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Most of the protagonists in “Blood Wedding” such as the mother, bride, and Leonardo do not fulfil the roles they are assigned as they turn into evolved characters at the end of the play. At first they portray their roles just like they are supposed to but then as the play goes on, they face a problem and the solution to the problem is to reject the society and follow their desires.
The roles of an archetypal mother in a Spanish society are to stay home, perform domestic work and care about family. They are there to grieve for the dead for six years, which in result makes them unable to leave the house, hence their lives are predestined. Even though it is natural for women to have little freedom, it can be deduced that they are in a “safe” zone. Nevertheless feminine characters are the ones who suffer emotionally from their longings and experience conflicts and catastrophes. In this case, mother endures from the death of her deceased son and husband and is constantly grieving. This display the common situations women at that time have to face, showing symptoms of repression. Generally in “Blood Wedding” female characters uncover their true self when talking to other feminine characters. The mother, being a very womanly character, depicts the human life which is shattered by Spanish traditions and people. Hence her desires are gone, in a sense, she also loses her real character, as she is so used to the society, that it would be wrong to think and act differently. When the mother talks to the neighbour, she reveals her opinion about the marriage more easily than talking to her own son (she even keeps a promise, indicating that they have been close). From the mothers conversations, it can he said that she strongly believes tha...
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... given. The characters evolve creating a change in roles which destroys the equilibrium of the society. The names of the character reveal the problem in the Andalucían society from Lorca’s point of view. The characters stated in this essay all have expectation to meet but do not meet unless of an alteration takes place. The mother’s desire is to have her son take the right decision and Leonardo and the Bride’s wish is to stay together; however, neither of these scenarios takes place as Death takes them. These reasons force the living characters to change for the better. This might indicate that the characters have double roles which might have been Lorca’s intention in the first place creating this a thought-provoking play.
Works Cited
http://www.scribd.com/doc/23992206/Blood-Wedding
http://www.poetryintranslation.com/PITBR/Spanish/BloodWeddingActII.htm
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example, become a very outspoken activist by trying to attend the student protests and follow Miguel on his demonstrations, a sharp contrast to the indifference or shallowness found in her great grandmother.
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these components played an important role in each civilization read, and even over 1,000 years later it continues to be a social topic as well as a large part of the culture. The only difference a reader or scholar could make for this particular piece of literature is its authenticity and how it was based on a true event. Regardless, new views on power and how one obtain it become apparent through the dialogue between characters like Laurencia and the Commander.
Through the use of symbolism, and characterization that involves an instance of imagery, the author advocates this notion through the newlywed’s decision of neglecting her personal feminine taste to make her husband’s preferences her own, and embracing her title of submissive partner by kissing the hand. Also, the choice of words to describe each partner differs tremendously, as the author seems to give more importance to the man by making him appear handsome, and particularly strong. On the contrary, the young woman appears to be weak and minor, which supports this idea of submissive women in a couple through the perception of the woman being way behind her husband. This story demonstrates a great symbolic significance when it comes to the hand, which can lead to other important ideas surrounding the message the author is trying to
Romeo and Juliet is the tragic story of two young, “star-crossed” lovers from feuding families, destined for disaster. The Capulets and the Montagues have an ancient grudge on one another that has been passed down over generations. Unfortunately, Romeo and Juliet end up victims of their families’ vicious loathing. Romeo and Juliet’s story has several intertwining themes such as the aforementioned hatred between the Capulets and Montagues and the revenge Romeo strives for after his friend Mercutio’s death. Also, the love and passion between Romeo and Juliet and the loyalty of Romeo and his friends. Honour and revenge also feature frquently throughout the play including Juliet’s pressure to honour her family, and the revenge Romeo sees as his duty when Tybalt kills Mercutio.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
Reckless actions lead to untimely deaths. In Shakespeare’s tragedy “Romeo and Juliet”, both protagonists fight for their hopeless love. Bloodshed and chaos appear inevitable in fair Verona; Romeo and Juliet come from enemy households, the Montegues and the Capulets, who have sworn to defeat one another. The young and handsome Romeo weeps over his unrequited love for Rosaline, until he lays his eyes on Juliet. Strong and independent, Juliet seeks to escape her family’s will to marry her off to Paris, a kinsman of the Prince. Fate ties these adolescents’ lives together binding them to witness the ill-fortunes of Romeo and Juliet’s love. Romeo and Juliet prove themselves woefully impulsive through their words and actions, which ultimately lead them along a series of unfortunate mishaps.
Micheal Jordan famously wrote “If you accept the expectations of others then you never will change the outcome” (Jordan). One can appreciate the context of the quote when relating it to one of William Shakespeare’s greatest work, “Romeo and Juliet”, in which two long-feuding families finally end their strife after their children defy the societal expectations, and consequently take their lives away. The two lovers struggle to live up to the expectations society demands from them, which oppose the existence of their love. For example, the audience sees Juliet challenge her family’s expectations in order to protect her relationship with her true love, Romeo. Additionally, both Romeo and Juliet challenge their gender roles in order to love freely without any opposition from society. Also, as the love between the two intensify, both Romeo and Juliet struggle to abide to the social expectations of their Christian faith. In a nutshell, one of William Shakespeare’s most celebrated plays, “Romeo and Juliet”, is about how two lovers choose to defy the social expectations demanded by their society in an attempt to create an environment where the “true love” they possess can exist.
When women are kept in their classical role of mother and caretaker, all is well and their lives are simple. Children relate positively to their mothers in this typical setting; while Dantés was in prison, during a time of distress, he remembered something his mother had done for him. For example, Dumas writes, “He remembered the prayers his mother had taught him and found meanings in them which he had formerly been unaware.” (41). Mothers teach their children to the best of their ability, evidenced in Dantés, as well as when Caderousse says Mercédès is instructing her son, Albert. It is in these moments that a mother’s love, compassion, and necessity are revealed. Lives are calm and enriched as long as women are in their niche. This includes non-maternal nurturing roles, for example, Mercédès attentiveness to Dantés father and Valentine’s special ability to care for Nortier. This loyalty is valued and shown as essential for the stability of life. Though The Count of Monte Cristo depicted women as best suited to the home, they intermittently stepped further out of that r...
Ponte, Carmo. “Incest and the Female Character in Eça de Queirós’ ‘A Tragédia de Rua das
In Latin America, women are treated differently from men and children. They do lots of work for unexplainable reasons. Others for religious reasons and family orders and others because of the men involved. Women are like objects to men and have to obey their orders to either be rich or to live. Some have sex to get the men’s approval, others marry a rich man that they don’t even know very well, and become slaves. An important book called Chronicles of a Death Foretold is an example of how these women are treated. Purisima del Carmen, Angela Vicario's mother, has raised Angela and her sisters to be good wives. The girls do not marry until late in life, rarely socializing beyond the outsides of their own home. They spend their time sewing, weaving, washing and ironing. Other occupations include arranging flowers, cleaning up the house, and writing engagement letters to other men. They also keep the old traditions alive, such as helping the sick, comforting the dying, and covering the dead. While their mother believes they are perfect, men view them as too tied to their women's traditions. The men are afraid that the women would pay more attention to their job more than the men. Throughout the book, the women receive the respect they deserve from the men and others around them.
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.
“The Story of an Hour” expresses the difficulties of being a women in the late 1800’s in South America due to the issues of gender inequalities. This story, written by Kate Chopin, who was a married woman in late 1800’s, provides the perspective of a young married women who has limited freedom and is largely controlled by her husband. Throughout this story gender norms are clearly displayed in different ways. One clear example is when Mrs. Mallard, the protagonist, is expected to act a specific way when she hears the news of her dead husband, yet she feels the extreme opposite. The narrator then does a great job of expressing the reality of how Mrs. Mallard is truly feeling and uses that as a way to express the control as a conflict. The outcome of this story is the blatant reality of this life that so many women have lived during the late 1800’s. With additional research and knowledge on the history of gender inequalities, it is easier to connect Mrs. Mallard to her restricted life throughout this