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The Storytelling Animal is an expository non-fiction book by Jonathan Gottschall analyzing the history of stories and human’s attraction to them. It was published in 2012 and thus contains many up-to-date references and comparisons. I believe Gottschall’s main objective in writing this book is to bring us all to the conclusion that he has reached in his research. Throughout the entirety of his book, Gottschall effectively pulls us back to main ideas he wants us to understand and accept, that we are innately storytelling animals, that are addicted to stories ourselves, have always been and will always be, by using topics that build upon one another, using relatable examples, and supporting arguments with research and studies.
Purpose and effect of storytelling/The art and desire of storytelling has been in our blood since the beginning of creatures, humans and animals alike.
Let’s go to the beginning. Gottschall opens with a snippet on the Hamlet writing monkeys. “Statisticians agree that if they could only catch some immortal monkeys, lock them up in a room with a typewriter, and get them to furiously thwack keys for a long, long time, the monkeys would eventually flail out a perfect reproduction of Hamlet.” Gottschall uses this to pull in his reader, a bang at the beginning, but how could this possibly relate to why humans like stories. This is where Gottschall shows his skills as a writer. Many non-fiction writers will tell us at the very beginning what they plan to ramble on about for the next few pages, outlining how everything connects back to the topic at hand. Needless to say, this is not how Gottschall wrote The Storytelling Animal. The author arranges his ideas topically. Occasionally the chapters separate the main topic...
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.... But if you flip to a few chapters later, we see a whole chapter on ‘Night Stories’, or dreams. Gottschall builds up the ideas that are essential to the understanding of dreams as stories in the few chapters in between. “In our dreams…we commit atrocities; we suffer tragedies….,” a statement from “Night Stories” that is seemingly unrelated to the book as a whole, unless we reflect on the idea from the previous chapter Gottschall talks of how humans are addicted to bad endings. When we look for connections between these of the topics, we can see that they are intertwined. Upon reflecting on the book as a whole after reading and rereading Gottschall’s writing, I begun to see this complex structure of topics he has woven together. All of the topics in this structure work together to deepen the reader’s understanding of the storytelling animal and what it’s all about.
Benjamin Percy uses the title “Me vs Animals” for a specific purpose and chose each word carefully. With only three words, the title conveys competition and comparison, gives the reader a connection to the essay, and instills a fear of the unknown. A title can make or break an entire piece of work. I think Percy contemplated over this title and chose three words that would accurately sum up his whole essay, with success. I would like to learn from this how to create a title that does just that.
Storytelling’s impact on people who use it has been life saving in certain cases. By asserting the existence of different perspectives, writers get to suppress their own opinions in order to sympathize with others. (insert thing about meta-fiction) With this idea in mind, author Kate Taylor wrote the novel Serial Monogamy, a meta-fiction of a writer recalling the story of her husband’s affair and her deal with terminal breast cancer, all through her telling of Dickens’ secret life and tales of the Arabian Nights. In Serial Monogamy, storytelling makes people more understanding as they explore new perspectives.
Stories are a means of passing on information, acting as a medium to transport cultural heritage and customs forward into the future. In his essay titled "You'll Never Believe What Happened," King says that, "The truth about stories is that that's all we are” (King Essay 2). Contained within this statement is a powerful truth: without stories, a society transcending the limitations of time could not exist. Cultures might appear, but they would inevitably die away without a means of preservation. Subsequent generations would be tasked with creating language, customs, and moral laws, all from scratch. In a way, stories form the core of society's existence.
The Maus series of books tell a very powerful story about one man’s experience in the Holocaust. They do not tell the story in the conventional novel fashion. Instead, the books take on an approach that uses comic windows as a method of conveying the story. One of the most controversial aspects of this method was the use of animals to portray different races of people. The use of animals as human races shows the reader the ideas of the Holocaust a lot more forcefully than simply using humans as the characters.
1. Growing up we all heard stories. Different types of stories, some so realistic, we cling onto them farther into our lives. Stories let us see and even feel the world in different prespectives, and this is becuase of the writter or story teller. We learn, survive and entertain our selves using past experiences, which are in present shared as stories. This is why Roger Rosenblatt said, "We are a narrative species."
Mueller expresses how stories allow children to achieve the impossible, such as flying when they are incapable and discovering the unknown. Stories give a life to the people who are unable to live, and that is one of the reasons why imagination is so essential to our world. The sharing of tales bring genuine joy to people without the need of materialistic items; it gives people the chance to relate to the author on a common ground. The sense of shared joy and mutual connection brings people closer together and expands on relationships. People begin to feel as if they are apart of an imagined community, which is a community in which people perceive themselves to be apart of, through common interests or relations from media or works of literature. Communities such as these allow people to connect with each other, despite never crossing paths. It allows the birth and the strengthening of relationships, for when people begin to converse with others, the first thing they do is find common experiences or interests that they share. In addition, a quote from Mueller, herself, adds to why we tell stories: “Because the story of our life becomes our life. Because each of us tell the same story but tell it differently, and none of us tells it the same way twice.” Tales are devised with the incorporation of the narrator’s imagination; it is a way to
In the simplest form, there is a basic structural pattern to narratives, as expressed through Tzvetan Todorov’s explanation of narrative movement between two equilibriums. A narrative begins in a stable position until something causes disequilibrium, however, by the end of the story, the equilibrium is re-established, though it is different than the beginning (O’Shaughnessy 1999: 268). Joseph Cam...
...protection. The effect of not having stories would be absolutely destructive because they would be lost without the stories.
All stories consist of a few common structural elements found universally in myths, fairy tales, dreams, and movies. They are known collectively as The Hero’s Journey. Understanding these elements and their use in modern writing is the object of our quest. Used wisely, these ancient tools of the storytellers craft still have tremendous power to heal our people and make the world a better place (xxvii).
The importance of a story is to have a purpose and meaning, through this, people are able to engage and learn with what is being told to them, it has to have a connection to the past, bringing it to the present and to involve both the body and mind senses. Through storytelling the audience should gain an understanding and have a sense of emotion touched and come alive, they should also be able to explore the possibilities within their culture and feel a deep connection to country.
... generate their own conclusion within a few short pages of text is what establishes him as the “father of short stories.” The imagery provided within the story successfully leaves each reader with a lasting effect, and this is one story that is sure to withstand time due to its universal nature. The Tell-Tale Heart effectively tells a tale that is perceived differently to everyone who reads it.
Storytelling has been an essential part of the human spirit for as long as history can see. From the very beginning, there are paintings on the walls of the caves of early man; stories, telling of brave hunts and harsh winters. From there, stories have evolved; retold across generation after generation, moving from paintings to spoken word to books, and finally, and recently, to film. There is just something about a good story that is essentially captivating to us as people, and we keep searching for more. In today’s scene of storytellers, the major studios of hollywood, it is a certainty that some old stories will be retold. Films like Interstellar need to draw in viewers again and again in order to make things work, and pathos
Plummer, Ken. 1995. "An Invitation to a Sociology of Stories." In Studies in Culture: An Introductory Reader, ed. Ann Gray and Jim McGuigan. London: Arnold, 1997, pp. 333-45.
The Uses of Story: according to Brunner, a story is illustrious from a trouncing string of events by a peripeteia; a sudden reversal in circumstances: “a seemingly true-blue English Oxbridge physician turns out to have leaking atomic secrets to the Russians, or a presumably merciful god all of a sudden asks the faithful Abraham to sacrifice his son Isaac.” (Brunner.pp.5). Due to our vulnerability to narratives, one comes to await and believe in the traditional everyday experiences in a story. Stories display a sense of roadway to confront errors as well as surprises occurring in our daily lives. As humans, one is not always ambitious to exhibit our proclivity to stories. Brunner opens one’s mind to understanding the adamant truthfulness of l...
“There are countless forms of narrative in the world,” wrote Roland Barthes, a French literary theorist in his book An Introduction to the Structural Analysis of Narrative. “Among the vehicles of narrative are articulated language,…pictures, still or moving, gestures, and an ordered mixture of all those substances; narrative is present in myth, legend, fables, tales, short stories, epics, history, tragedy,…comedy, pantomime, paintings,…stained-glass windows, movies, local news, conversation. Moreover, in this infinite variety of forms, it is present at all times, in all places, in all societies; indeed narrative starts with the very history of mankind; there is not, there has never been anywhere, any people without narrative…”