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A Comparative Study of Chinese and Western Dragon Culture
A Comparative Study of Chinese and Western Dragon Culture
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The Earliest Tales of the Bodhisattva Guanshiyin – Tale 7
When Han Dang was riding a boat across the Hutuo River, his boat submerged in midstream due to huge waves. He called out the name of Guanshiyin for help. After calling Guanshiyin’s name, Han Dang saw a white creature swimming in the water; dragon. Within seconds, the strong current came to a stop and the wind ceased. As the water only reached up to his knees, he was able to sail back to the sandy bank. Han Dang was hence saved.
Methodology: Exegesis
This report will discuss the Tale 7 from The Earliest Tales of Bodhisattva Guanshiyin written by Campany. R (1996). In this report, you will understand the nouns that exist in Tale 7; Guanshiyin, Dragon and other relevant concepts. Furthermore,
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This relates to Guanshiyin’s aim, which is to save anyone who calls on her name. Guanshiyin, with her great boundless powers can save and free all sentient beings. Burlingame, CA (1996) from the Dharma Realm Buddhist University translated that according to a Buddhist Sutra (The Lotus Sutra), people who called upon the Guanyin’s name with mental concentration, the Bodhisattva will never fail to help and free them out of distress. Han Dang is able to chant Guanshiyin’s name with a focused mind, where his mind, body and heart becomes one in believing in Guanshiyin will respond to him. Therefore, Han Dang’s desperate prayer and calling of Guanshiyin’s name becomes a trigger to receive Guanshiyin’s response. Correspondingly, to his call, Han Dang saw a white creature looking like a dragon. Miraculously, the current stopped and the wind …show more content…
In Chinese culture, dragons are mythical creatures which are able to fly to the sky and ride the clouds, swim in the seas and chase the waves. In addition, they possess supernatural powers that are able to shake the world. In Chinese popular belief, the people believe that dragons are the ruler of rivers and seas. The dragons can control water, rainfall, typhoons or other moving bodies of water. This popular belief can be proven from the ; 《西游记》where there is a total of four dragon kings who command all the creatures living in all the 4 seas (East, South, North, West) and control rain and flood. In addition, in the ;《封神演义》, when the Dragon King of the East found out that his third son was killed by Li Nezha, he threatened Li Jing that he will use his power and flood the whole Chen Tang Guan (the place where Li Nezha was born), unless Li Nezha pays for the life of his dead son. From these two stories, we can infer that the dragon Han Dang saw might have the power to control the strong waves and wind of the sea. Therefore, the dragon’s appearance stopped the current and saved Han
When China Ruled the Seas: The reassure fleet of the dragon throne, (1405-1433) by Louise Levathes
Guanyin (Bodhisattva) (See Fig. 1 in Appendix) is an artefact, with Object Number of 2400, in the Honolulu Museum of Art. The medium, or material, of this sculpture of Guanyin is painted wood, and traces of pigment can still be seen on the sculpture. Its height is approximately 67 inches, or 170.2 centimeters. The origin of this sculpture is China, Northern Song (960-1126) or Tangut Xia (1038-1227). According to the museum, this sculptural art piece was purchased, or acquired, in 1927 from a renowned collection of Matsukata Kojiro, who passed away in 1950.
Dragons lie in the realm of fantasy; legendary creatures who are deeply rooted in magic and have captivated audiences for centuries. The depiction
Thích Nh’at Hanh is a world renowned Vietnamese Zen Buddhist monk, religious figure and accomplished writer. Living Buddha, Living Christ is only one of his many famous publications. Thích Nh’at Hanh, is famous for his insights into spiritual heritage and mindfulness in the present moment. Many Americans are seeking religious understanding and personal spirituality, even if they do not practice in the traditional manner. Throughout this book Nh’at Hang encourages readers to find meaning, understanding, mindfulness, and peace in the teachings of Buddha and Christ. His main focus is to open meaningful dialogue between different traditions, cultures, and religious groups around the world, for the betterment
In the Hare’s Self Sacrifice, Bodhisattva was born again as the young hare. He had three friends: monkey, and otter. He taught them the importance of keeping moral laws, observing holy days, and giving alms. As a story goes, a hare offered up his own flesh to a beggar because he had nothing else to give.
Walking into the Hall of the Buddhas, there was a sense of peace and guidance lingering inside me. The seated Bodhisattva, of the Northern Wei dynasty (386-534), CA.480, from the Yungang, Cave xv, Shani Province, made of sandstone, guarded the entrance. At first, I thought it was a time to be disciplined, but the transcending smile from the statue was a delicate fixed gesture that offered a feeling of welcome. It was not a place to confess your wrongdoings; neither was it a place for me to say, “Buddha I have sinned.” It was a room to purify the mind, the mind that we take for granted without giving it harmony. There was a large mural decorating the main wall called “The Paradise of Bhaishajyaguru”(916-1125). I sat down wandering if the artist of the portrait knew that his work would one day be shared on this side of the world, in my time. Much like Jesus Christ and his followers, the mural is a painting of healers and saviors. It was a large figure of the Buddha of medicine, (Bhaishajyaquru) surrounded by followers of Bodhisattvas, Avalokiteshvara, and Mahosthamaprapta with twelve guardian generals who have pledged to disseminate the Buddha’s teaching (Tradition of Liao 916-1125, Metropolitan Museum wall plaque).
Doc 5-Source: Zong Mi, a leading Buddhist scholar, favored by the Tang imperial household, essay. "On the Nature of Man," early ninth century C.E.
Edward L. Dreyer. Zheng He: China and the Oceans in the Early Ming Dynasty, 1405-1433.
It is said that history is shaped by the lives of great men. Great men are leaders. They bring about change; they improve the lives of others; they introduce new ideas, models, and theories to society. Most of the world's religions were founded, developed, or discovered by great men. Two particular religions - Christianity and Buddhism - developed in different parts of the world, under different circumstances, and in different social atmospheres. But each religion is based upon the teachings of a great man. When one compares the life of Buddha with the life of Jesus, one finds that the two share many things in common. This essay aims to compare and contrast the lives of Buddha1 and Jesus in two key areas: conception and birth. In these two areas, one finds that the Buddha and Jesus share many similarities.
Ashvaghosha’s Buddhacarita: The Life of the Buddha serves as one of the most relevant and profound texts regarding the Buddhist religion and it’s foundations. However, unlike other popular religious texts, this one does not serve as a historical document but rather a vessel for explaining the teachings of the Buddha, serving as a guide for the followers of the Enlightened One. Ashvaghosha’s descriptions of the Buddha, his life, and his actions provide an example of the Buddha’s disciplines and truths, giving his followers a detailed and structured idea of his way of life. The Buddhacarita’s descriptions in particular focus on the teaching of pervasive suffering, it’s causes, and the paths (both right and wrong) to breaking free from it.
The medieval times were filled with many events that have helped to shape our society today such as the rise of the bubonic plague, the birth of feudalism, the growth of the Catholic Church, and among these is the beginning tales of mythical monsters. The stories of mythical monsters were spurred by the imagination of men who saw an unusual creature or something unexplainable. A world renown German physicist by the name of Albert Einstein claimed, “The true sign of intelligence is not knowledge but imagination.” (brainyquote.com) Mythical creatures were founded by the creativity of very bright individuals who wanted to entertain people by telling elaborate stories that contained a strong antagonist. Mythical creatures also allowed society to have heroes because with every evil monster there must be a savior to slay the hideous beast. Although many different monsters have been mentioned the Dragon, the Kraken, the Basilisk, and the Griffin were among some of the most popular and well known creatures.
In Hermann Hesse's Siddhartha, a classic novel about enlightenment, the main character, Siddhartha, goes on a lifelong journey of self-discovery. Along the way, Siddhartha encounters many who try to teach him enlightenment, undoubtedly the most important being the Buddha himself. Although Siddhartha rejects the Buddha's teachings, saying that wisdom cannot be taught, we can see, nevertheless, that along his journey for understanding Siddhartha encounters the Four Noble Truths that are a central theme in Buddhism: suffering, the cause of suffering, the end of suffering, and the middle path.
...dhartha and learn from what he sees without being taught. Theodore Ziolkowski notes that characters of Hesse have transformed from trying to escape their problems more toward trying to resolve their inner vision. Siddhartha and Govinda are both. The two characters try to escape their suffering by trying to learn how to deal with pain by exposing themselves to immense amounts of it while they are with the Samanas. However, they realize that this approach will not help the problem: human suffering exists as emotional as well as physical pain. They must learn how to separate themselves from this suffering, not hide from it; that is Nirvana. Their paths separate because Siddhartha's adventures are based on those of an independent man who will try to teach himself, whereas Govinda's are based on those of a dependent man who prefers to learn by example.
A comparative analysis of salvation in Christianity and Buddhism exposes stark contrasts between the grace of Jesus Christ and the self-saving action and enlightenment of Buddha. I attempt to compare the Christian and Buddhist concepts of salvation in this essay to emphasise on the significance of each founder's roles in salvation, and to extract similarities and differences between them both.
Propp, V. (2004) Morphology of the Folk-tale. In: Rivkin, J. and Ryan, M. (2nd ed.) Literary Theory: An Anthology. Oxford: Blackwell Publishing Ltd. pp. 72-76.