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Analysis of the movie Blood Diamond
Analysis of the movie Blood Diamond
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Recommended: Analysis of the movie Blood Diamond
Blood Diamond: Why Fiction is More Effective Than the Facts
When watching a movie that is allegedly based on a true story, it may not occur to some viewers that the movie does not necessarily represent the complete and absolute truth. The movie Blood Diamond was inspired by the true story of how the illegal sale of smuggled diamonds helped fuel the 1991 to 2000 civil war in Sierra Leone (“Sierra Leone”). In an interview with Foreign Policy Magazine, Edward Zwick, director of Blood Diamond, admits that “my first goal was to make a good movie, one that fulfills the obligations of any story, which has to do with characters and drama.” It is true that Blood Diamond uses glamorized fiction to cover up and sweeten the horrible truths for its audience, but what matters is how effectively the movie makes an emotional connection with its viewers. Hollywood filmmakers know what the majority of their audience expects: glamour and excitement throughout the film and a dramatic and emotionally satisfying ending. If it is to satisfy the expectations of this audience, and the expectations of the filmmaker and his backers to make a lot of money, the movie—at least this particular movie—cannot be a totally accurate and graphic depiction of what really happens with blood diamonds and their role in Sierra Leone’s civil war, because what really happens would not sell as well as the fiction. In the case of Blood Diamond, while it is important to look at the factual accuracy or inaccuracy of the what the characters represent, what matters more is why the fiction is more effective than the truth when it comes to getting the audience emotionally involved.
Effective manipulation of the audience’s feelings through fiction may make the sympathet...
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“How to Buy: Diamond Facts.” A Diamond is Forever. De Beers Diamond Company. 18 November 2007. .
“Lovette Freeman: A Personal History.” September 2006. Online video clip. The History Channel. 18 November 2007. .
“Seven Questions: A Chat with Blood Diamond Director Ed Zwick.” Foreign Policy Magazine December 2006. 18 November 2007. .
“Sierra Leone Civil War.” Wikipedia, the Free Encyclopedia. 17 August 2005. Wikimedia Foundation. 18 November 2007. .
Voeten, Teun. How De Body?: One Man’s Terrifying Journey Through an African War. Amsterdam: St. Marin Press, 2000.
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
The film Capote, based on the how the writer of “In Cold Blood” did his research to write his book, a masterpiece of literature, has portrayed Capote’s behavior during his research vividly. Capote’s behavior during the years Perry waits on death row in order to get personal testimony of the night of killings is a controversial topic. Some argue that what Capote did was absolutely necessary for an ambitious writer to create such a master piece while other argue that human ethics is more important than the creation of an ideal “non-fiction noble” and the paths he took to get there are morally ambiguous. Even though he gave the world a milestone in literature, his behaviors seem unethical because he lied, pretended to be a friend of an accused murderer who was in a death row, and did not have any empathy to him.
Cormac McCarthy’s “Blood Meridian” does a marvelous job of highlighting the violent nature of mankind. The underlying cause of this violent nature can be analyzed from three perspectives, the first being where the occurrence of violence takes place, the second man’s need to be led and the way their leader leads them, and lastly whether violence is truly an innate and inherent characteristic in man.
... being a story of an actual person in society who has gone through these adversities, makes the claims provided in the film reliable and trustworthy.
Throughout the Non-fiction novel In Cold Blood Truman Capote convinces the reader the idea of death penalty as a punishment, seeing it as hypocritical. This is achieved through Capote’s ability to succeed to the reader’s credibility and emotions.
The entire movie is bursting with counter narratives, when the audience believes they hold an accurate grasp on what is truly happening, there is a misguiding event, as the storyline is continually challenged. The viewer’s beginning formations about what is going on are learned to be always questionable because what is repeatedly steered to trust and is revealed not be the truth in the conclusion of the film. This neo-noir film had multiple scenarios that make the previous actions untrustworthy to the actual message. This proves that all the observations and thoughts the viewer possesses are only relevant to what they are exposed to and shown and not to what is, in fact, happening.
According to Annjeanette Wiese in Narrative Palimpsest: The Representation of Identity in Agota Kristof’s The Notebook, The Proof, and The Third Lie, Kristof continues The Third Lie using the “palimpsestic model.” Lucas introduces a differing account of his life story-layering it upon previous information recounted in The Notebook and the Proof (Kristof 357). As much as Kristof attempts to present The Third Lie as the reliable conclusion to the prior books in the trilogy, this new material causes the reader to be skeptical of these facts and wonder whether Lucas or Claus is believable, after all, neither brother share the same information. The facts, Lucas maintains are sometimes so hurtful that he alters them in order to make them easier for
Every film has elements of good and evil, two opposing forces with a decisive winner. Order and chaos works in a different manner; protagonist and antagonist can play the part of order and chaos while remaining either good or evil. However, it is not only the character that acts according to the principles of order and chaos, external elements such as history and social ideologies craft character perceptions of a disaster or paradigm shift. There are many examples of order and chaos being used to define what is "good" and other times defining what is "bad". Classic examples in Hollywood cinema of order and chaos in films are Bonnie and Clyde and Gun Crazy, where the protagonists play both sides of good and evil elements while staying true to the elements of order and chaos. The purpose of this essay is to explore elements of order and chaos in Bonnie and Clyde and Gun Crazy by analyzing: the lead couples and social-historical contexts.
Truman Capote’s non-fiction novel, In Cold Blood, was a breakthrough in literacy in that it was accredited as the first non-fiction novel. There was a lot of controversy when the book was first published because of the incredibility of the work. This could be expected in that time, because people where not familiar with the concept of non-fiction novels yet, but this is where the beauty of this style of writing lies, the recreation of the truth. It would have been impossible for Capote to have documented the occurrence fully, because he only read about the murder after it had happen, after all, this was not what he wanted to do. Capote got a lot of criticism for the book, because of him bending the truth, putting in scenes that never happened and his ways of gathering information, but people still saw the talent that went into creating the non-fiction novel. Truman Capote will forever be recognized for this novel and the contribution he made to literacy. In this essay we will be discussing the strengths and weaknesses of In Cold Blood when it delivers facts and the credibility of the work. We will also be discussing the strengths and weaknesses of the novel when Capote bends reality and ad some parts of fiction.
Tim O’Brien’s The Things They Carried has readers and critics alike scratching their heads with wonder about the meaning of “story-truth” and “happening-truth.” Although, he served in the Vietnam War from 1968 until 1970, he fabricates the events of the war throughout The Things They Carried. At the same time, he insists that the truth lies at the heart of the emotion in the story, an idea that many readers question. Furthermore, it is pointless for the reader to attempt to sort through the stories and differentiate between the “story-truth” and “happening-truth,” because it is nearly impossible. This tactic is one of O’Brien’s more ingenious writing methods. He does not want the reader to know the difference between the two because in his opinion that fact is irrelevant. O’Brien obviously thinks outside the box and has everyone questioning reality. However, this fact is truly ironic, because the point is not to care what type of “truth” it is, but to instead feel the raw beauty of the emotion and to accept it as the truth. While trying to define “story-truth” and “happening-truth,” a couple chapters in particular focus on the idea of truth, “How to Tell a True War Story,” “The Man I Killed” and “Good Form.” O’Brien believes that the most important thing for a reader is to experience the emotion of the story, be it “story-truth” or “happening-truth,” as long as the real emotion is conveyed and understood by the reader, then it is as true as it could possibly be.
...adaptation of Ron Kovic’s best-selling autobiography. Both of these movies depict real-life accounts of how war can change people both physically and emotionally. America is approaching the 50th anniversary of the Vietnam War. Today’s students are much too young to remember this time in society. While textbooks have plenty of information regarding this time period, they do not have the emotional impact that these movies convey. In a case of life imitating art, Stone’s movies are the voice of a generation.
...ctual roles, or adding in exciting events that revise the storyline. These changes are beneficial to producers because they engage a large audience and generate massive profits. In contrast, they do not always have a positive effect on viewers. Although they are entertaining which is an important aspect of theatre culture, they also are often misguiding. Many spectators take movies at face value, without considering that they may not exactly qualify as primary source material. Even when an historical event is fabricated to teach or enhance a moral message, it still doesn’t compensate for bending the truth. Moviegoer’s may have a positive experience and gain some skewed historical perspective, perhaps better than what they knew before the movie, but they loose out on the truth and therefore, a genuine understanding of the historical event, and its significance.
The Poisonwood Bible took place in the Congo during the 1960’s, which was a time of political unrest for the Congolese. The Congo gained their independence from the Belgians in 1960, and elected their first Prime Minister, Patrice Lumumba. Lumumba wanted complete control of the country back, including it’s natural resources of which the United States had “gained strategic stake in” (Nzongola-Ntalaja) because it included uranium mines. At this time, America was in the midst of the Cold War with the USSR, so the control of these mines for America was critical, especially because they believed Lumumba was siding with the Soviets. Alas, in 1961 Patrice Lumumba was assassinated by a US- sponsored plot 7 months after independence, and replaced him with a “puppet dictator named Mobutu” (Kingsolver). In her book, Barbara Kingsolver surfaces a forgotten part of our nation’s history in the exploitation of the Congo through her main characters, the Price family who are missionaries that are sent to the Kilanga village. Through characters’ narratives that “double ...
The importance of ethics when making a film is paramount. They exist in the filmmaking world to “govern the conduct [because] no hard and fast rules suffice, (Nichols, 2001). As Bill Nichols has argued, the essential question to consider when making a documentary is “How Should We Treat the People We Film (Nichols, 2001)?” The welfare of the people who participate in the film is vital to recognise because they are “cultural players rather than theatrical performers, (Nichols, 2001)”, they are conveying is real life according to them. Each of their movements and words are not scripted, and are real. A filmmaker is documenting their actual lives because they believe that the value lies in presenting something of interest to themselves and to its audience. It is because of this reality that the issue is much more important because it “adds a level of ethical consideration to documentary that is much less prominent in fiction filmmaking, (Nichols, 2001).” People are portraying their real selves and are not masked by a personality that has been asked of them to depict by a director. What must also be considered is how attending to the ethics of filmmaking is the benefits that it holds for the filmmakers and the audience. “Ethica...
de Maupassant, Guy. "The Necklace." Understanding Fiction. 3rd ed. Eds. Clanth Brooks and Robert Penn Warren. Englewood Cliffs, NJ: Prentice Hill, 1979. 66-72