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The Influence of Celebrities
The Influence of Celebrities
Public influences of celebrities
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It all started in 1964, when a small-time mail order business called Biba’s Postal Boutique advertised a pink gingham dress in the Daily Mirror that was similar to one worn by Brigitte Bardot. Over 4,000 orders were in the next day and went up to 17,000 in total.
Behind this gingham mod dress was Polish-born designer, Barbara Hulanicki, who was able to open her first chocolate-box boutique in 1964 behind Kensington High Street after growing out of the mail order business.
The Biba boutique only sold one type of dress in one size, but that didn’t stop young fashionistas from coming. The store was sold out of within an hour on the first day.
One of the reasons for Biba’s initial success was the support of Friday night television show Ready, Steady, Go. Whatever Biba outfit the show’s host wore on the Friday night prime time slot was available to young girls the
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A Willy Wonka factory for fashion, the Big Biba store was an extravaganza of crazy interior design and clever marketing. As soon as it opened its doors it was the place to be, attracting up to a million visitors a week, making it one of the most visited tourist attractions in the city.
The general design of the store was inspired by old Hollywood glamour and Art Deco style. The store was kept very dark and there were mirrors and peacock feathers everywhere. Although the store was open to the public, Biba catered to a very specific type of girl; young, skinny and pale.
Barbara Hulanicki once said that her ideal customers were “postwar babies who had been deprived of nourishing protein in childhood and grew up into beautiful skinny people: a designers dream. I didn’t take much of them to look outstanding.” All sales-girls fit this description and Vogue’s Anna Wintour even once worked as a Biba Saturday
On the twenty-first of August, our Wearable History class took a trip to downtown Bowling Green, to visit Mosaic Confinement Studio. The studio had an old-fashioned vibe, and was like a vintage-garment haven. There, we were asked to choose a piece that we thought was vintage, identify the time period it actually came from, and also take some additional notes on the style and the garment’s details. After searching through multiple racks, the first piece I found was a lace blazer. It turned out to only be vintage-inspired, so I went searching again. I came across a few other pieces, but nothing was really jumping out at me. Eventually, I came across a lavender dress that immediately made me think of Julia Roberts in “Mystic Pizza”, and I knew I found my garment.
Hemlines rose all the way to the knee during the 1920s and the waist line was always moving, but by the late 1920s it had returned to where it was supposed to be. Silk was a very desirable fabric, but only the wealthy could afford it. Chiffon became a popular fabric and was often used in dresses during the 1920s, but silk chiffon was also very expensive. “Time-consuming and costly beading was immensely popular, especially for dance dresses.” (The Fashion Guild, paragraph 3, line 6).
In the article, “The Fashion Industry: Free to Be an Individual” by Hanna Berry, Berry discusses how for decades women have been told to use certain products and that if they used those products they would be beautiful. Women over the years have believed this idea and would purchase items that promised to make them prettier, thinner, smarter and even more loved. However, in reality it was never what they wore on their bodies that helped them be any of those things; but what it did help with was to empower women to become fearless and bold by what they chose to wear on their bodies as a form of expression.
I visited the website of Body Shop founder Anita Roddick. She refers repeatedly to the Body Shop's "anti-Barbie" doll, named Ruby, a heavyweight plastic doll featured on a poster/advertisement reading, "There are three billion women in the world who don't look like supermodels and only eight who do." The implication is, of course, that this fat-Barbie archetype is somehow a healthier ideal than the bone-thin adolescents paraded on the pages of Cosmo.
From the conventional Victorian dresses of the 1800’s to the rock-and-roll tee shirts of the 1980’s, American culture has experienced incredibly diverse trends in clothing. This ever changing timeline of fashion provokes the question: what is the cause of such differing styles? By considering the state of society throughout the era, it can be seen that clothing directly correlates with the current way of life. Specifically, American women’s fashion of the 1920’s and 1930’s proves to not simply be a meaningless trend – but rather an accurate reflection of the specific era. As the stock market booms and society prospers, women’s fashion undergoes drastic change during the 1920’s.
Baker, Patricia, and Robert Price. Fashions of a Decade. New York: Facts on File, 1991. Print.
Once upon a time there was a land called “Bluba” it was full of infants and toddlers and they dreaded the sight, smell and presence of teens and tweens. King Bluba JR made sure no big kids entered Bluba land.
The Chronicle of Western Fashion: From Ancient times to the Present Day.
Werle, Simone. Fashionista A Century of Style Icons. New York: G.P. Putnam's Sons, 1977. Print.
Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the rich to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creators of haute couture, and how the following designers developed couture, as well as leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers in the modern fashion industry.
Louis Vuitton, a French designer and entrepreneur quickly made a name for himself in the fashion industry by becoming Napoleon’s wife “personal box-maker and packer.” At the age of sixteen, Vuitton and his family started the legendary workshop by creating travel trunks and the famous unpickable locks in 1859 (Louis Vuitton, 2015). As the legendary brand continues to remarkably exceed both sales and expectations, Louis Vuitton as a brand strives for pure distinction and exclusivity.
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less glamorous and more practical, simple items because his out of the ordinary designs were not welcomed in open arms by opulent clientele. Despite this experience he was still confident in his ideas and ventured out on his own with money barrowed from his parents and opened a storefront. Moreover, he wanted to promote of the concept of a "total lifestyle” was seen as the first couturier to merge fashion with interior design. His independent work broke the normal conventions of dressmaking, and overturned their underlying presumptions. He liberated the woman’s body from the petticoat and the corset to allow clothing to follow woman’s natural form. Poiret also radically revolutionized dressmaking to switch from the emphasis surrounding the skills of tailoring towards those based on the skills of draping and began to use bright colors. Furthermore, Poiret was apart of the art deco movement, which was surrounded by a period of immense social upheaval, particularly for women, and emergence of technol...
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
A famous designer called Mary Quant created mini-skirts and they became the most popular fashion style around that decade (Tracy Tolkien, 2002). In second place, this paper would like to compare the dressing style of the 80s with the 60s (Tracy Tolkien, 2002). Finally, it is the discussion about the influences of vintage styles of the 60s and 80s on modern fashion in the UK and this paper would like to demonstrate the new fashionable trends for recent years. This project will analyze the dressing styles for two different eras and discuss their effect on the British vogue. The dressing styles in the 60s The 1960s was a significant decade for the fashion world in the UK.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...