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Recommended: Film analysis
Directors use various techniques to create a compelling and memorable motion picture film for the audience. In 1982`s Blade Runner, Ridley Scott portrays various themes of mortality, memory and identity through various film techniques such as editing, cinematography, and mise-en-scène.
The theme of morality can be shown throughout the film by the director’s use of editing, cinematography and mise-en-scène. The moral aspect here is creating these replicas in order to be sent off to another world and become slaves for humans with a limited time of four years before they are ‘retired’. In the beginning of the film, Scott uses an extreme close up of Roy’s hand balling up into a fist. This is used to show the replica’s constraint time and freedom. The surrounding is also very dark; darkness signifies anger, grief and death. The only thing in this scene is Roy’s hand, however upon closer inspection, one can see that Roy’s fingernail are black and dirty, signifying the hard labour that the replicas must endure while also raising the moral question of why are these replicas discriminated a...
Movie makers have agendas. They get their ideas across by using cinematic techniques and styles which make us view a certain subject in the light that they put it in. I will discuss the differing techniques used by the makers of "Stepping Razor" and describe what the overall impression of the movie has on the viewer, and what the agenda of the director is.
The Kite Runner, by Khaled Hosseini, follows the maturation of Amir, a boy from Afghanistan, as he discovers what it means to stand up for what he believes in. His quest to redeem himself after betraying his friend and brother, Hassan, makes up the heart of the novel. For most of the book, Amir attempts to deal with his guilt by avoiding it and refusing to own up to his mistakes. Because of his past, Amir is incapable of moving forward. His entire life is shaped by his disloyalty to Hassan and his desire to please his father over helping his friends. Throughout the novel, his attempts to atone for his sins end in failure, as neither physical punishment nor rescuing Hassan’s son, Sohrab, from Assef prove to be enough for Amir to redeem himself. Only when he decides to take Sohrab to the United States and provide his nephew with a chance at happiness and prosperity that was denied to his half-brother does Amir take the necessary steps toward atonement and redemption. Khaled Hosseini uses a series of symbols to reinforce the message that atoning for one’s sins means making up for past mistakes, rather than simply relying on forgiveness from either the person one betrays or from a higher power.
...rayed as physically and mentally superior to humans. Paradoxically, most of the emotion displayed in the film is shown from the replicants, in particular when Roy experiences an epiphany “tears in rain” just before his expiration. This illustrates the replicants are in fact a manifestation of mankind in its purest form and the detrimental effects of the vices and follies of humanity.
Choosing a movie, do you take notice to whether it is a Director’s cut, the original version, or simply grab the chosen movie and pop it in taking no notice of which version is in hand? Is there even a difference? Because a director’s cut is simply a version of a movie with various cuts made by the director’s choosing, if watching both versions of Ridley Scott’s, “Blade Runner,” the subtle differences in several of the scenes will become apparent, although the scene layout and plot remains the same throughout both versions.
The plot of the movie “Blade Runner” becomes unrevealed till the end of the movie. Many assumptions about the plot and the final of the movie appear in the spectator’s mind, but not one of these assumptions lasts long. Numerous deceptions in the plot grip the interest of the audience and contribute for the continuing interest to the movie eighteen years after its creation. The main character in the movie is Deckard- the Blade Runner. He is called for a special mission after his retirement, to “air up” four replicants who have shown flaws and have killed people. There are many arguments and deceptions in the plot that reveal the possibility Deckard to be a replicant. Roy is the other leading character of the movie. He appears to be the leader of the replicants- the strongest and the smartest. Roy kills his creator Tyrell. The effect of his actions fulfils the expectation of the spectator for a ruthless machine.
Blade Runner as a Classic Film Noir and a Science Fiction Film Blade Runner, a well known 80’s science-fiction film, begins in 2019, set in the industrial city of L.A., the scene lit only by the many neon lights and molten guisers. We draw in from a panoramic long shot to Deckard, ‘ex-cop, ex-killer, ex-blade-runner’, who is at the heart of this film. Blade Runner is, definitively, a science fiction film, but the traits of Film Noir are the bread and butter, bringing it the dark, desperate atmosphere that is the very beauty of the film. Ridley Scott plants shrapnels of Film Noir throughout, from the subtle (cigars), to the downright blatant (the washed-up cop of main man). The genre itself developed in the post-war era, thriving upon the depression that had settled upon the world, and the new technology.
With the shift from industrial to postindustrial capitalism, our culture has become increasingly concerned with the problem of how to represent subjects in a technologized world. Traditionally, dominant conceptions of the subject have relied on Western metaphysics; naturalized monolithic categories arranged in hierarchic binary oppositions: male/female, human/machine, subject/object, etc. In this system, the discourse of science maintains an isomorphic and mutually reinforcing relationship with the discourse of heterosexuality, since each posits an active, masculine subject and a passive, feminine object. However, the sciences of contemporary capitalism are marked by technologies of reproduction and simulation which transform the world into a web of interconnected, overlapping information codes, asking us to reconsider our “natural” binary distinctions. While these questions have sparked a lively debate concerning technology and the representation of “naturally” gendered bodies, there has been less discussion about the specific ways in which the term “reproduction” links the discourses of science and gender. Reproductive technologies like in vitro fertilization, test tube conception, and genetic manipulation challenge our concepts of human reproduction, transforming bodies from unified organic units to strategic and manipulable systems. Furthermore, these new ways of thinking about human bodies undermine the biological justification for traditional heterosexual gender identities: if all reproduction is redefined as technological, then normative or “natural” gender roles must be reconsidered as well.
The Kite Runner focuses on the relationship between two Afghan boys Amir and Hassan. Amir is a Pashtun and Sunni Muslim, while Hassan is a Hazara and a Shi’a. Despite their ethnic and religious differences, Amir and Hassan grow to be friends, although Amir is troubled by Hassan, and his relationship with his companion, one year his junior, is complex. Amir and Hassan seem to have a "best friend" type relationship. The two boys, Hassan and Amir, are main characters in the book titled, The Kite Runner. The two boys have a relationship that is significantly different compared to most. There are many different facets that distinguish the relationship the boys possess. The boys do write their names in a pomegranate tree as the "sultans of Kabul" (Kite Runner 27) but, their friendship is not strong and it is one sided. Hassan has love for Amir. He loves him like a brother. Hassan is exceedingly loyal to Amir. The relationship between the two boys is emotionally wearing and rather gloomy for the most part. The main reason for their complicated relationship is the fact that Amir is Pashtun, and Hassan is Hazara. The Afghan society places Hassan lower than Amir. Hassan is Amir's servant. The placement of Hassan in the Afghan society disenables Amir from becoming Hassan's true friend. Amir sees Hassan as lower than human. Amir ruins the chance for friendship between himself and Hassan because he is jealous of Hassan, he thinks of Hassan as a lower human, and because Amir possesses such extreme guilt for what he has done to Hassan. Amir is an unforgivable person overall.
Scott’s Blade Runner is a hybrid film that combines aspects of film noir, a detective and a science fiction film. Scott manipulates the landscape and setting to match the film noir label. The film parallels Metropolis in the sense that both films revolve around class level to physical position in a city. The lower class is in the lowest level in the city and the upper class is at the highest level in the city. Scott plays
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
A studious young man, an open book these two images swirl around the screen in a kaleidoscope effect, this was the introductory scene of "Good Will Hunting." This scene is followed by Ben Afflick, knocking on Will's door, when Will comes out a credit rolls by that says, "screenplay written by Ben Afflick and Matt Damon," just as the two walk side by side. This shows how perfectly the makers of this movie have everything timed, down to the credits. Also, the timing shows when the professor's assistant and Will are alone and the assistant tells Will how lucky he is to have someone believe in him as the professor does. Just as he finishes saying this the professor walks in and suddenly the assistant has something better to do than just sit there so he gets up and leaves. The cinematography in this movie is good, as right of way the viewer of this movie knows Will lives in one of the poorer sections of Boston, as his front yard is cluttered with junk and the look of the neighborhood surrounding his house is anything but colorful. The neighborhood looks gray and drab. Also, one of the many settings is a local bar which has the look of a neighborhood bar with Christmas type lights strung and normal looking people filling the place. Another setting is a Harvard classroom and a community college classroom. In the Harvard classroom the students appear to be attentive, clean cut, well dressed, and enthusiastic, while the students in the community classroom are bar...
Scott was greatly influenced by a highly technological world in which sci-fi film was growing in prevalence. The replicants who are claimed to be 'more human than human' are perverted by their dystopic and supposedly utopic world. Their quest to achieve humanity turns to murder much like the monster within Frankenstein. Within the 1980's in which there was a rampant spread of commercialism and reaginism aided by globalisation, societal values were dictated by profit margins and efficiency rather than human rights. Scott effectively uses his filmic representation through the character Priss. She is metallic and robotic in nature and is portrayed as simply an object for satisfaction. In the scene of her death, the diegetic screams utilise filmic form in an expression of despair. Priss's inability to attain humanity is her ultimate downfall, much like the monster. Although the medium in which the message is portrayed differs to Shelley, the parallel is evident in that science and the changing values of humanity can be detrimental. The character of Roy saves the life of Deckard to redeem himself much like how the monster sacrifices himself through self-immolation. Despite not having emotions, Roy shows mercy. A close-up as he sheds tears and states '' all these memories will be lost...like tears in the rain' warns the audience
I spent a lot of time considering what movie I would watch to write this essay. I listed off the movies that I would like to watch again, and then I decided on The Notebook. I didn’t really think I could write about adolescence or children, so I thought that, maybe, I could write about the elderly. The love story that The Notebook tells is truly amazing. I love watching this movie, although I cry every time I watch it. The Notebook is about an elderly man that tells the story of his life with the one he loves the most, his wife. He is telling the story to his wife, who has Alzheimer’s Disease, which is a degenerative disease that affects a person’s memory. She has no recollection of him or their life together, or even her own children. She wrote the story of their love herself, so that when he read the story to her, she would come back to him. There are three things that I would like to discuss about this movie. First, I would like to discuss their stage of life and the theory that I believe describes their stage of life the best. Second, I would like to discuss Alzheimer’s DIsease and its affect on the main character who has it and her family. Third, I would like to discuss how at the end of the movie, they died together. I know it is a movie, but I do know that it is known that elderly people who have been together for a long time, usually die not to far apart from one another.
In 1996, Chuck Palahniuk released his best known Novel; Fight Club. In 1999, The award winning novel was adapted to film. Palahniuk is know for his unique, and sometimes dark writing. The unnamed main character works in the liability department of a major (also nameless) car company. He fly’s all around the country to investigate car accidents and other problems his company’s cars may have. He is the one who determines whether or not a recall is necessary. Necessary as in, if it’s going to cost the company more money to do a recall or settle out of court with the family’s that their defective cars have killed or injured. He meets an intriguing stranger on the way home from one of his business trips. They end up developing an underground Fight Club. So how does the film compare to Chuck’s novel ?