Faith Bateman Ms. Bourgeois STA DE English 101 March 15 2024 Boosie Saved Baton Rouge Hanif Abdurraqib is a music critic, essayist, and poet that uses popular music to blend social history and insight into technical and emotional aspects of a song, album, or a performance. In his first collection, They Can’t Kill Us Until They Kill Us, he combined essays that included a deeply personal consideration of self-identity and the continued suffering inflicted on Black bodies. In, “Burning That Which Will Not Save You: Wipe Me Down And The Ballad Of Baton Rouge”, an essay in his book, Hanif Abdurraqib linked Boosie Badazzs’ song, “Wipe Me Down”, to life in Baton Rouge rebuilding after the destruction of Hurricane Katrina. Through Hanif Abdurraqib’s use of …show more content…
Baton Rouge then became a swelled and overcrowded city because of the number of New Orleans residents that migrated there. Murder, poverty, and homelessness rates soared after the influx to Baton Rouge. It was truly pure chaos. Two years later, the remix to “Wipe Me Down”, featuring Lil Boosie and Webbie, was released. In Hanif Abduraqib’s essay, he really dives into the difference between this songs’ original and the updated version of the music video. The original video was blurry, oddly structured, and filmed in the streets of Baton Rouge. The rappers looked like ordinary people, just trying to make a living. The remix included everyone with money, jewelry, and power while they were in a club surrounded by attractive girls. Hanif Abdurriqib stated, “It is like watching the difference between a city that’s trying, and a city confident in a light at the end of the tunnel” (Abdurraqib 156). Hanif Abudraqib uses Boosie’s music video to describe the difference between Baton Rouge and Hurricane Katrina. Baton Rouge after the hurricane and Boosie’s original music video both symbolize a city trying to fight with what little they have just to
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
The film “When the Levees Broke” of spike lee is a four part series covering the events that took place before and after the devastation of Katrina on New Orleans and its residents. In August 2005, New Orleans was struck by Hurricane Katrina. People were unprepared for the disaster. As the city was flooding, levees safeguard failed the city, which caused the city to go underwater. In the film, part 1 shows hurricane Katrina and it’s impact. The flooding, rescue efforts and people trying to survive the disaster. Part 2 shows the aftermath with people that were evacuated waiting for help to come to the city. It was a very slow response to help and everyone was just waiting. Part 3 shows how people started to recover. Many hoped to return to their
The book, The Spirituals and the Blues, by James H. Cone, illustrates how the slave spirituals and the blues reflected the struggle for black survival under the harsh reality of slavery and segregation. The spirituals are historical songs which speak out about the rupture of black lives in a religious sense, telling us about people in a land of bondage, and what they did to stay united and somehow fight back. The blues are somewhat different from in the spirituals in that they depict the secular aspect of black life during times of oppression and the capacity to survive. James H. Cone’s portrayal of how the spirituals and the blues aided blacks through times of hardship and adversity has very few flaws and informs the reader greatly about the importance of music in the lives of African-Americans. The author aims to both examine the spirituals and blues as cultural expressions of black people and to reflect on both the theological and sociological implications of these songs.
In the late summer of 2005, a terrible tragedy occurred that changed the lives of many in the south-east region of the United States. A Category 3, named storm, named Hurricane Katrina, hit the Gulf Coast on the 29th of August and led to the death of 1,836 and millions of dollars’ worth of damage (Waple 2005). The majority of the damage occurred in New Orleans, Louisiana. Waple writes in her article that winds “gusted over 100 mph in New Orleans, just west of the eye” (Waple 2005). Not only was the majority of the damage due to the direct catastrophes of the storm but also city’s levees could no longer hold thus breaking and releasing great masses of water. Approximately, 80% of the city was submerged at sea level. Despite the vast amount of damage and danger all throughout the city, officials claimed that there was work being done to restore the city of New Orleans as a whole but many parts, and even the people, of the city were overlooked while areas of the city with higher economic value, and more tourist traffic, were prioritized along with those individuals.
... song entitled “Formation”. The filming took place in Los Angeles, but features references to Hurricane Katrina, with Beyoncé on top of a police car in a flooded street and later cuts to a man holding a newspaper with Martin Luther King Jr.’s face on it with the title “The Truth”. Later a young hooded boy dances in front of a line of police officers with their hands up before the video cuts to a graffitied wall with the words “stop shooting us “ tagged on it, at the end of the video the police car sunk with her on top. Not only did this song, bring awareness to the 10th anniversary of hurricane Katrina it also brought awareness to police brutality, racism, and the “black lives matter movement”. I stand with Lil Wayne, Beyoncé, the people of New Orleans and the countless others who are pushing for a change in the way minorities and the lower class citizen are treated.
...coast of the United States” (Waple). Katrina produced pervasive demolition in New Orleans and Spike Lee addressed many disparities. He did so by providing people the opportunity to understand those who were impacted by Hurricane Katrina through their stories and opinions. He appeals to the emotions of the audience by compiling stories, voices, images, and media coverage of the event. The government failed in providing appropriate help to the residents of New Orleans due to their slow reaction. In a number of days after the storm hit, help decided to arrive and many homes and lives already vanished due to the storm and the aftermath. With the use of logical, emotional, and ethical appeals, Lee was able to document a film to make his argument. The style of his argument persuaded Americans into believing that the government did not care about the people of New Orleans.
... Bohlman, Philip V. Music and the Racial Imagination. University Of Chicago Press, Chicago. 2001. Print.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
A hero is defined as someone who completes brave acts and or possesses admirable qualities. During the storms of Hurricane Katrina, many heroic figures emerged, ranging from individuals concerned with the medical aspect of the survivors’ health to individuals focused on feeding the general public displaced from their homes. All of these figures worked towards the same outcome: assisting the victims of Hurricane Katrina. The main difference is how the general public perceived these heroic individuals. Welcome to New Orleans, a documentary following the story of Malik Rahim and the Common Ground Organization’s efforts to feed and provide health care for the survivors, and Five Days at Memorial, a book focused on the events taking place in Memorial
There is one universal language: the language of music. Music has a special quality and ability to bridge both social and cultural divides. A proposed theory by Dr. Gray, Founder and Director of National Musical Arts’ BioMusic Program; describes music has been around longer than human-beings have. Music is the one thing human beings from various backgrounds can relate to. Every living creature would agree. Music is heard everywhere not just among humans, but in nature as well, through the twitting of birds, winds blowing, the soft sound of raindrops against a windowpane, the ocean waves moving back and forth and the hum of the ocean rushing in a sea shell. There is no escaping it; music lives in and surrounds us steadily. While there are countless songs which confer social or cultural consciousness, this paper will analyze and address the dynamics of M.I.A.’s “Paper Planes”, video. Stylistically, the paper will examine the artist point of view, the unique use of lyrical analysis and sound description in relation to its historical, social, political and/or cultural context. This essay will also trace the lyrical analysis and sound description of song and discuss how the elements (visually, sonically, and lyrically) interplay with the theme of immigration and/or violence.
As it opens with imagery reminiscent of the aftermath of Hurricane Katrina in New Orleans, an event that devastated the black communities in the areas affected. The delayed assistance in New Orleans by the U.S. government stirred some controversy that led many to question how much America really cares about its black communities. Nonetheless, Beyoncé’s video is full of imagery that is associated with black culture, including historical references to black communities in the south. But what is really important about “Formation” are the lyrics. With lyrics like “My daddy Alabama, Momma Louisiana, You mix that negro with that Creole make a Texas Bama” and “I like my baby hair with baby hair and afros, I like my negro nose with Jackson Five nostrils,” Beyoncé is undoubtedly declaring her pride for her blackness as well as defending her child Blue Ivy who has always been scrutinized for the way her hair looked. Thus, this song is obviously geared toward the Black community which is obvious due to the lyrics and the imagery in the music video. To put it plainly, this song is a proclamation of Black pride and shouldn’t be thought of in any other way. However, after performing it at the Super Bowl people of other ethnicities became aware of the song and became offended by her performance as well as the lyrics. Controversy arose as people pointed out her backup dancers were dressed similarly to the Black Panther
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans. First is about the effect of slave music on American history and African American music. The slave music’s
Rytell, David. “Music Worthy of a Riot.” David Rytell’s Home Page. 1989. Web. 17 September 2011.
Virtues contribute to people’s actions in today’s society. Society as a whole has a common set of virtues that many people agree on. In today’s society, these are known as laws. Virtues also mold the individual outlook on life, and give them the moral’s to do what is right. In The Republic, Plato divides the city into three classes: gold, silver, as well as bronze and iron souls. Each class is designated to posses a specific virtue. He believes that wisdom, courage, moderation, and justice combine together to form The Republic. However, Plato’s four virtues individually do not necessarily produce a utopian society. A combination of the four in each citizen is imperative in producing the ideal society. In Plato’s search for the perfect "republic", he decides that the basis of the city will be on four virtues. The first of them is wisdom. Plato defines wisdom, in Greek terms "Sophia", as knowledge of the city as a whole. Of the three classes, the gold souls posses the virtue of wisdom. The gold souls are the only class whose knowledge goes beyond the mere facts to the level of true wisdom. "…This class, which properly has a share in that knowledge which alone among the various kinds of knowledge ought to be called wisdom, has, as it seems, the fewest members by nature" (429a). The second virtue that Plato defines is courage, which in Greek terms is "Andreia". Courage is the preservation of the opinion produced by law, through education about what things are terrible, and what things are good. Courage can be found in the silver souls. Plato uses the example that when dyers want to dye wool, they start with the background. They need the right kind of white material, and they have to prepare it carefully; and if they go to...
This articles brings lyrics from a song that was previously considered offensive, which is now clean by today’s standards, and effectively argues for freedom of speech.