those who work in the business side of farming. Although there are many who are at fault, Estabrook directs his blame more towards the government and the farms corporate owners. Estabrook’s assessment of blame is substantial because the government and owners of the tomato corporations are the ones who have the strongest power towards regulations and production.
Through her masterful usage of color and lighting, painter Alexis Rockman seeks to display the overwhelming beauty of the natural world and its inhabitants in her painting Kapok Tree. With a color scheme of bright colors that pops out and grab the attention of the viewer and an emphasis on lighting that divides the painting into two separate scenes, Rockman’s Kapok Tree delivers its timeless message with ease.
This is an image that I think of when I consider Japanese culture. They love gardens like this and you see similar images often when considering their culture. It is difficult to tell for sure, but the people in the distance appear to be dressed up. It is as though they have put on their best clothes to step out and enjoy this relaxing setting. I believe that this print is successful at capturing a moment in the mid 1800’s very well. It causes me to sense and experience what the artist was trying to capture. This print seems to conform to the formal theory of art. The print has only images of each object. None of them are particularly detailed or real to life but they do a very good job of organizing and describing the basic elements of the scene. It uses similar colors, shapes, and lines to those one might find in this garden in
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
In the early 16th century the Netherlands experienced what was called “tulip mania” this was the beginning of the nations love for flora and foliage (Taylor 13). The result of this impressive flower invasion was a society that took a historical turn from which the results still remain today. Flower merchants, botanists and floral still life artists, were occupations that were an accurate reflection of the Netherlands demands (Brown). An interesting example of a life that was effected by, and devoted to the archiving of the flower craze was Rachel Ruysch (1664-1750) the 17th century Dutch flower painter. Rachel Ruyschs’ career straddled the 17th and 18th century, and her stunningly accurate floral pieces reflect the maturing, yet evolving art of floral still life painting (“Rachel Ruysch: Bibliography”). Ruyschs’ Still Life with Flowers on a Marble Tabletop (1716) is an excellent example of a painting that appropriately represents the genre of art that was created solely through specific societal events.
One day Cole set out to observe nature and it’s wilderness. He began painting pictures by first making oil sketches of American rocks, trees, sunsets, plants, animals, as well as distant Indians. From these sketches he formed several paintings. Most famous for his allegorical collection called the “The Course of Empire” and is well-known for his Landscape paintings, “The Oxbow,” “The Woodchopper,” and “The Clove, Catskills.”
Beauty can be defined in many ways. Though, regardless of its definition, beauty is confined by four characteristics: symmetry, health, vibrancy and complexity. Michael Pollan, in the book The Botany of Desire, examines our role in nature. Pollan sets out to discovery why the most beautiful flowers have manipulated animals into propagating its genes. Most people believe that humans are the sole domesticators of nature, although, beauty in some sense has domesticated us by making us select what we perceive as beautiful. In flowers, for example, the most attractive ones insure their survival and reproductive success; therefore the tulip has domesticated us in the same way by insuring its reproduction. Whether it is beauty or instinct humans have toward flowers they have nevertheless domesticated us.
“New Field” by Theodoros Stamos is part of the “Edward Joseph Gallagher III Memorial Collection of the University of Arizona” exhibition at the University of Arizona Museum of Art. The artwork is part of this exhibition because Mr. Gallagher donated it. The exhibition featured several pieces of work that all used color and lines to produce the essence of scenery. The artwork depicts Theodoros Stamos’ abstract expressionist style, where he uses a distinguished set of colors on a large flat canvas.
I have never seen myself as an art museum enthusiast, nor have I ever been able to actually appreciate art and the messages it expresses. But never before have I ever been so taken away by an artist's work. Through his unique, inventive use of technology, Robert Buelteman proves in his images of "Through the Green Fuse," the momentary beauty of plants and their visual metaphors for human life. Buelteman's "Cortaderia Selloana" meaning Pampas Grass, caught my eye as soon as I entered his gallery. The colors and form of the image are breathtaking and even furthermore, his process for the creation of this image is fascinating. His choices of exotic plants all of whose characteristics range from delicate to dramatic seem to have been so meticulously chosen and for this piece in particular, pampas grass was a perfect selection because of how sharp and defined each blade of grass is. Buelteman's true messages of these images are expressed not only through his inventive process but through the media he incorporates into the process.
All dramatic productions feature the elements of drama. Following a viewing of the scene ‘Someone’s crying’ from the 1993 movie ‘The Secret Garden’ three of the elements of drama have been assessed. Role, character and relationships have been utilised in ‘The Secret Garden’ to create anxiety and suspense, enticing the viewer to solve the mysteries the Secret Garden presents. The protagonist in the scene is a young girl, around the age of ten who during the night leaves her room to explore her residence. The protagonist narrates the scene; she begins by stating that the ‘house seems dead like under a spell’. This makes the viewer anxious and fearful for the safety of our young protagonist. The protagonist is brave. She pushes open a door and
The Weedpatch camp was very friendly and caring towards Joads’ family. In their long Journey, they tried different places. They were searching for work, therefore they had to make a journey during the entire day. The time, they had to assemble in the small place, they pressed each other, and they had to stand on their feet. They faced problems in every place they tried to settle, because their freedom of doing things was blocked by the brutal systems. As stated by John Steinbeck, every place they tried to make camp, the condition was very bad. As Ma mentions, Ma is expressing her sufferings on the road. Her entire family was oppressed by the landowners and by the cops. In Weedpatch camp, her family was accepted as they were, and was viewed
Vincent van Gogh’s development in stylized representations of nature, created by the application of dark colors, bold lines, and thick paint all show an expressionistic view of the natural world as seen through the eyes of the artist. While we will never find a definite answer for whether or not Vincent van Gogh intended for Wheat Fields with Crows to be any indication of his suicide, we continue to draw on conclusions of what this painting really meant. Even though we can say with certainty that this was not Vincent van Gogh’s last painting, the subject matter and formal elements suggest that it probably was - intended or not - some indication of van Gogh’s unhappiness.
Hirsch, E. 1995. “Introduction, Landscape: between place and space” in Hirsch, E. (ed.) The Anthropology of Landscape: Perspectives on Place and Space. Oxford : New York: Clarendon Press.
The novel gives us a glimpse how in the nineteenth century colonialism destroyed the ecosystem of the country. The description of a French Botanist as assistant curator of Calcutta’s Botanical Garden does little for the conservation of native plants in comparison to the destruction caused by the colonial rule. But the character of Paulette is an example of a child of nature in the novel.
Imagine arriving at a farm, friendly people greeting and directing you, apple trees as far as you can see, and even spotting a corn maze! With Wagons strolling around and farm animals to interact with, it sounds like the best place to visit for a weekend. At Lynd’s Fruit Farm, this is the site you see when you arrive at the fun and friendly farm.