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Arcumentative about hawaii history
Arcumentative about hawaii history
Arcumentative about hawaii history
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Many stories about kind, beautiful, loving, and caring princesses are just fairy tales. But, the story of Bernice Pauahi Bishop is no fiction, and it’s better than all the other princess stories combined.
Bernice Pauahi [puh-wuh-hee] Bishop wasn’t just a princess of Hawaiʻi [huh-vai-ee], she was a heroine. She was benevolent, selfless, compassionate, firm in her beliefs, and never stopped finding ways to give back to her community. According to philanthropyroundtable.org, she led the Stranger’s Friend Society, founded to help sick travelers, and the Woman’s Sewing Society, a group that provided clothes to the needy. She used her skills as a contralto singer and pianist to benefit others, too. She performed with the Amateur Musical Society
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and gave music lessons at the Royal School. She taught Sunday schools, which showed that she was unafraid to embrace new ways because Christianity was different from traditional Hawaiian beliefs. The daughter of High Chief Abner Pākī [pah-kee] and High Chiefess Laura Konia [ko-nee-uh] Bernice Pauahi Pākī was born on December 19, 1831. Pauahi was named after her mother’s sister, her aunt Pauahi. Choosing an inoa [ee-no-uh] or name for their child was an extremely important task for Konia and Pākī. Traditionally, Hawaiians believed names had mana [muh-nuh] or power. Selecting an insufficient name could jeopardize the future of their child. However, it appears Bernice Pauahi was correctly named because her name helped her carry out her legacy. Ruth Keʻelikōlani [ke-eh-lee-koh-luh-nee], the daughter of the original Pauahi, would leave lands to Bernice Pauahi that would make up most of her estate, which would ultimately become Pauahi's legacy. Pauahi was born into a family of noble rank, giving her the title of princess. Her great-grandfather was King Kamehameha I, who united the Hawaiian Islands in 1810. She was the last direct descendant of King Kamehameha I. When Pauahi was about a week old, she was adopted by her hānai [huh-nai] or adoptive mother Prime Minister Kahoʻanokū Kīnaʻu [kuh-ho-uh-no-ku kee-nuh-oo], who was Konia’s aunt. Konia and Pākī, like any parent, did not want to give up their hiapo [hee-aw-poh] or first-born child, but it was custom to do so. Pauahi was born in a tempestuous year. The year 1831 was often referred to by Hawaiians as “Ka Makahiki o kapilikia nui” [kuh maw-kuh-hee-kee oh kuh-pee-lee-kee-uh] which means “The Year of Heavy Trouble”. In that year, there was certainly no shortage of troubles. A civil war almost occurred against the ruler Kaʻahumanu [kuh-uh-hoo-muh-noo] after she enforced strict new kapu [kuh-poo] or laws controlling drinking, gambling, dancing, and the Sabbath. The collapse of the sandalwood trade left the chiefs in great debt. Lastly, hundreds of Hawaiians continued to die from foreign diseases. Hundreds of Hawaiians dying from foreign diseases hadn’t just occurred recently. It had been happening for generations since Hawaiʻi came into contact with foreigners for the first time in 1778. In fact, from 1778 to 1780, one in seventeen Hawaiians died from diseases like chickenpox, measles, polio, the flu, and tuberculosis. The Hawaiians were so susceptible to foreign diseases because they had never been exposed to them before, so they lacked an immunity to the diseases. Like the Hawaiian population, Hawaiian culture also declined.
A year before, in 1830, Kaʻahumanu forbade dancing hula in public because Kaʻahumanu felt it wasn’t Christian. Hula is very significant in Hawaiian culture because the Hawaiians didn’t have a written language, so one way they expressed themselves besides language was through hula.
Growing up, Pauahi would’ve seen all this, which affected her perspective and legacy. According to pewresearch.org, By 1840, the Hawaiian population had decreased by 84% since first contact with foreigners.
In 1840, Pauahi had been attending the Chiefs’ Children’s School (later renamed the Royal School) for one year. The school was operated by Mr. and Mrs. Cooke, two missionaries from the United States. The previous year, in 1839, Kīnaʻu had died of mumps, and the year before that, in 1838, Pauahi began living with her birth parents, because Kīnaʻu gave birth to her own daughter. Pauahi’s parents were overjoyed because they had never really got over giving up their
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daughter. In 1848, a new system of land ownership was introduced in Hawaiʻi. The introduction of the new land system is known as “The Great Māhele” [muh-heh-lay]. Before, ownership of ʻāina [ai-nuh] or land was an unknown concept to Hawaiians. They believed ʻāina was sacred and no one owned it. Most Hawaiians did not know the importance of claiming land. Claiming land was also a difficult process. The book Hawaii’s Royal History stated that it first required enough money to survey the land being claimed. Then, it required two witnesses to confirm the person claiming land had worked the land. In the end, titles for most of the land went to either higher classes or aliʻi [uh-lee-ee], or nobles. Only one percent of all of Hawaiʻi was claimed by the Hawaiian people. This is very important because Hawaiians value ʻāina.
The moʻolelo [mo-oh-le-lo] or story of Hāloa [haw-loh-uh] teaches about the importance of ʻāina. The story of Hāloa began when a stillborn baby named Hāloa was born. Hāloa’s body was buried, and from it grew first kalo [kah-lo] or taro plant, a Hawaiian food staple which foods like poi is made from. Eventually, Hāloa’s younger brother was born. He was the first man ever and was named Hāloa after his older brother. This moʻolelo shows the importance of ʻāina to Hawaiians. Hāloa who grew into the first kalo plant represents ʻāina and all its resources. ʻĀina is the older brother of the kānaka [kuh-nuh-kuh] or people because he cares for them by providing nourishment. In return, the kānaka, younger brother, takes care of the ʻāina by not being wasteful or harmful to the ʻāina. To the Hawaiians, losing land was like losing an older brother. Because of The Great Māhele, 99 percent of Hawaiʻi’s ʻāina belonged to nobles and foreigners. This is another example of how the Hawaiians were losing their
culture.
Often times, the history that is being told is one of Hawaiian weakness, and defeat. The Bayonet Constitution of 1887, the Overthrow of 1893, and the Annexation of 1898, are all often used as examples of moments of powerlessness in the Hawaiian Kingdom. What about all history prior to, in between, and after, these major dates? Surely, it did not just disappear. In the last few decades, Hawaiian history has changed dramatically due to the works of many Hawaiian historians. The history that was lost has been found, and new discoveries are still being made. Hawaiʻi’s history is a story of resistance, pride, and unity. Included within this history is a man named Robert William Kalanihiapo Wilcox. Wilcox was a revolutionist, and a leader, but he enjoyed being a politician the most. Wilcox was the beacon of hope that helped guide the people of Hawaiʻi through darkness. Wilcox was and still is today a symbolic figure in Hawaiʻi’s political history.
Ua Mau Ke Ea O Ka Aina I Ka Pono O Hawaii “ The life of the land is perpetuated in righteousness” http://www.netstate.com/states/mottoes/hi_motto.htm for Hawaiians the life is in their land, the land gives them life by bringing food allowing them to be self-sustainable. Hawaiians can live off of the land like a mother takes care of a child, this is how the land takes care of the people. In return the people take care and cultivate the land. Ua Mau Ke Ea O Ka Aina I Ka Pono O Hawaii is known as the Hawaii state motto it has been the state motto for over 160 years http://www.netstate.com/states/mottoes/hi_motto.htm It came the motto when King Kamehameha said it on July 31, 1843. Ua Mau Ke Ea O Ka Aina I Ka Pono O Hawaii first appeared on the coat of arms of the Kingdom of Hawaii from (1810-1894) http://www.netstate.com/states/mottoes/hi_motto.htm it is also known as a statement used by Hawaiian Sovereignty activist. Israel sang this with his heart as he knew the importance of the Hawaiian culture. Israel lived and sand at a time when Hawaiian Activist were fighting for sovereignty. Ua Mau Ke Ea O Ka Aina I Ka Pono O Hawaii is known as a powerful statement for Hawaiians, these lyrics in a song has so much deeper meaning than just singing it. The lyrics of “Hawaii 78” is a statement of appeal for and to Hawaiians living today in modern Hawaii, will they as Hawaiians make a difference living the culture forever or will the culture
During times of questioning and guidance, the makaʻāinana would see a kahuna for insight of direction within their daily practices or lives. In my opinion, they would see a kahuna when they needed help or wanted to create something for their family or community. Things of creation and need of assistance would include building a house, a canoe, or perhaps needing to be healed from an illness. For example, when a person wanted to build a canoe, they would see a kahuna kālai waʻa. This kahuna would instruct the person on how to carve the waʻa and things that would be offered to the tree for its sacrifice. The kāhuna were people with all the knowledge in their field of expertise. As these kāhuna would grow in age, they would take in a young child, around the age of 5, to study under them so that the knowledge could be passed down from generation to generation. Moʻolelo are a collection of events that reflect indigenous ways of knowing. They have the ability to cover all categories of life and are passed down from one generation to the next. Leslie Marmon Silko expresses moʻolelo to be “all we have to fight off illness and death. You don’t have anything if you don’t have the stories…” A kahuna will spend their entire lives memorizing and studying moʻolelo because they are a source of instructions to our lives. Without these moʻolelo, there would be a limited of, or even perhaps none, ways to
As every other culture, Hawaii has its own myths and stories. Holo Mai Pele tells the creation myth of Hawaii and this myth holds the same stature for Hawaiians as Genesis for Western (Christian) cultures and Ramayana for Hinduism. Holo Mai Pele is an epic saga of the Hawaiian god of volcano Pele, and her sister Hi'iaka. The major themes present in the story are sibling rivalry, love, conflict and creation. Simultaneously, it tells a story of an individual's journey to her self-awareness and reclaiming her status as a deity. The purpose of Holo Mai Pele is to keep the Hawaiian myth alive in order to pass it down to future generations. The poetic aspects of the play make it easier to remember and interesting to perform.
The Hawaiian culture is known throughout the western world for their extravagant luaus, beautiful islands, and a language that comes nowhere near being pronounceable to anyone but a Hawaiian. Whenever someone wants to “get away” their first thought is to sit on the beach in Hawai’i with a Mai tai in their hand and watch the sun go down. Haunani-Kay Trask is a native Hawaiian educated on the mainland because it was believed to provide a better education. She questioned the stories of her heritage she heard as a child when she began learning of her ancestors in books at school. Confused by which story was correct, she returned to Hawai’i and discovered that the books of the mainland schools had been all wrong and her heritage was correctly told through the language and teachings of her own people. With her use of pathos and connotative language, Trask does a fine job of defending her argument that the western world destroyed her vibrant Hawaiian culture.
The Royal School was a new experience for her. At home, she was used to walking around barefoot and wearing as little as possible to keep cool in the warm Hawaiian climate. Because the school was administered by the Cookes, who were missionaries from New England, she had to wear western clothing, meaning she ha...
Queen Ka’ahumanu was also his most powerful wife. When the King died on May 5, 1819, he left Ka'ahumanu a share of the governance over the islands. On the morning of Kamehameha I’s death, a few chiefs advised Ka’ahumanu to do away with the kapu system, but she thought it was too soon to act. The kapu system was the ancient Hawaiian set of laws and regulations that forbid many acts. Kapus were strictly enforced, and breaking one often led to immediate death. One of the main causes of the Hawaiians beginning to question the kapu system was seeing the foreigners break the kapus with no consequences. Ka’ahumanu had also secretly broken the kapu multiple times with no consequences. Two weeks following Kameha...
The arrival of the missionaries in Hawaii changed the lives of the natives in huge ways that lasted forever. The introduction of western houses and culture had a big influence on Hawaii. The native Hawaiians built their houses out of grass and had very simple villages, but when the missionaries established their settlement they built more sophisticated and sturdy homes out of coral and used western architectural methods to construct buildings. The Hawaiians soon following their lead and the royalty all had western palaces for homes. This also lead to an increase in technology, such as the use of wells and water lines to store fresh water for the towns. They also began to bring in and
This comparative paper will focus on Hawaiian Hula and Tahitian Dance on its origins, similarities and differences.
"Onipaʻa!" meaning firm, steadfast, and determined is the motto in which King Kamehameha V, Lot Kapuaiwa, tried to live his life by and rule Hawaiʻi by. He started the beginning of change in Hawaii in 1863 when he became ruler. Kamehameha V's main contributions to the Hawaiian society during his reign was the new constitution of 1864, reviving Hawaiian traditions, and saving the health of the Hawaiian people.
...e" (Trask xix). This incident beautifully illustrates and signifies tourism's impact in American society. Like most Americans, this woman uses a discourse that has been shaped by tourist advertisements and souvenirs. The woman's statement implies that Trask resembles what the tourist industry projects, as if this image created Hawaiian culture. As Trask asserts, Hawaiian culture existed long before tourism and has been exploited by tourism in the form of advertisements and items such as postcards. Along with the violence, endangered environment, and poverty, this exploitation is what the tourist industry does not want to show. However, this is the Hawai'i Haunani-Kay Trask lives in everyday. "This is Hawai'i, once the most fragile and precious of sacred places, now transformed by the American behemoth into a dying land. Only a whispering spirit remains" (Trask 19).
This era known as the Hawaiian Renaissance encouraged many individuals to become more motivated and educated on the history of Hawai‘i. Especially for Kanaka Maoli, the Hawaiian Renaissance ignited a fire of revival and perpetuation for a culture that was nearly extinct. In many ways, the Hawaiian Renaissance has been the defining moment because during this time sovereignty, protest, and revival were the key players in further strengthening Hawai‘i and hopefully moving it towards independence. Many Kanaka Maoli were learning of ways to resist further colonialism and became more powerful with the knowledge that they were gaining from the history of Hawai‘i. Most believe that the very beginning of the Hawaiian Renaissance that inspired and encouraged Kanaka Maoli to continue their push towards more power was an event that took place in Kalama Valley, O‘ahu.
Racism in Hawaii has caused various issues, and one of them is racial tension. It states that “ some say…”[there are]”...racial tensions between the islands white community and native hawaiians” (Hansen, paragraph 3). Well, in history, it was quite difficult for most of the
...Hawai`i’s economy is very dependent on tourism, however many locals are possessive of their land, and as they stereotype tourists, many do not accept others as they have a unity for their own. Numerous individuals feel the desideratum to fit the local stereotype because they prefer not to be labeled as a “haole”. It becomes tough and rather intense for an individual, because becoming haole betokens that you forgot and disregarded the local or Hawaiian quality values and ways of routes, as well as the flowing stream of life in the islands. We need to remind ourselves that regardless of where we emanate from, our skin tone, race, physical characteristics, and so forth, everybody ought to acknowledge just for who we/they are and treat one another like 'ohana and show "aloha", and subsequently, we can determinately verbally express "This is it. This is Paradise" (33).
Castanha, Anthony. (1996, August). “A History of the Hawaiian Sovereignty Movement.” The Hawaiian Sovereignty Movement: Roles and Impacts on Non-Hawaiians, Chapter 3. <http://www.hookele.com/non-hawaiians/chapter3.html>[10/14/00]