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African music brief history
African music brief history
African music brief history
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Watching the Blitzkrieg Bop live video by the Ramones I see it is staged in what looks like an auditorium, concert hall or a club. From what I can see, it does not seem to be a huge venue, maybe small to midsize. The music taps into a few Africanisms and these include: layered ostinatos with varied repetitions, at times the lead vocalist take on a conversational aspect to his singing and seems to be addressing the audience, and the timbral variety uses a drum set, guitar, and bass guitar. The music in this video seems to be polyphonic because there were occasional outbursts from the backup singers in the band that were different for the lead vocals. At times there is a call and response between the vocalist and the instruments. Finally,
This article also brings to light an article that was published in Time in 1977 called “Anthems of the Blank Generation” (Bergeron). In this Time article CNN illuminates Time’s interpretation on punk rock back in 1977. CNN recaptures Time’s analysis when Time reported that kids across the globe are dancing provocatively, screaming to the loud, violent sounds of punk, dressing is inappropriate clothes that are severely torn and in the need of mending, and their hair is often greasy and dyed in colorful arrays (Bergeron). The final point I would like to draw out of this article is another Time’s article that draws on a punk group, the Sex Pistols. This Time’s article is from 1978 and called “The Sex Pistols Are Here” (Bergeron). Again, Time stereotypes the punk rock genre. CNN enlightens us when they bring back quotes from the original Time’s article. Time states that in Britain, punk is a prominent voice and at times a vice for the middle class youth that are having trouble finding work and don’t give a damn about long-established customs of their motherland
Firstly, I will look at our emic perspective from the interview with John Lydon. Lydon made it pretty clear that punk was globally misinterpreted. He said that the common global perspective was that punk rock was all about the clothes and a method to convey a new public policy. Lydon then stated that punk is to be open minded and to reveal the truth about the government and politics and their conspiracy to mislead. On the other hand we have the report from CNN that compiles old Time’s articles that contains negative stereotypes of punk rock. That punk music is violent, sexually charged, loud and for unemployed, rowdy, middle class kids. Both these prospective could have some truth in them and both could have some falsity. Lydon could be right in saying that the intent was to be open minded and to reveal conspiracies, but the people that were involved in the music may have engaged it for the wrong reasons and caused what Lydon is denying punk to be about. These same people that engaged the music in a way that it was not intended were most likely the ones that caused the world to stereotype punk as violent, sexually charged, loud and for unemployed, rowdy, middle class kids by not living up to the message that was intended for the music. We can see that both sides can have valid points, but I this we need to go with
Correspondingly, after a few songs the band responded by singing the songs that the audience liked and by motivating them to scream and cheer for them. This way the audience wouldn’t get bored and stop cheering and dancing. This event took place in a dome-shaped like place where it also holds events like bull riding. There was a floor section where the people stand and there was the seat section where it went around the place and it was fenced around. This is what Hispanics call a “Jaripeo” because you can have concerts and bull riding, which is kind of like being at the
Philip Auslander’s book “Performing Glam Rock” talks about a type of music that until this class, I have not heard much about. When I think Glam Rock I think of artists like Prince and Kiss, ...
There is a very distinct stereophonic sound because of the data established above. This does not sound a live recording because you do not hear any reverb. The constant changing of sounds left to right is more like an effect had been created to give the sense of a live recording. Multi-tracking is something that lends to the fact that you hear instrumental sounds all one position, while Paul Anka, sings close the microphone to make it sound more live performance. If we now make a comparative assessment as we did with Paul Anka’s recording, there is a noticeable difference here. We do not have the big band sound, but instead rock band with one vocalist, electric guitars, string bass, drum kit it seems. Here then is a few things in the list that tell us more a about this songs production technique:
This Is Spinal Tap is a Mockumentary that simultaneously depicts and parodies the life of rock stars, by capturing performances (both on and off stage) of the made-for-film rock band, Spinal Tap. The fabricated band is an exaggerated attempt to recreate a generic hard rock band that would generally fit somewhere from the 70’s through to the 80’s, and it happens to do it very well. Leaders of the group have distinct snobbish/dimwitted personalities like most bands that took themselves way too seriously at the time. The members look and act like rock stars, and stumble upon problems that artists alike may encounter. Throughout the film, entire songs, costumes, and set designs are generated to make the band appear all the more real. This Is Spinal Tap covers the band touring across the states, and depicts them as any rock documentary would. Interviews and concert shows are spliced in a mostly linear fashion throughout the band’s back stage discussions and preparations. Everything about this artificial world is meant to seem real; because the humor in spoofing something can be observed mostly in it’s tragic accuracy.
Within this essay I will discuss Widdicombe and Wooffitt’s suggestions made within their book ‘The Language of Youth Subcultures’ regarding resistance and will use the subculture example of punks to portray a clear conclusion. This book is about how different identities, both social and personal are established, maintained and managed within their everyday language. Widdicombe and Wooffitt seem to narrow in specifically on youth subcultures, particularly interviews with punks. We will look carefully at the language used by them to construct their identities and why they ‘resist’ being seen of members when approached in interview situations.
"1991: The Year Punk Broke" is a documentary about the leading punk figures in the nineties such as Sonic Youth and Nirvana. In the continuation of the documentary, the viewer finds Thurstoon Moore of Sonic Youth asking young music enthusiats: “People see rock and roll as youth culture, and when youth culture becomes monopolized by big business, what are the youth to do?". In addition to the question, he states, "I think we should destroy the bogus capitalist process that is destroying youth culture by mass marketing and commercial behavior control and the first step to do is to destroy the record companies.” "The bogus capitalist process" that Moore talks about refers to the aggressive capitalist side of any market, but more
“Undermine their pompous authority, reject their moral standards, make anarchy and disorder your trademarks. Cause as much chaos and disruption as possible but don’t let them take you alive.” Sid Vicious-Lead Singer of the Sex Pistols. (Brainyquotes.com) This quote by Sid Vicious from 1977 summed up the feelings of many of the Originators of Punk Music and the Punk lifestyle.
It is a rare occurrence in today’s over-amplified, bass-kicking sound world to leave a concert feeling as if you actually heard the music. Over the Rhine provided one of those concerts on Thursday October 2nd at Birdys Bar and Grill in Indianapolis. My personal congratulations to the sound guy, who’s mixing allowed the audience to really hear all the different layers of music and different instrumentation really being played.
Adolescents and young adults have been disregarding the rules of the older generation and sparking up arguments since time could tell. One of the forerunners for this teen-angst filled defiance was none other than the king of outcasts, Kurt Cobain, lead singer and songwriter for Nirvana. Cobain was a trailblazer ready to defy the Baby Boomers and all that the tired generation saw to be important; Cobain pushed against many traditional structures but few more relevant than sexism and the mainstream music industry. Cobain rallied his army of misfits, labeled Generation X, to also stand against the sexists and the money-grubbing music bosses. Although Cobain didn’t do so by leading rallies or picket-marches, he found his rebellious essence through writing strange, contentious, and confusing music. With this in mind, it’s easy to say that Kurt Cobain was a model for Generation X; however, he is most notable as a rebel writer that expressed his resistance to sexism and to the music industry through his unconventional writing, mixed-music styles, and controversial songs.
The American rock band Nirvana impacted American culture and society by paving the way for the punk rock subculture into mainstream corporate America. Punk rock music stems from the rock genre but has its own agenda. The crux of punk rock is that it is a movement of the counterculture against the norms of society. Punk rock in itself is made up of a subculture of people who rejected the tameness of rock and roll music during the 1970s. (Masar, 2006, p. 8). The music stresses anti-establishment and anti-authoritarian ideas in its lyrics as well as scorns political idealism in American society. Before Nirvana unintentionally made punk rock a multi-million dollar commercialized genre of music, underground rock paved the way for the punk rock genre by creating core values that punk rockers drew upon.
The late 1970s gave birth to a punk culture that further distended into an evolution of the genre during the mid-1980s, particularly in Seattle, USA. A punk inspired movement called grunge became internationally recognized after Nirvana’s debut release album ‘Nevermind’, in 1995. Grunge gained a mass recognition for its punk ideology, attire and music, which stemmed further away, and was in itself a rejection to the mainstream metal and pop boom in the music industry of that time. Grunge incorporated a fusion of cultural and social threads that linked themes like feminism, liberalism, anti-authoritarianism, wry post-modernism, and not least a love of dirty, abrasive music; grunge reconciled all these into a seminal whole. (Standard grunge definition, Internet source)
The generation of punks was influenced from many different kind of modern art and writers. The word punk was used in a defamatory manner, which has been considered with punk bechaviour of personal disrespect or has been used as a form of expression of feeling of hatred. It started by the youth people who were criticizing the economy, the rising unemploymend and they were seeking a reform of the goverment system. The punk culture is a subculture which defines the freedom, the liberty and the revolution against the stereotype society and the casual culture. They were anarchist or marxist. Their ideas were anti authoritarianism, the movement of DIY (Do It Yourself) and there only request was not to sell out. Ten years after the emerge of the punk subculture many currents imitatived from the first, the celticpunk, the hardcore punk, the anarcho-punk, skate punk, garage punk the street punk and many others. So the punk subculture went through a laboratory which affect its DNA which created new forms of the initial subculture which had their own
Over this semester, I attended two concerts. The first concert I went to was a performance done by the Swedish band Graveyard at the 9:30 club in DC. The second concert that I went to was at the George Mason Center for Performing Arts. This concert was a jazz competition between bands call The Battle of the Big Bands. Both concerts were performed very well and kept the audience, myself included, very entertained throughout the entire show. In this paper, I will be discussing each individual show in depth, and then continuing on to compare the two concerts.
In rock music its target audience is the youth. And by youth I am not referring to teenagers, but instead to the mentality of youth, the adults and teens still in the sociological stage between being a ‘kid’ and accepting the responsibilities of ‘adulthood’ [Weinstein pg6] These youth negotiate the genre and change it to their liking. For example both males and females have different subgenres of rock targeted specifically at them. Males are seen from a young age as being naughty and rowdy, not very responsible and thus given more freedom. While girls are seen as quiet and polite, with very low aggression. These traits have reflected in the genres that are targeted at the two genders. Males were targeted with Heavy Metal as it expressed the qualities the very qualities they will have to give up in order to become adults and how they will lose their freedom. While for females rock music is soft and romantic, females will typically grow up faster than males and leave youth behind in order to take up responsibilities. An example of how the music was negotiated to fit the two genders is seem in the 1960s when performers such as Carole king and James Taylor transformed themes of protest into sentimental commentaries, romance and illusions of youth. [Weinstein pg 12-13] While heavy metal bands such as Black Sabbath sung about politicians and how disgusting they are for exploiting young people in the name of greed which is shown in the song Wicked World. This very characteristic of rock being created by the youth for the youth is still alive today, for example during the 2004 presidential election Green Day released American Idiot. The song was about how the media and political are brainwashing Americans to remove their individuality. The singer wanted to warn America of this and prevent them from turning into ‘idiots’ and
First and foremost, A Tribe Called Red is a music group originated from Canada who uses electronic dance music with a blend of dub-step, hip and influence of First Nation music. They have come to the forefront of music by the popularity received by the media and paying tribute to the hip hop group A Tribe Called Quest. A Tribe Called Red has one of the most unique sounds I’ve heard, and their music videos present cultural metaphors and tell a story of overcoming oppression and equality, which is a positive and empowering message to the viewers. Building on the last paragraph, the music heard during the concert is fast paced with chanting lyrics and beats have a heavy base throughout to give the dance music effect.