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Influence of the Hindi film industry
Evolution of indian cinema
Influence of the Hindi film industry
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Bollywood has always represented the mood of India. The movie goers of India often say, if you want to see how India is feeling, just randomly pick up a few movies and you will get a taste of India. The “Muslim male”, often misrepresented and thus misunderstood, is an interesting character in relation to the industry because it portrays the ever changing face of the nation since the independence of the country. As India has grown and transformed into an independent nation, so has the character and portrayal of the Muslim male characters throughout the industry; some may argue for the worst and others may claim neutrality. Often in movies we will see them portrayed as “threats of some kind; terrorists, sexual predators, traitors or abnormal in some way, departing from the cherished values of the nation (Hirji, 59).” Meanwhile, The Hindu male is a secular figure, who presents as a level headed male, in control of himself and his destiny and respectful to other religious traditions, ((((((((((((((especially Muslims.))))))))))))))))
Nonetheless, the tensions between India and Pakistan have certainly played a significant role in the development and often negative portrayal of this particular character. After the shock that came from the unforgettable and perhaps unresolved events of the September 11th, 2001, the culture of the mainstream media was shifted and centered on an “us against them” mentality. Not only did this draw negative international attention to the Muslim male, it also escalated the pace at which anti-Islamic/Muslim male films would be produced in Bollywood.
Muslim characters, particularly the males in Bollywood movies have seen remarkable changes over the last five to six decades. During the golden age of Indian cin...
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...t tell the world including the president of the United States of America that his name is Khan, and he is not a terrorist. In other words, yes, he is a Muslim; however, he is NOT a terrorist. India was one of the only countries that made a movie in defense of the Muslim male in the aftermath of the events of 9/11. The movie gives the audiences a completely unique and unprecedented way to look at the Muslim male. Rizwan, who is a Muslim, is married to a non-Muslim female, he has a psychological impediment, and he is the central Muslim male who is the protagonist, given the responsibility to clear the name of Islam to the World and the country that has held it responsible for the terrorist attacks. This movie allows the world to see how hard life became for the average Muslim family due to the stereotypes and prejudices that people began to hold against them.
Kitwood, T. (1983) ‘Self-conception among young British- Asian Muslims: confutation of a stereotype’, in G. Breakwell (ed), Threatened Identities, Chichester: John Wiley and Sons.
Sabbagh, S. J., & American Arab Anti Discrimination Committee, W. C. (1990). Sex, Lies, & Stereotypes: The Image of Arabs in American Popular Fiction. ADC Issue Paper No. 23. Retrieved from EBSCOhost.
Movies, one can argue, are one of America’s greatest pastimes. Unfortunately, after 9/11, films have become increasingly prejudiced against American Muslims. In movies Muslims are frequently portrayed negatively. According to James Emery, a professor of Anthropology, Hollywood profits off of “casting individuals associated with specific negative stereotypes”. This is due to the fact that viewers automatically link characters with their clichéd images (Emery). For Muslims, the clichéd image is of the violent fundamentalist, who carried out the terroristic attacks on 9/11. As a result, the main stereotypes involved in movies display Muslims as extremists, villains, thieves, and desert nomads. An example of a movie that has such a negative character role for Muslims in film is Disney’s cartoon Aladdin, depict...
A mind provoking essay that embodies the fear and concerns of this new entertainment era, author Salman Rushdie highlights the defects within our society, the vain and egotistical side, using personal anecdotes, logos, and pathos to further illustrate his point.
The movie Doubt is set in a private Catholic School in 1960s. Sister Aloysius is the principal of the school, and Father Flynn is the clergyman in the church. While the movie deals with some moral dilemmas such as doubt versus certainty, rigidity versus openness and so on, the central theme of the story pivots on accusation on Father Flynn of child molestation. The story has a hanging ending where Father Flynn is proven neither guilty nor proven innocent. Based on the contents of the movie and my own analysis, I believe that certainty plays a bigger role in accusations and I believe that Father Flynn had been falsely blamed and I am also against the rigidity of the society.
Religion and human nature combined tend to create a superiority complex among those who perceive themselves as having better, or more, faith. Religion is generally perceived as singular, but humans choose to dynamically express their faith, whether that be by love or war. Gandhi, depicted the movie Gandhi directed by Richard Attenborough, in the face of Muslims protesting Hindus, declared: “I am a Muslim and a Hindu and a Christian and a Jew and so are all of you,” and that perception of himself and others influenced a mass ethnic and religious revolution that enlightened India. Gandhi opened the world to revolutionary ideas -- the strength in tolerance, the pluralism in religion, and the unification of all mankind.
The omnipresence of the American and European culture in the countries of the Middle East is a universally recognized phenomenon. The culture, thoughts and status quo of the people have been and continually are being changed and challenged due the mass spread of American goods and ideas. The American national culture largely revolves around the wants, needs and goals of the individual. As the one of the greatest superpowers of the time, its influence on the global community towards the focus on the individual is nothing short of inevitable. The movies, clothing and new age mentality of America are sending all people regardless of age, upbringing and locale, into a grand scale social transition. The Arabs and Muslims beliefs, traditions and entire state of being are no longer as they were 20 or 30 years ago. The women of the novels, Nadia, Fatima, Umm Saad, Maha, Asya, and Su’ad, each living in various Arab countries with unique situations of their own, all are united on the common ground of American introduced idea and concepts of individualism through such venues as feminism, capitalism, sexism and consumerism which adversely affect their society.
Hamid’s fiction deals with varied issues: from infidelity to drug trade in the subcontinent and, in the light of contemporary developments, about Islamic identity in a globalised world. His first novel, Moth Smoke (2000) won a Betty Trask Award and was shortlisted for the PEN/Hemingway Award in 2000. His other novel, The Reluctant Fundamentalist (2007) was shortlisted for the Man Booker Prize, the Decibel Award and the South Bank Award for Literature. This book serves as a testament to his elegant style as he deftly captures the straining relationship between America and Pakistan.
The movie The Message by Moustapha Akkad tries to tell the story of Mohammad from the Islamic religion to an audience that may know nothing of the religion. As any representation of Mohammad is forbidden the movie never depicts or voices the Prophet using instead side characters who become the main characters to supplement the story. The creators also utilize an ingenious technique of second person filming.. The scenes which Mohammad was present the filming was done from the viewer's perspective that the remaining characters then spoke to. The handling of Mohammad’s epic tale along with stipulation of the religion was masterfully done. The Message acts as a wonderful medium to explore the story and historical life of the Prophet Mohammad.
In the essay, the writer acknowledges the misunderstandings that come from media images by explaining the contrasts between these images and the teachings of the faith to support her claim that fear is the reason for this misconception. The conception that many people have of Muslims is that they are terrorists, anti-Semites, and fanatics. This conception exsists because television news and newspapers support that stereotype. The broadcast of such stereotypes encourages fear and accusations of the Islamic relegion's teachings. The writer explains that Islam teaches peace, tolerance, and equality. She further states that Muslims shown in the media have violated these teachings ...
In this way, Salman Rushdie presents the derogatory picture of India throughout the novel preferring the superiority of what is European and inferiority of what is not. By presenting the orientalist perception of India, Rushdie attempts to attract the western readership. In spite of the fact that he himself is an Indian, he could not avoid the attraction of western readership. For this reason, sometimes, his position becomes ambivalent.
Mahesh Dattani writes on the burning issues that beset the post-independence Indian society, whether it is communal discord, politics and crime, growing homosexuality or the gender bias. He uses stage to condemn many of the drawbacks prevailing in society. His plays depict marginalized groups of society, people who are considered misfits in a society where stereotyped attitudes and notions reign supreme. His plays have varied content and varied appeal.
The rise of terrorism and extremism in the Middle East during the time this piece was composed prompted Mohi-Ud Din to engage in a passionate argument about how these terrorists have ruined the image of Muslims. He explicitly highlights the main points of his argument by using transitional words such as firstly, secondly, and thirdly. He initiates his argument by proposing that the media’s one-sided focus on Muslim extremists prevent the viewers from recognizing that the majority of Muslims are not violent. Next, he debunks the stereotypes Americans have about Muslims and then he shifts his concern to how America’s political and military actions have exploited Muslim countries. He concludes his argument by explaining why Islam is not a threat to
Ms. Amin says the show named a key terrorist character after the former Pakistani ambassador to the US. She was annoyed and insulted by the show’s false accusations. Millions of viewers have inaccurate views on the Middle East because of the show. The artists said their plan began in June with the help of a friend. Ms. Amin admits it was easy to plant the message because facts were not well checked, which is most likely the reason for so many inaccuracies in the
As time goes on a gap is created between the past generations and the current generations. This gap between men in the 1950s and the men now (2009) are similar and different in terms of the roles they play, their attitudes towards society, women and work, and their identities. The root to the generation gap in India is due to the influence of media especially television and movies have caused people to look up to the characters and strives to act like them, which reinforce gender stereotypes and identities. For example, Love Aaj Kal, an Indian movie released in 2009 is a contrast of couples in the 1980s and present day. In the movie one of the actors says, “Aaj ke ladke bauth modern aur independent ho gaye hai. Hum aare zamane mein baath hi kuch aur thi” (Veer Singh). In translation, it means that, “Boys these days are very modern and independent. In our time things were different”(Veer Singh). The following are many different ways to interpret what the actor was trying to say about men then and now in regards to roles, attitudes and their identities.