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An essay about creativity
An essay about creativity
An essay about creativity
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1. introduction
Recently, "stories" have moved to the center stage of social thought. In anthropology, stories serve as the pathways to understanding culture; in psychology, they serve as pathways to understanding identity; in history, they provide tropes for making sense of the past; in psychoanalysis, they provide "narrative truths" for analysis; in philosophy, they provide the bases for new forms of "world-making" and the key to creating communities (p. 333).
Sociologists might be the last people to grasp the point of this "narrative moment." In fact, sociology is bound up with gathering other people's stories (via interviews and so on) and telling stories (about modernity, class, the degradation of work, and so on). Interestingly, Patricia Clough (1992) claims that "all factual representations of empirical reality, even statistical representations, are narratively constructed. David Maines (1993) argues that the sociologist can approach almost any topic from the narrative perspective.
2. my project
I would like to help develop a sociology of stories--but will do so at an angle. I take as my topic the personal experience narratives of the intimate: the kind of story we see everywhere today. I mean all those stories about coming out as gay and lesbian; about women who discover that they "love too much"; about abortion, rape, and incest as told by survivors; about "new men" who are discovering their newly masculine roots through mythical stories. This book will concentrate on the personal narratives of the intimate in the late 20th century.
These ideas could be applied to any story-telling process; the focus on sexuality is merely one instance. Here, I lay out some of the contours a sociology of stories might tak...
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...ge of "gendered heterosexism" may also help reveal the hierarchy of sexual stories. This notion refers to a set of acts which are organised around the division of men and women, and through which heterosexual relations are given priority (p. 344). I have been less concerned with sexual stories per se than with providing a wider agenda of questions for the new emerging sociology of story telling. A sociology of stories seeks to understand the role stories play in everyday social life.
Works Cited
Clough, P.T. 1992. The End(s) of Ethnography. London: Sage.
Maines, D.R. 1993. "Narrative/s Moment and Sociology's Phenomena: Toward a narrative Sociology." Sociological Quarterly 34(1):17-38.
Plummer, Ken. 1995. "An Invitation to a Sociology of Stories." In Studies in Culture: An Introductory Reader, ed. Ann Gray and Jim McGuigan. London: Arnold, 1997, pp. 333-45.
Orenstein, Peggy. “What’s Wrong with Cinderella?” The New York Times Magazine. 4 Dec. 2006. Rpt. in Writing Communities and Identities. Ed. Cynthia Debes et al. 6th ed. Plymouth, MI: Hayden-McNeil Publishing, 2009. 50-54.
Stories are a means of passing on information, acting as a medium to transport cultural heritage and customs forward into the future. In his essay titled "You'll Never Believe What Happened," King says that, "The truth about stories is that that's all we are” (King Essay 2). Contained within this statement is a powerful truth: without stories, a society transcending the limitations of time could not exist. Cultures might appear, but they would inevitably die away without a means of preservation. Subsequent generations would be tasked with creating language, customs, and moral laws, all from scratch. In a way, stories form the core of society's existence.
Butler, Judith. "Besides Oneself: On the Limits of Sexual Autonomy." Ways Of Readers An Anthology For Writers. Ed. Davis Bartholomae and Anthony Petrosky. 9th ed. Boston: Bedford/St. Martin’s, 2011. 240-257. Print.
This is an explorative essay on the theme in Patricia Grace’s novel Potiki that ‘telling and retelling stories is an important and valuable part of being human’.
...d not really happen, just what the gross public wants to see as their idea of how it should have happened. This takes us back to Wolff argument about how the “community” view is the real view of what happened (Wolff, 105-106). This not only strengthens the argument by stating how feminist views come in to play, buy also how a story is created from the actual truth being passed on.
Narratives are an important part of an essay as they create a sense of tone needed to describe a story or situation with ease. If the narrative is not correct, it can leave a false impact on the readers or viewers because it lacks the main tone of the story. Having a perfect narrative can not only enhance a story, but it can also prove evidence. In her essay, “An Army of One: Me”, Jean Twenge provides some of the best examples of how narratives enhance a story and she also emphasizes on how the tone of storytelling matters on the impact that the story would have on its readers or listeners. Apart from Twenge, Tim O’Brien also focuses on how the narrative of the story can help in understanding the truth and falsity of the story in his essay, “How to Tell a True War Story.” In addition to O’Brien, Ethan Watters also emphasizes on the narrative of cultural progress in his essay, “The Mega-Marketing of Depression in Japan”, when he talks about the anti-depressants to be sold in Japan. All three authors agree to the fact that narrative, the art of telling a story or explaining a situation, has a major impact on the story and on how it is taken by the audience.
In “The Truth about Stories”, Thomas King, demonstrate connection between the Native storytelling and the authentic world. He examines various themes in the stories such as; oppression, racism, identity and discrimination. He uses the creational stories and implies in to the world today and points out the racism and identity issues the Native people went through and are going through. The surroundings shape individuals’ life and a story plays vital roles. How one tells a story has huge impact on the listeners and readers. King uses sarcastic tone as he tells the current stories of Native people and his experiences. He points out to the events and incidents such as the government apologizing for the colonialism, however, words remains as they are and are not exchanged for actions. King continuously alerts the reader about taking actions towards change as people tend to be ignorant of what is going around them. At the end people give a simple reason that they were not aware of it. Thus, the author constantly reminds the readers that now they are aware of the issue so they do not have any reason to be ignorant.
Short stories are temporary portals to another world; there is a plethora of knowledge to learn from the scenario, and lies on top of that knowledge are simple morals. Langston Hughes writes in “Thank You Ma’m” the timeline of a single night in a slum neighborhood of an anonymous city. This “timeline” tells of the unfolding generosities that begin when a teenage boy fails an attempted robbery of Mrs. Jones. An annoyed bachelor on a British train listens to three children their aunt converse rather obnoxiously in Saki’s tale, “The Storyteller”. After a failed story attempt, the bachelor tries his hand at storytelling and gives a wonderfully satisfying, inappropriate story. These stories are laden with humor, but have, like all other stories, an underlying theme. Both themes of these stories are “implied,” and provide an excellent stage to compare and contrast a story on.
In the simplest form, there is a basic structural pattern to narratives, as expressed through Tzvetan Todorov’s explanation of narrative movement between two equilibriums. A narrative begins in a stable position until something causes disequilibrium, however, by the end of the story, the equilibrium is re-established, though it is different than the beginning (O’Shaughnessy 1999: 268). Joseph Cam...
Within the fictional worlds of Haroun and the Sea of Stories, the characters realize that stories are not mere entertainment, but are crucial to their lives. Fictional stories are crucial pieces to Rashid Khalifa since he relies on them for a career and brings him enjoyment. They are also important to a politician because storytelling is a critical part of a politician’s survival and livelihood since they rely on the storytellers to persuade and convince people to vote for them. Most importantly they are important to Guppees since they depend on stories to be the source of all there speaking, and the pages of Gup (the army) they depend on stories to help them fight. All in all stories can
In my words, Sociological imagination is a way for a person to look at their life as a result of their interaction with society. It can explain why a life is lived with way it is lived and all events, decisions, successes, and failures that have occurred. In my life I have encountered many situations, problems, opportunities and events. I can use my sociological imagination to examine these and figure out why I am the way I am and also why I have chosen to do certain things
Hubbard, Ruth. "The Social Construction of Sexualtiy." JSTOR. Duke University Press, 1996. Web. 13 Mar. 2014. (Class Source)
We are shaped by stories because we learn through “mythistory” which is history mixed with mythological stories to help learn about our past and ourselves since the beginning of the storytelling times (125). Therefore, storytelling has been a part of human society since the beginning of time. Humans are creatures of habit and that means they will continue to tell and live through stories because that is what they know. Gottschall eloquently states this idea throughout the novel by reiterating that humans learn from the stories told by the ancestors. Furthermore, that is why we continue to tell stories because the more we can relate to the topic at the hand the more willing a person is to continue to work towards the goal or dream. Additionally, it one can relate to the topic several others can at the same time, because whether it be reading, music, or film people everywhere are watching therefore they are connecting (137). Human instinct is to connect to on other; that attribute comes from years of stories telling children about how they are only as strong as the group they are with. Our lives are shaped by stories because our lives are about being connected to one other around the world because if one is not connect then one is not important to the world they think. Therefore, as previously mentioned stories are a
How does 'sexuality' come into being, and what connections does it have with the changes that have affected personal life on a more general plane? In answering these questions, Anthony Giddens disputes many of the interpretations of the role of sexuality in our culture. The emergence of what he calls plastic sexuality, which is sexuality freed from its original relation of reproduction, is analyzed in terms of the long-term development of the modern social order and social influences of the last few decades. Giddens argues that the transformation of intimacy, in which women have played the major part, holds out the possibility of a society that is very traditional. "This book will appeal to a large general audience as well as being essential reading for those students in sociology and theory."(Manis 1)
On the other hand Brantenberg’s novel exploits the real worlds views of sexuality and applies them in th...