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Katarina Tepesh’s harrowing and engagingly straightforward account of her
family history in communist Croatia and then in the United States after
fleeing an abusive and alcoholic father in 1968 should be added to the shelf
of memoirs of such family legacy, both for the new information it adds as
well as for the story it continues to tell.
This is the familiar story of the legacy of family trauma,
alcoholism, and abuse—and as old as Original Sin. Since the mid-1990s,
there has been a rise in literary and cultural accounts of growing up under
the dark shadows of alcoholism and mental illness. Mary Karr’s poetic
rendering of her East Texas upbringing, The Liars’ Club, is credited with
the resurgence of memoir writing. In Angela’s Ashes, Frank McCourt
captured the frame of mind of a child growing up under an Irish-romantic-
alcoholic father that slaked his frustrated dreams and inflicted an amazing
amount of suffering on his brood.
Tepesh’s spare and reportorial account of her Croatian family
living near the border with Slovenia adds much-needed cultural perspective.
The memoir introduces her family’s history (a marriage initiated by a rape)
with this straightforward connection:
My turbulent family history mirrors the history of two
countries, Croatia and Slovenia. For centuries, Croatia and
Slovenia have been caught in turmoil between powerful
empires or invaded by aggressive neighbors. Just as Croatians
and Slovenians always wanted to gain their freedom from their
conquerors and live in peace, my own family was abused and
sought freedom.
And therein lies the paradox: how to obtain peace and freedom?
Does “escape” from political and patriarchal tyranny by the channels
leading to green cards and citize...
... middle of paper ...
...t it is not something inherent in
the victim that invites such abuse. So, in this way, reading this book can
help break the chain of the victim blaming herself and thereby justifying the
abuse. It can also help break the cycle of religious and government
authorities looking the other way while the weakest are abused.
I know that Tepesh’s memoir will enjoy its permanent place on my
bookshelf tucked between Mary Karr’s and Frank McCourt’s. To learn
more, visit www.katarinatepesh.com and www.tepeshbooks.com.
Mary Grabar, Georgia Perimeter College
Works Cited
Karr, Mary. 1998. The Liars’ Club. New York: Penguin.
McCourt, Frank. 1996. Angela’s Ashes. New York: Scribner.
Katarina Tepesh. Escape from Despair: A Croatian Family’s Survival.
College Station, TX: Virtualbookworm.com Publishing, Inc., 2007,
203 pp., $15.00 (paper). ISBN: 978-1-60264-041-2.
Some would argue that my story is incomparable to that of the young woman’s due to the significantly different circumstances and the different time periods. Nonetheless, it is not the story that is being compared; it is the underlying emotion and specific experiences that made such a wonderfully deep connection. Marie’s intention when writing this tale was for her reader to learn something, whether it is about themselves or the story. Though the outcomes seemingly differ as the three characters--Milun, the women, and their son--are reunited and live happily ever after, my story is not over. Through my life experience and emotions of love, motherhood, and separation, I have learned that patience and time heal all.
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"The melting pot" is the tremendous power of national imagination – the promise that all immigrants can be transformed into Americans, a new alloy forged in a container of democracy, freedom and civic responsibility. The melting pot only exists in America which makes this country like no other. The characters in My Antonia embody this American ideal of diverse ethnicity. Otto Fuchs is of Austrian descent and came into America in the West in the presence of cowboys and worked for the Burdens in the “milder country.” Another set of foreigners were “two Russians who lived up by the big dog-town...their last names were unpronounceable so they were called Pavel and Peter” (54.) The most renowned set of foreigners were the Shimerdas coming for Bohemia. The divergent nationalities played an important role in effecting the foreigners’ lives. For example, the Shimerdas had “hated Krajiek, but they clung to him because he was the only human being from whom they could talk or from whom they could get information” (53.) Because the Shimerdas had immigrated to America and were no...
This paper compares and contrasts Celie’s story in The Color Purple by Alice Walker to that of Maxine’s story in the Woman Warrior by Maxine Kingston and how each of these women deals with their past.
Throughout “The Yellow Wallpaper” and “The Story of an Hour” we, as the reader, see how oppression by husbands during the nineteenth and twentieth century resulted in their wives, quietly longing for freedom. This freedom would be monumental to achieve, but simple in nature. It was the freedom to speak their own minds and makes their own choices.
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Marie Beatrice Umutesi, the author of Surviving the Slaughter: The Ordeal of a Rwandan Refugee in Zaire, and Susan Griffin, the author of “Our Secret”, are two females who explore the world around them and express their thoughts through their writing. Both women try to answer their own questions that have occurred to them, and these questions emerge throughout their works of literature. One such question is, “But is one ever really free of the fates of others?” (Griffin 235). Whereas, Umutesi asks, “What had led us to this extremity? What are the reasons behind the tragedy of the Rwandan refugees, whose existence has been forgotten and denied by the international community?” (4). However, these questions remain unanswered.
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Discuss how you would initially attempt to build a rapport and trust with the client/family.
The Confidence Alcohol Gave Me: “I believed the people who romanticized those years, the ones who told me to embrace irresponsibility before I was slapped with the burdens of corporate adulthood” (23). Zailckas’ alcohol binging started at a very young age and followed her for nearly a decade. She turned to alcohol because of her peers who told her to live it up while she was still young and before she had to take on all these adult responsibilities. In the novel, “Smashed: The Story of a Drunken Girlhood,” Koren Zailckas opens up about what caused her alcohol addiction and how it left her with lifelong physical and emotional effects. Alcohol is very commonly used because it distracts the mind from the problems we face in life.
This saga is an exquisite account of a life-long reverence for a women who Jim has known as a friend and companion since his childhood when he, an orphaned boy from Virginia, and she, a fourteen year old immigrant from Bohemia, travelled to the unsettled, unbroken plains of Nebraska at the turn of the century. The reader follows the mesmerizing tale of immigrant origins, hardships, as Jim celebrates the strength and the beauty of a heroine, Ántonia Shmirida, whose strength to overcome, has won both his love and soul. While Jim lives on his grandparent’s already successful farm, the immigrant family is forced to reside in a grass house carved into the side of a hill. The Bohemian immigrants struggle against nature to learn how to farm, to survive the hardship presented in this foreign, unaccepting land. Although her name is in the title, it is not truly her story. The preposition “my” in the title carries possession, so Jim’s story is his version. The subsequent story is his account, his perspective, of his first
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