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The effect of peer pressure
The effect of peer pressure
The effect of peer pressure
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In the short story “Bernice Bobs Her Hair” by Scott Fitzgerald, Bernice is pressured to be like others and to conform to society’s changing morals. Peer pressure put on by her cousin, Marjorie, and from society causes Bernice to become insecure and unsure of herself. The stresses of peer pressure are the reason that Bernice trades her important moral choices for those of the ever changing society. This results in a further understanding of peer pressure as a negative and positive tool. Marjorie pressures Bernice to change the way she looks, acts, and talks so that she can become more “popular”. Consequentially, the peer pressure drives Bernice to bob her hair, an action that is not positively looked upon in the early 1920’s.
Peer pressure is the tool that Marjorie uses to change Bernice’s behavior to increase her popularity and can be seen as a positive force or a negative force. Peer pressure can be seen as a positive force because it gets Bernice out of her shell and allows her to become more confident in herself. Prior to the use of peer pressure, Bernice was seen as boring, “…Cousin Bernice was sorta dopeless. She was pretty, with dark hair and high color, but she was no fun on a party. ”(211). Although Bernice seems steadfast to her usual routine that includes talking about cars, weather and her hometown with boys, she sees that people treat Marjorie very differently than they treat her. It is obvious that Marjorie looks down upon the way Bernice acts and believes that Beatrice is boring, "You little nut ... all those ghastly inefficiencies that pass as feminine qualities.” She says this because some woman at this time, “were confused and frustrated by the conflict between traditional ideas on woman place, and the in...
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...tendencies from boring to almost explicit and unfiltered.
Marjorie also uses peer pressure to change the way Bernice looks at her self-image by getting Bernice to change her style from rural comfort to urban fashion which causes Bernice to become more charming even though she still has low self-esteem. In the beginning of the story Bernice has low self-esteem and Marjorie convinces Bernice that she needs to change the way she looks so that boys find her more attractive and charming. “…girls who were deemed pretty by societies social constructed standards were attractive to boys and had a much greater probability of being popular” (Adler,50). One of the things that Marjorie suggests for Beatrice to change is her eyebrows, “for instance, you never take care of your eyebrows. They're black and lustrous, but by leaving them straggly they're a blemish” (Negri,218).
The world of young adults is a complicated landscape, with cliques and a desire to fit in. This push for conformity stretches not only through behavior, but more noticeably through the apparel worn by youths. At the beginning of the story, the narrator states that she and her friends are in “trouble,” but they “do not know what [they did], and [they are] sure [they] did not mean to do it” (103). This fear of the unknown continues throughout the entirety of the story, and readers can infer that the crime the girls have committed was simply dressing out of the norm for their age. The narrator also mentions that she is “white-skinned, ebony-haired, red-lipped, and ethereal,” far different than the expectation for her being “suntanned, golden-haired, peach-lipped, and earthbound” like her mother had been (103). As time repeats itself, so too do the fashion trends popular among the masses, and the look that the narrator’s mother portrayed was the same as the look her daughter is expected to adhere to. This is not the case, though, and because of her and her band’s choices in clothes, the narrator feels ostracized by not only her peers but her father as well, who “looks at [them] without moving his mouth or turning his head” as they leave the house (104). This reaction, or lack thereof, indicates that the father disapproves of the choices his daughter has made about how she dresses, but feels as though it is not his place to criticize her. The ending line does an excellent job at summarizing the angst felt by most teens as the narrator and her band feel as though “[they] are right to turn [themselves] in” to the pressures exerted by their peers to comply to what is expected of them (104). Just as women’s individuality is torn down by the pressures
Bernice uses this information as a weapon against Marjorie hoping to evoke sympathy and pity from her cousin. This same poise and control is not shown by Bernice whose "lower lip was trembling violently". Bernice does not know how to act and this shows by how obviously hurt and affected she was by her cousin's words.
Conventionality has entrapped them in different ways, and their instinctive reactions arise out of differing circumstances. Frederick Winterbourne, for example, comes to a realization of his internal struggle between conventionality and instinct, not in and of himself, but because of Miss Daisy Miller. Winterbourne meets the young Miss Miller in Vevay, Switzerland, while visiting his aunt, Mrs. Costello.... ... middle of paper ...
"Her name was Connie. She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right" (1). This quote shows the reader an astonishing truth about Connie. It shows her true insecurity that is rarely demonstrated to the outside world. Although she does not necessarily show this to the average bystander, by taking a closer look at her premature idea of acceptance, it also shows her constant yearn for approval from others to help boost her ego. At only the young age of fifteen, she is already attempting to prove her maturity and show that she can be independent. She does this by showing off her sexuality and strutting around. By showing off her
Daisy lacks self confidence which made it harder to raise her fifteen year-old son Donny. There were many instances where Daisy pondered on what she can do better to help Donny in school, but as she put forth an effort, she always resisted. “She remembered when Amanda was born. Donny had acted lost and bewildered. Daisy had been alert to that of course, but still, a new baby keeps you busy of course….”(570) When Daisy saw this happening, she never stopped to reassure Donny that even though he had a sister, it was not going to change their relationship. Daisy should have reassured her son by correcting the problem as soon as it surfaced, then Donny should have understood. When Donny started to have problems in school, Daisy gave up without trying, and let a tutor dictate her son’s activities especially when the teacher questions Daisy about Donny’s actions, Daisy replied, “Oh I’m sorry, Miss Evans, but Donny’s tutor handles these things now…” (572) In school Donny’s behavior changed soo drastically that he started to stay out late and Daisy just sat back and let this happen. “The tutor had sat down so many rules![She] were not allowed any questions at all about school, nor were to speak with his teachers…,Only one teacher disobeyed…”(572) Because Daisy didn’t believe in herself or her word, she let others control and therefore his behavior worsened.
The story begins with Jodee’s description of how she was victimized in a 4th grade Catholic grammar school; coming to the defense of deaf children that were being treated cruelly. She supplied the school officials with names and was labeled a “tattletale.” No one would talk to her, recess was spent in anguish, and she would find garbage and spoiled food in her book bag. As she progressed into 5th grade some of the social atmosphere began to shift in subtle but profound ways. Being accepted into a clique was all that mattered. Instead of being admired for class participation, as in earlier years she was laughed at and labeled as “teacher’s pet.” She said the rules were simple “shun or be shunned—if you weren’t willing to go along with the crowd, you would become the reject.”
First, Connie and her mother focused on outward beauty rather than inward beauty, which can never be tarnished. Connie’s mother was jealous of her daughter’s beauty, because she knew she could no longer attain the beauty that she once possessed. She often scolded her daughter for admiring her own beauty in order to make herself feel more secure inside. Connie did not try in the least bit to make her mother’s struggle any easier, but instead gawked at her own beauty directly in front of her mother, and often compared her own beauty to others.
One of the biggest challenges Francie faces while growing up is loneliness. As a young child living in a Brooklyn slum, Francie has no friends her age. The other children either find her too quiet or shun her for being different because of her extensive vocabulary. Betty Smith describes how most of Francie's childhood days are spent: "in the warm summer days the lonesome child sat on her stoop and pretended disdain for the group of children playing on the sidewalk. Francie played with her imaginary companions and made believe they were better than real children. But all the while her heart beat in rhythm to the poignant sadness of the song the children sang while walking around in a ring with hands joined." (106). Francie is lonely, and longs to be included. As Francie matures, she begins to experience a different kind of loneliness. Betty Smith portrays her feelings as she observes her neighborhood: "spring came early that year and the sweet warm nights made her restless. She walked up and down the streets and through the park. And wherever she went, she saw a boy and a girl together, walking arm-in-arm, sitting on a park bench with their arms around each other, standing closely and in silence in a vestibule. Everyone in the world but Francie had a sweetheart or a friend she seemed to be the only lonely one in Brooklyn without a friend." (403). Loneliness is a constant challenge for Francie but it is through her loneliness that she finds a new companion in her books. Francie reads as an alternative for her lack of friends and companions. It is through her love of reading that Francie develops her extensive, sophisticated vocabulary. Her books lead her into maturity and help her learn to be independent and overcome her many hardships.
Next, we are placed in Jodee’s stable home as she is getting ready for her first day of high school. We see how truly desperate Jodee really is as she describes how her new shoes should make her popular. Throughout the story we see that Jodee is not poor, stupid, cubby, or socially awkward. She is simply prude, and is hated by the classmates of every school she attended in the attempt to become accepted. This explains how loving parents can be so wrong, schools cannot prevent disaster, and children in general can be just plain mean.
Bernice, from the short story “Bernice Bobs Her Hair”, is no different from the average teenager in almost any society around the world. Bernice is pressured and is trying to fit into a society that she feels uncomfortable in. When she does conform and change and begins to feel semi-comfortable, the tables turn and people are challenging her sincerity. No matter if she sticks to what she knows or conforms to those around her, someone is still unhappy with her. Bernice is not a social girl. She never really had any friends. The people she considered her friends back home were only around her because she had money. When she goes to stay with her cousin, Marjorie, Bernice is unpopular and it makes her seem insecure. “Bernice felt a vague pain that she was not at present engaged in being...
The three events that mark Jane as an evolving dynamic character are when she is locked in the red room, self reflecting on her time at Gateshead, her friendship with Helen Burns at LoWood, her relationship with Mr. Rochester, and her last moments with a sick Mrs. Reed. Brought up as an orphan by her widowed aunt, Mrs. Reed, Jane is accustomed to her aunts vindictive comments and selfish tendencies. Left out of family gatherings, shoved and hit by her cousin, John Reed, and teased by her other cousins, Georgina and Eliza Reed, the reader almost cringes at the unfairness of it all. But even at the young age of ten, Jane knows the consequences of her actions if she were to speak out against any of them. At one point she wonders why she endures in silence for the pleasure of others. Why she is oppressed. "Always suffering, always browbeaten, always accused, forever condemned" (Bronte, 12). Jane’s life at Gateshead is not far from miserable. Not only is she bullied by her cousins and nagged by her aunt, but help from even Bessie, her nurse and sort of friend, seems out of her reach. In the red room scene Jane is drug by Ms. Ab...
By stating how other people behave or interact, the author offers a great chance for readers to interpret fairly for themselves what the reason for any conflict may be, or the nature of any essential contrast between the narrator and other adults in the story. In the story, there are many self-righteous opinions from people, which seem to be ironic to the readers; For example, her mother’s aggressive attitude of showing off her daughter, her piano teacher’s self-praise claiming him as “Beethoven.” All of the narrations including conversation clearly depict a different characteristic between the narrator and other people. For instance, a conversation occurs between the narrator and her mother when the mother criticizing a girl who seems similar to the author on TV which reveals dissimilar understanding for both of them to each other’s behavior. At first, the daughter speaks out for the girl by questioning her mother by saying “why picking on her […] She’s pretty good. Maybe she’s not the best, but she’s trying hard.” The daughter actually is defending for herself and reflecting that she feels uncomfortable with her mother’s disregard of her hard work. She wants to get her mother’s compliments instead of her criticisms. However, her mother response of, “just like you,” and, “not the best. Because you not trying.” Here, her mother doesn’t really answer her question, instead wants her put more effort on trying, neglecting how much she has tried before. However, in her mother’s perspective, she has never tried hard enough. By narratively stating the conversations she has encountered, readers perceive a strong implication of the reason for a future conflict between her and her mother.
While at Lowood, a state - run orphanage and educational facility, Jane’s first friend, Helen Burns, teaches her the importance of friendship along with other skills that will help Jane grow and emotionally mature in the future. She serves as a role model for Jane. Helen’s intelligence, commitment to her studies, and social graces all lead Jane to discover desirable attributes in Helen. Helen is treated quite poorly, however, “her ability to remain graceful and calm even in the face of (what Jane believes to be) unwarranted punishment makes the greatest impression on the younger girl” (Dunnington). Brontë uses this character as a way to exemplify the type of love that Jane deserves. This relationship allows Jane to understand the importance of having a true friend. Given Jane’s history at Gateshead, finding someone like Helen is monumental in her development as a person. Helen gives through honest friendship, a love that is
Clarissa's relationships with other females in Mrs. Dalloway offer great insight into her personality. Additionally, Woolf's decision to focus at length on Sally Seton, Millicent Bruton, Ellie Henderson, and Doris Kilman allows the reader to see how women relate to one another in extremely different ways: sometimes drawing upon one another for things they cannot get from men; other times, turning on one another out of jealousy and insecurity. Although Mrs. Dalloway is far from the most healthy or positive literary portrayal of women, Woolf presents an excellent exploration of female relationships.
...e realizes that those experiences are what shaped her into the young women she is now. All those years of convincing herself that her appearance is the reason why people tend to hate her and push her away, suddenly come crashing down on her when she realizes that looks are merely part of what makes her unique. Also the high expectations that society places on women makes it hard for a young girl to grow on her own, especially if she has a mindset of her own. However, Anne uses that for her own benefit by creating barriers into opportunities. Lastly, Anne Shirley does not only make herself proud with the identity created by working hard day and night, but also to make all the people in her life proud as well. “Aren’t you proud of that Anne-girl? I am” (Montgomery 329)