Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Characteristics of the western genre film
Film genre analysis essays
Aspects of a western film
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Characteristics of the western genre film
Film genre is a distinctive collection of comparisons in the narrative aspects from which the films are produced. Genre denotes the characterization of narrative films, through the stories the literature tells and the way it presents these stories (Barsam and Monahan, 2013.) Film genres are often described by a set of conventions of storytelling such as themes, conflicts, situations, setting, character types, story formula, presentation, visual style, and even movie stars associated with particular genres (Barsam and Monahan, 2013). These conventions are not always enforced as filmmakers incorporate only some of these elements within any particular film. A few commonly recognized film genres include the Western, musical, horror, science fiction, and etc. A genre-bender film steps outside some of the defining features of its genre in terms of its conventions but is easily identified when it has been blended with another genre. The gangster film genre concentrates on stories whose principal struggle is between criminals and the society they live in. This genre typically emphasizes a cautionary tale that is demonstrated by the main character who commits crimes (Barsam and Monahan, 2013.) Also, this genre is often blended with film noir, a distinct genre made discernible by its mood of pessimism, and fatalism. The film, Bonnie and Clyde directed by Arthur Penn in 1967, is an example of a genre-bending gangster film due to its distinct genre conventions of story formula, setting, and character types that step outside of the typical gangster film genre conventions.
The story formula is the way the plot is organized, which helps the audience determine what genre it belongs to (Barsam and Monahan, 2013.) The gangster film genre is deeply...
... middle of paper ...
...ning of the 1930’s Depression era was depicted, which was outside the norm of typical gangster films. The setting also showed the action and traits of the characters; Bonnie and Clyde robbing banks in the Great Depression to simply make ends meet, not wanting to harm innocent citizens of society for power or control. Lastly, the specific character types presented in Bonnie and Clyde fulfilled the various roles of a couple, family, outlaws, and antiheros, the most significant character type of the typical gangster film genre. However, these antiheros showed sympathy for their fellow man and thus provided the audience with character roles that were relatable, and overall made the audience empathetic towards them. Therefore, the film Bonnie and Clyde demonstrates a genre-bending gangster film with distinct genre conventions and elements of film noir blended within it.
Bang! Pow! Bullets are raining down on the infamous Bonnie and Clyde. It is a standoff with the local police department. Bonnie and Clyde are in trouble again; robbing a liquor store of their cigarettes and their liquor. It seems as if Bonnie and Clyde were the greatest pair of criminals in history.
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
Bonnie and Parker and Clyde Barrow were robbers,murderers,but were still Texas heroes as people still say. They were the unstoppable crime making machines. Stealing cars,robbing banks,what worse could they possibly do. They were the town gossip. What bank they robbed one night or what jail they escaped.
Clyde Barrow and Bonnie Parker burst upon the American Southwest in the Great Depression year of 1932. At the time of Clyde’s first involvement with a murder, people paid little attention to the event. He was just another violent hoodlum in a nation with a growing list of brutal criminals, which included Al Capone, John Dillenger, Pretty Boy Floyd, and the Barker Gang. Not until Bonnie and Clyde joined forces did the public become intrigued. The phrase “Bonnie and Clyde'; took on an electrifying and exotic meaning that has abated little in the past sixty years.
Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness.
With the end of prohibition, crime had become socially acceptable, and although Bonnie Parker and Clyde Barrow were part of one of the most infamous crime groups in American history, there is an undeniable element of romanticization in their story. As a society, our fascination with this duo stems from the mystery of their lives, the time period they came out of, and the rationale behind the crimes they committed.
The plot segmentation of Quentin Tarantino’s 1994 film, “Pulp Fiction,” reveals how the pieces in the nonlinear narrative structures are put together. In order for the audience to remind them when these events take place, the movie uses title cards to specify each segments’ main plot. Some of the characters would even reference events that have already occurred, such as when Mia, in the boxing match building, thanks Vincent for the dinner. The movie does not just allow the audience to really pay attention to how the story is being told, but also show how similar each of the main stories’ structures is, despite being in a nonlinear form. For example, all of them feature acts of “heroism” by resolving the issues when caught in very unexpected
Film Noir was extremely trendy during the 1940’s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an anti-hero, femme fatale, and chiaroscuro lighting and camera angles. The Maltese Falcon is an example of film noir because of the usage of camera angles, lighting and ominous settings, as well as sinister characters as Samuel Spade, the anti-hero on a quest for meaning, who encounters the death of his partner but does not show any signs of remorse but instead for his greed for riches.
On the run leaving stores and banks empty and the police right on their tail. This is how possibly the most well known crime duo lived in the 1930’s. Going town to town and business to business looking to find their next big score. All with the cops always being one step behind and struggling to figure out the duo’s next move. This is the rough and interesting life of Bonnie and Clyde and the barrow gang.
Like most things captured on film for the purpose of being marketed, the richness of gangster life, with sex, money, and power in surplus, is glorified, and thus embraced by the audience. And as a rule, if something works Hollywood repeats it, ala a genre. What Scarface and Little Caesar did was ultimately create a genre assigning powerful qualities to criminals. Such sensationalism started with the newspapers who maybe added a little more color here and there to sell a few more copies, which is portrayed in Scarface’s two newspaper office scenes. Leo Braudy denounces genres as offending “our most common definition of artistic excellence” by simply following a predetermined equation of repetition of character and plot. However, Thomas Schatz argues that many variations of plot can exist within the “arena” that the rules of the genre provide.
A set of practices concerning the narrative structure compose the classical Hollywood Paradigm. These conventions create a plot centering around a character who undergoes a journey in an attempt to achieve some type of goal (). By giving the central character more time on screen, the film helps the audience to not only understand the character’s motivation but also empathize with his/her emotional state. Additionally, some antagonistic force creates conflict with the main character, preventing immediate success(). Finally, after confronting the antagonist, the main character achieves his or her goal along with growing emotionally(). This proven structure creates a linear and relatively easily followed series of events encompassing the leading character and a goal.
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
They were famous for being American Criminals because they committed crimes all of the United States. The thing that made sure cops were aware of them was when they set up a prison break at Eastham. Their crime spree that lasted from 1932 through 1934 they committed a total of 13 murders and several robberies and burglaries. Once Clyde got out of prison in 1932 he wanted to get revenge on the prison farm. He and his fellow gang members planned to help people escape from Eastham. Before they could attack Eastham they needed to get supplies like guns, cars, and more people to assist them. While they were gathering their material for the attack, they were being hunted by a variety of people. Even though they were wanted they kept on getting into more trouble. For instance, they would steal people’s cars and rob business or banks. When they were attacking Eastham, one of Clyde’s friends killed Major Crowson, who was one of their best officers. Colonel Lee Simons wanted revenge on Bonnie and Clyde for killing his partner Crowson, so his promise to him was, “resettling accounts. Those fellows had their day. We’ll have ours. I promise I won’t let them get away with it” (Lee Simons). Bonnie and Clyde put their trust in a lot of people that they knew. For instance, they always trusted their friend’s families. When they were on the run they needed a place to stay where nobody would find them, so they decided to
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
The Gangster Genre as a Creation of the Necessity to Promote Civic Responsibility and Social Contentment With Ones Society