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Gender inequality and its effects
Gender inequality and its effects
Gender inequality and its effects
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Music persuades the way we feel, and that in turn persuades the way we think and hence the way we act. However, apart from affecting our behavior and action, the lyrical content of music in today’s society, can also develop a distorted understanding of how the women, in general, ought to be viewed and subsequently treated. After I had broken up with the father of my kids, I struggled with depression; and since music has always been my emotional outlet, my depression enticed me to listen to “girl power” songs. The song "Survivor" by Destiny’s Child, was able to articulate how I was feeling during those depressing moments because the lyrics signify a woman’s independence and empowerment. I sang the song repeatedly and allowed it to take root
I quickly sober up from being “drunk in love” as a fan—confused as a woman and worried as a mother. First of all, I am bothered that Beyonce, who is adored by my daughters and many young girls, is sexually objectifying herself, in her own song, “Blow”. As the lyrics say, “can you lick my skittles? That’s the sweetest in the middle. Pink that’s the flavor, solve the riddle.” Basically, in her song, Beyonce is associating her female private part with a piece of candy which is an object. The lyrics clearly reinforces the idea, that women 's’ sexual body parts are just like objects that can be bought and even sold. Such song lyrics disregard respect for women and discarding the worth of women as individuals. Another sad instance, “you ain’t right for doing that to me daddy, punish me please, punish me, please”. Obviously, Beyonce is not talking to her father in this song, she is talking to a man (assuming her husband) and she calls him “daddy.” First of all, I understand that some women like to be submissive and want to be dominated by their man. According to another song on her album, it is "being" a “Grown Woman, I do whatever I want.” I understand that. However, what I do not understand, and never will—is calling your significant other, “Daddy.” As a woman, especially as a mother of two daughters, I have
I thought about my baby girls. Of course, I am not in the position to criticize Beyonce because I am also guilty of trying to be "her" at one point in my life. However, I am also a mother. A mother of two almost teens daughters. And as a mother, I can’t help criticizing movies, tv shows and music that my children watch and listen to. But at the same time, I can’t protect them from the world. And these music and visual images are part of our world. I can only imagine that such sexual representation of women being perverted—just as far as their "Skittles," and designating grown men as their "daddies" are precisely why pedophiles prey on of young girls. Beyonce is not just objectifying herself in her own music. She objectifies all women and young girls through her music. Her music sends the message that this is how women and girls can be viewed, regarded and exploited. It is a criticism of women’s worth as a whole. Me and my daughters do not have to be depicted in Beyonce 's music to be objectified. We are objectified simply by being women in a society where music and visual images like these are normal, acknowledged and
She illuminates the hidden causes of the harsh sexism in rap music lyrics and argues that one needs to look deeper to understand why the misogyny exists and how women in her culture need to respond and also start taking responsibility for its existence in order for changes to begin to take place. In the article “ From Fly -Girls to Bitches and Hos “ the dysfunction of our black men is evident, but somehow it’s seen and admired manliness and success. For example the life of Notorious BIG was one of the rap kings that live a life of jail, sex , drugs and murder that “ the seeming impenetrable wall of sexism in rap music is really the complex mask of American often wear both to hide “ . Joan Morgan was vivid as to show the pain men must be feeling so badly that they had to use disrespectful slurs and hateful comment says their music lyrics. I agree with the fact that in today’s society the "bitches and hos" have become the norm. From my perspective that many guys often believe that is how all women act and that they are all pimps and
The very title of the song endorses the use of the expression “bad b*tches”. In the music industry, the used of the word “b*tch” is not uncommon. It is most commonly used by men as a means of degrading women. Female rappers, like Trina, try to change what is a degrading word and turn it into a compliment. Female rappers like herself use this “bad b*tch” persona as a defense mechanism. They call themselves these distasteful words before a man has the chance to do it. They see it as strength and rejoice in beating them to the punch. It is a dangerous game they are playing. Throughout Trina’s song “Da baddest b*tch” she referred to herself as a bad b*tch multiple times. “I'm representin' for the bitches/All eyes on your riches” Trina’s depiction of a “bad b*tch” in this song is a woman that is concerned with money and the possession of money; A woman that would do anything to make money no matter the cost. This message is a harmful one. The word “b*tch” is not empowering; it is demeaning. Women give men an excuse to refer to them as “b*tches” because women call themselves’ and other women “b*tches” and “bad b*tches”. Women need to wake up and really that they will not be respected by men or either other women with such behavior. Calling yourself a “b*tch” or “bad b*tch” is a welcome mat to disrespect. Women should resist the catchy lyrics and clever hooks of the songs both me...
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
As it opens with imagery reminiscent of the aftermath of Hurricane Katrina in New Orleans, an event that devastated the black communities in the areas affected. The delayed assistance in New Orleans by the U.S. government stirred some controversy that led many to question how much America really cares about its black communities. Nonetheless, Beyoncé’s video is full of imagery that is associated with black culture, including historical references to black communities in the south. But what is really important about “Formation” are the lyrics. With lyrics like “My daddy Alabama, Momma Louisiana, You mix that negro with that Creole make a Texas Bama” and “I like my baby hair with baby hair and afros, I like my negro nose with Jackson Five nostrils,” Beyoncé is undoubtedly declaring her pride for her blackness as well as defending her child Blue Ivy who has always been scrutinized for the way her hair looked. Thus, this song is obviously geared toward the Black community which is obvious due to the lyrics and the imagery in the music video. To put it plainly, this song is a proclamation of Black pride and shouldn’t be thought of in any other way. However, after performing it at the Super Bowl people of other ethnicities became aware of the song and became offended by her performance as well as the lyrics. Controversy arose as people pointed out her backup dancers were dressed similarly to the Black Panther
Taylor Swift’s Shake it off video contains elements of cultural appropriation that exhibit stereotypical tropes which have been used to define African American women and, in particular, their sexuality for years. The video perpetuates the negative stereotypes that have placed Black women on the opposite side of respect for centuries. The video involves White women twerking in a way that conforms to the male gaze, for profitable success. Twerking involves thrusting hip movements, low squatting stance, and shaking of the derriere. White women are able to perform the twerk without being socialized as hyper-sexual, whereas Black women are. Hence, the different conceptions of White and Black womanhood. The inability for Black women to escape their skin color is the one of the many reasons they are ridiculed. Their skin color assigned them to the category that defines them as unholy, dirty, and promiscuous White women have the ability to hide behind their skin color, which classifies them as pure, and innocent in society eyes. The cultural appropriation of twerking is an exercise of White women’s privilege. Black women are judged harshly for
...nd attractive. It creates a double consciousness that is difficult to reconcile. Carla Williams argues that “given the legacy of images created of black women… it is an especially complex task for contemporary black women to define their own image, one that necessarily both incorporates and subverts the stereotypes, myths, facts and fantasies that have preceded them. (Wallace-Sanders et.al, 196) The root of the problem lies within our society. While very culpable, mainstream music and advertisements are not the only promoters of female objectification; the key is unwinding the inner tensions between these two groups. There is a need for the promotion of female solidarity, regardless of their skin color. We need to rid society of the evil of racism—only then will conceptions surrounding African Americans parallel and be as positive as those surrounding white women.
Frisby, C.M., Stevens, J.A. (2012) Race and Genre in the Use of Sexual Objectification in Female Artists’ Music Video. Howard Journal of Communications (Vol. 23, Is. 1, p. 66-87)
Every major societal change in history has been met with resistance of some kind, and the adoption of rap music into the entertainment industry is no different. There are an innumerable amount of viewpoints on whether rap music is to be admonished for the objectification of and disrespect towards women or simply accepted as another expression of modern society. Even those these two opposing viewpoints are vastly different, there are opportunities for those who listen to this type of music to develop their intelligence on the various topics discussed in modern rap.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
It has been played in many other countries and is listed in many major hit charts in those countries. It became one of her best-selling singles. Beyoncé has been singing about women’s independence since she was in the hit group “Destiny’s Child”. Many of her songs support women’s lifestyle and keep cheering up girls with her powerful and expressive vocals (Armstrong). In addition to her songs and lyrics, her beautiful appearance fascinates many female audiences and influences from teenagers to grown-ups as if she was a role model. A negative side of the video is that the video gives the impression that men are always to be blamed and women are always “victims” of the relationships, which is not
Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way for this continuous cycle ends, is if the fight and protest comes from the women themselves. Men are the problem in the objectification of women but in order for it to stop, women need to step up and take control of the situation.
“Who has the biggest dick in the music industry?” Andy Cohen asks Nicki Minaj during his show Watch What Happens Live. The question seems to catch her off-guard, but she keeps her poise and answers that she has not seen anyone’s penis in the music industry. She also notes that she has seen the same penis for ten years. Minaj says that is all she will reveal about the subject. From the outside, it seems like just a silly interview question that should not be taken seriously. However, when analyzing the fact that the American tv show host Andy Cohen is a white male and Nicki Minaj is a black female the vulgarity of the question starts to seem very intentional. The rapper Nicki Minaj is known in the music industry for having a very voluptuous
The effects of objectifying women in music videos are entirely negative. Women grow up with the idea that they should always seek to attain a men’s attention. Hip-hop music videos do not represent females as the human beings that they really are. This creates an inequality o...
The song I picked for this homework assignment is called Runaway Love by Ludacris and Mary J. Blige. The song is describing the hardships of three young girls and their struggle to survive. Finally, the girls are fed up with the lives they are forced to live and decide to pack up their things and run away. I think this song can relate to many aspects of sociology that we have learned in class. Some examples shown through the song are poverty, education, healthcare, marriage and family. All three girls’ different stories and struggles they face.
The lyrics of music play an important part of interpreting the meaning of the song. The roles which women have been allowed by the society to embody have changed drastically. Women may question their roles because of what they see portrayed by popular culture or media. Change in female’s identity can be seen in how women are viewed or how they portray themselves in popular culture specifically through music. In general, music continues to...