Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Bob dylan protest songs essay
Protest songs essay
Bob dylan impact on music
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Bob dylan protest songs essay
Music is a very powerful way for people to express the central concerns of their context. Bob Dylan’s Blowin’ in the Wind, Maggie’s Farm and With God on Our Side were all very prominent protest songs. Dylan used his poetic lyrics to express his ideas and concerns. Bob Dylan rose to fame in the 1960’s with songs reflecting the massive change the world was going through at the time. He was a civil rights activist and wrote many songs about social issues such as war, government, social injustice and civil rights. Some of his songs reflect his Christian beliefs and make reference to bible quotes. Although he has made many protest songs, he wanted to stay independent from the protest folk music movement. He felt that this group was too restrictive for him and didn’t allow him to express his unique ideas that are reflected in his music. He was always in love with music, Elvis Presley, Jerry Lee Lewis and Little Richard inspired …show more content…
him, but his biggest influence was Woody Guthrie. Dylan wrote a song as a tribute to Guthrie, titled Song to Woody. Blowin’ in the Wind strongly reflects Dylan’s participation in the civil rights movement. “How many times must the cannon balls fly, before they’re forever banned?” is a rhetorical question, asking listeners how many wars they have to go through before they realise that it is completely unnecessary. This encourages people to question the logic of the world they live in. “How many roads must a man walk down, before you call him a man?” is another rhetorical question that shows Dylan’s moral views on the treatment of African Americans. By using the word “man”, people start to realise how they have dehumanised African Americans, and are affected on an emotional level. “The answer, my friend, is blowing in the wind” is a metaphor taken from Woody Guthrie’s autobiography, Bound For Glory; Dylan described this book as a turning point in his political thinking. This metaphor encourages listeners to think and take action to find the answer to the questions in the song. This song was inspired by his views and experiences, coming from a time when the world was full of war, violence and discrimination. Dylan wanted to be an individual and didn’t want to be part of the protest folk movement or have any involvement with the government.
This is reflected in Maggie’s Farm, by using metaphors in “I got a head full of ideas, that are driving me insane. It’s a shame the way she makes me scrub the floor”, “she” referring to the folk protest movement, showing that he is trying to express his unique ideas, but the movement he was forced into is very limiting and doesn’t allow him to fully express his ideas. His use of metaphor in “scrub the floor” shows that he feels trapped and enslaved by this movement. The imagery in “Well, he puts his cigar out in your face just for kicks” shows that the President is a very cruel man who lives off of the pain of others, enhancing the idea that the government is corrupt. Dylan’s use of repetition in “I am not going to work on Maggie’s farm no more”, strengthens his message and gets his point across. Dylan was strongly against the government and large movements, and his music effectively reflects his political
views. Bob Dylan was brought up in a Jewish family, but later converted to Christianity. His religious beliefs are expressed in his music, especially in With God on Our Side. Many horrible people in history have claimed to have “God on their side”, but Dylan doesn’t agree with these claims. He uses juxtaposition in “with guns in their hands, and God on their side” to compare the image of violence and hatred to God, who is supposed to be against anything violent. This makes listeners question if these people really had God on their side, supporting them in something he taught Christians to fight against. Inclusive and religious language is used in “and you never ask questions, when God’s on your side”, making people realise that if God or a religious leader says something, they automatically agree with it, without questioning whether it is right or wrong. This song wakes people up by describing violent war images throughout it to encourage people to actually start questioning the things they agree with. Dylan is a Christian man, and even he believes that sometimes religion can go too far, and cause more harm than good. Bob Dylan’s work is heavily influenced by his context. Dylan was a Christian civil rights activist, who had a very strong distaste in the government. He has very effectively expressed this through his poetic lyrics and powerful protest songs.
The music in the 1960s reflected what was going on in the real world. Things such as President Kennedy's assassination, the Civil Rights Movement, and the Vietnam War had a big impact on music and what was being sung about during this time. Bob Dylan is commonly known for the songs he wrote that protested the war, like “Masters of War”, “With God on our Side”, and “Blowin’ in the
In Dylan’s Chronicles Volume One, he says, “folk songs are evasive – the truth about life, and life is more or less a lie, but then again that’s exactly the way we want it to be. We wouldn’t be comfortable with it any other way.” He goes on to also confirm the ambiguity of folk music, saying that “[a] folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who’s playing and who’s listening” (71). One of the characteristics that Bob Dylan possesses, and that has helped him be such a successful folk artist, is his ability to recognize this ambiguity. His ears were and still are immune to the literalness of time, and upon hearing something new, he can apply what he does not know to his listening, instead of confining his interpretation to what knowledge he already has. This is the basis for what folk music taught Dylan in some of his most formative years, that “[i]f you told the truth, that was all well and good and if you told the un-truth, well, that’s still well and good” (35). Even old folk legends are unclear in their origin and factuality, such as the widel...
The African-American civil rights movement was a cruel time for the African American race to endure due to the harsh discrimination and segregation that they faced. This movement fought for the rights and the equality of African Americans in the United States. With all that was going on, African Americans turned to music for motivation, courage, inspiration and strength to overcome the difficult obstacles that they would soon face. “Non-violence marchers faced beating, hosing, burning, shooting, or jail with no defense other than their courage and songs” (Hast 45). “It's been a long, a long time coming/ But I know a change gonna come, oh yes it will” (Cooke, Sam. A Change Is Gonna Come). Music was their greatest hope for change in the near future and is the thing that kept them fighting for what they deserved. They came together with each other due to the lyrics of many different songs that kept the civil rights movement alive and known. Music painted a vision that they could picture and look forward to; it was a dream that they could fight for. “Music empowered African Americans to hold tight to their dream of racial equality” (Jeske). A genre of music that bought society together during this movement was folk.
Michael Gray’s analysis of Dylan’s lyrics being a contrast between hackneyed expressions and “beautifully done” are exemplified in the song “Just Like a Woman.” Dylan’s lyrics “she aches just like a woman but she breaks just like a little girl” is given the harsh description of “maudlin platitude” and deemed to be a “non-statement.” If Dylan’s lyrics cannot uphold against meaningful music of the same category, how can they be expected to stand against literature written for a different field. John Lennon had his own critiques of Dylan’s works, calling out how the abstract nature of his lyrics, having loose definition, never achieved an actual point. Lennon’s definition of “poetry” referred to “stick[ing] a few images together” and “thread[ing] them” in order to create something meaningful. It once again boils down to the fact that Dylan’s music that was written and intended to be received as a live performance. The acknowledgement that “…you have to hear Dylan doing it” is a recognition of his composition’s failure to come across as a normal literary work. It’s all part of a “good game.” This in itself should disqualify Dylan as a possible candidate for the Nobel Prize.
Thus, blues became a large part of protest in America, especially in the 20th century. It was a form of outcry for help, dating back to slavery, and was often the only way that slaves saw fitting in order to rebel against their oppressors. Slavery and the shipping of slaves was the cause of the worldwide spread of blues, and since then has been a call for change. Many people who felt it necessary to rise up and be a voice for their generation have succeeded in aiding political and social change. Son House, Woody Guthrie and Bob Dylan are all poetic political dissidents expressing the hardship and sufferings that they underwent through the blues.
Artists write about what they know; they pull feelings from their heart and their songs relay what the artists’ emotions, whether it be of their hometown, their high school crush, or their experiences. Many artists that came to fame during the twentieth century have a fair share of experiences they share with us in the form of their songs. The twentieth century is comprised of the institution of slavery and its effects, war, gender norms, discrimination based on nationality, sex, race, etc., and countless events that sparked protests and uproars in the United States. Music at this time was a phenomenon, and artists could use it to their advantage. Artists used their music to spread awareness about their cause, influence their listeners, and
During the Civil Rights Movement, Bob Dylan used his talent of music as his tool to help the movement sweep through the nation. Dylan had very big ambitions for not only his life alone, but for the world. Dylan had a massive influence on people’s minds, hearts, and souls. Dylan had a message to share. He was looking for a change, and it would come along if he had anything to do with it.
The 1960’s was one of the most controversial decades in American history because of not only the Vietnam War, but there was an outbreak of protests involving civil and social conditions all across college campuses. These protests have been taken to the extent where people either have died or have been seriously injured. However, during the 1960’s, America saw a popular form of art known as protest music, which responded to the social turmoil of that era, from the civil rights movement to the war in Vietnam. A veritable pantheon of musicians, such as Woody Guthrie, Pete Seeger, Phil Ochs, Joan Baez, and Bob Dylan sang their songs to encourage union organizers to protest the inequities of their time, creating a diverse variety of popular protest music, which has reached out to the youthful generations everywhere demanding for a revolutionary change. The protest music took the children of the 1960’s to a completely new different level. Musicians of this generation were not going to sit and do nothing while the government lied to the people about what was going on in Vietnam. Instead, they took their guitar-strumming troubadours from the coffee houses, plugged them in, and sent the music and the message into the college dorm rooms and the homes of the youth of America. However, as decades went by, protest music does not have much of an impact as it use to because of the way things have changed over the years. Through the analysis of the music during the 1960’s, there shall be an understanding on how the different genres of protest music has affected social protesters based on how musicians have become the collective conscience of that generation through their lyrics and music and the main factors that contributed to the lack of popula...
In this book, Allan M. Winkler writes about Pete Seeger’s fascinating life and how his music helped improve the conditions of the less fortunate people during many protest movements throughout the twentieth century.
In an interview with time magazine, Dylan said “I haven’t got anything to say about the things I write, I just write em’, I don’t have anything to say about them, I don’t write them for any reason, theres no great “message”, if you wanna tell other people that then go ahead and tell...
As a child Dylan was comfortable being the center of attention, often writing creative poetry for his mother and on occasion singing. Dylan had no formal music lessons, but none the less he began to compose. Later at age 14, he took up the guitar and shortly after formed a band, one of many he played the guitar in. Always plunging ahead, performing to his up most potentional, Dylan absorbed his surroundings as a source of inspiration. Even during his early efforts Dylan responded very positivly to mainstream musicians, such as country star Hank Williams. Yet, he responded especially well to early rock stars such as Little Richard, Elvis Presley and Jerry Lee Lewis. In the summer of 1959, after graduation Dylan began to work at a cafe, where he began to pay increasing attention to folksingers such as Judy Collins and Jesse Fuller. Finding an instant connection with their songs, songs relevant to social issues. Dylan was drawn into both the musical style and the social message of these indivisuals.
Music has been around for thousands of years. Music has progressed since that time and has slowly become what it is today. Though music has been around for such a long time, protest music just started to develop in the Vietnam Era, the year 1954. The war started the era of protest which, in turn, created a new form of music which incorporated a specific type of lyric that was a way of expressing protest through the song. Since music in this era was already a big thing, artists thought it would be a good idea to get their political viewpoints out there. They did it through something that affected everybody in that time and space. The artists view spread quickly through the country because of the catchy tune and the viewpoints that are listed. In the United States of America, it is a very common thing to conform to others in a group (Conformity…). Since conformity is such a common occurrence in a large group, all the artist has to do is find a couple of people in the group, group being an audience, who agree with the artist and the rest will unfold on its own. The artist will keep on performing while the word of him and his music will spread from person to person. Conformity will ultimately bring people together on the same viewpoint until eventually, there are thousands of people there with the artist to protest. These artists have grown over time along with the style of music that they bring along with them. Protest music still exists today and is one of the most effective forms of protest that we have.
Music was used as a critical instrument in the early 20th century in mobilizing and inspiring the civil rights movement by giving them more voice to bring out their grievances. According to Kerk (2007, p.18) Martin Luther king was the most prolific figure who utilized music to sensitize society, “we believe that freedom songs play a big and vital part in the struggle that we are going through” this words were also echoed by the Albany movement “music keeps us a live, it gives us a sense of unity, new courage every dawn, hope to move on that the future still holds something in our most daring and dreadful hours”
“Music is uniquely wonderful. It is incapable of being touched yet it touches everyone who is capable of hear sounds. It can seemingly evoke any emotion; we instinctively respond to happy tunes, mournful songs, beautiful melodies, inspiring anthems, stirring hymns, and majestic orchestrations.” (Doolan, Robert. 1985) There is no question that music is great part of society; it has been at civilization’s side whether it be the lyres and flutes of the ancient Greeks or how it calms or excites emotions and keeps armies in order during battle. Within society, there has also been social unrest and the desire for change. Protesting is the expression of a society’s concerns on current events of which they feel affected by whether it be through public rallies, picketing, riots or even bombings. Protest through music is one powerful medium for engaging people. Amidst what life throws at individuals, music has comforted the soul, provoked individualistic thought and opinion, and music draws people together through groups alike who have the same attachment or concerns with their surroundings. Whether it be rock, jazz, blues, rap, hip hop, dance, spiritual, or world, music has inspired artists to spill out their expression and views of society. Music is a universally effective tool of protest in generating social change and unrest as it continues to unite those with like ideas.
Today, the most difficult day in my family’s life, we gather to say farewell to our son, brother, fiancé and friend. To those of you here and elsewhere who know Dylan you already are aware of the type of person he was and these words you will hear are already in your memory. To those who were not as fortunate, these words will give you a sense of the type of man he was and as an ideal for which we should strive. My son has been often described as a gentle soul. He was pure of heart and had great sensitivity for the world around him. He had a way with people that made them feel comfortable around him and infected others to gravitate toward him. Dylan exuded kindness and pulled generosity and altruism out from everyone he touched. He was everyone's best friend.