I want to start this review by telling you how much I admire the work of British director Ben Wheatley. “Kill List”, a bleak and violent tale released in 2011, was an auspicious directorial debut, but it was with the pitch-black comedy “Sightseers” that he really got my attention, punching me hard in the face with witty dialogues, provocative weirdness, and the unpredictability of its story. In 2013, Wheatley changed direction when he released the black-and-white art-house horror-drama “A Field in England”, which kept a stabbing sarcasm on top of the stunning visuals. “High-Rise”, a somewhat blurred adaptation of J.G Ballard’s 1975 novel of the same name, divided both film critics and fans. Yet, I was still fond of all its oddness. Now, I have to point out how frustrated I am with Wheatley’s new feature “Free Fire”, a Tarantino-esque gangster-western set in the 70s Boston that doesn’t offer much more than the constant, annoying sounds of guns being fired. The screenplay, co-written by Wheatley and his regular associate Amy Jump, lives exclusively from the shootouts between two groups involved in an arms deal. There are so many gunshots throughout the 90 minutes that the tension gets lost in the confusing, bloody …show more content…
A woman named Justine (Brie Larson) was assigned to act as an intermediate and facilitate the transaction. The gangs arrive at a warehouse to proceed with the business but things get out of control when Harry (Jack Reynor) recognizes Stevo (Sam Riley), the one who had abused of his 15-year-old cousin the night before, sending her to the hospital. Tension rises exponentially, ending up in a never-ending collective shootout that is triggered after Harry sticks a bullet into Stevo’s shoulder. The warehouse is transformed into a bloody battlefield where everyone, with no exception, has the eyes put in a suitcase full of
Anyone can teach others from leading by example. Showing others what you can accomplish establishes confidence in others to try out their own dreams, wishes, and goals. A great example of leading by example is Gus, Clark, and Richie in the movie The Benchwarmers. These men meet Nelson, a stereotypical nerd that is bullied by baseball jocks every day just because he wants to play with them. This little boy inspires the men to show others that everyone should have the same opportunity to play baseball, no matter the skill level.
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
Jim Jarmusch, the writer and director wanted to make a film around Forest Whitaker; to make use of his large powerfiul figure and appearance while yet still having a softer side within his manner of speech. So after taking in Whitaker?s interests in ancient tradition and martial arts, he added other ideas from his own interests to form the story of an assassin stuck within the genre?s of Marti...
The events played in the movie were obviously crucial to the gunfight, but there were other circumstances that contributed. Perhaps the biggest problem that went unmentioned was the Benson Stage Robbery where Bud Philpot was murdered.
The plot of this movie is about the struggle between the farmers and the cowboys. The farmers all want to start up crops, but the cowboys want to run their cattle through the open space so they can feed. Obviously, the two sides don’t agree. The cowboys end up attempting to use strong-arm tactics to get their way. They even try to scare the farmers off the land by burning down one of the homes of the farmers. Eventually, Shane, a former gunfight, realizes what he must do. He rides into town and kills all of the cowboys, including Wilson, the hired gun.
The screenplay by Ichirô Fujita does a great job in bringing together a large number of complex relationships, while keeping things simple enough that you do not get lost in the
2: Miller, Gabriel. 'Shane Redux: The Shootist and the Western Dilemma', The Journal of Popular Film and Television, Vol.11, No.2, Summer 1983.
By showing us the characters of Pando and his gang in what appears to be a secluded section of scrub late at night, holding a bloodied and bruised Jim at gun point sets the scene for the genre of film we are about to see. The lighting, more accurately the lack of proper li...
In recent decades, many have argued that the line between realism and fiction in cinematic endeavours has become increasingly blurred. It has not been until recently that the world has truly been exposed to this completely innovative cinematic style, which has captivated audiences with its new approach to filmmaking. This new cinematic style was first introduced in Eduardo Sánchez and Daniel Myrick’s The Blair Witch Project. Here I will focus on breaking down the various levels of realism within The Blair Witch Project, in order to convey why it had such a monumental impact on the cinematic world, while still remaining a popular and modern horror film to today’s audiences. In order to achieve this I will pay particular attention to the style of filming, the clever marketing campaign and the combination of fact and fiction, which helped captivate even the most, experienced of cinemagoers.
The story is composed of three main short stories about two hitmen, a gangster’s wife, a boxer, and a pair of diner bandits with brief linking moments in between. The main characters are Marcellus Wallace (Ving Rhames) a crime boss who sends his hitmen Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta)
Most people can be able to recognize the uniqueness an innovative spirit of Edgar Wright movies, even though they do not know a thing from cinema. This is the result of an outstanding work on a film that results with impeccable aesthetics in every single aspect of the creation and production of a film. For your knowledge, the film on which this paper is based on can be seen by everyone since it is available on Netflix, Hot Fuzz. Yes, Hot Fuzz will be the film dissected on this paper, taking about its unique cinematography, editing, acting, and directorial work.
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
This thesis assignment will highlight and discuss certain areas of the works created by auteur filmmaker Terrence Malick. He is undoubtedly one of the most brilliant writer-directors of our time, if not of all time, and his genius manifests itself in the style and themes of his films. Malick’s academic background and pre-filmmaking studies can be said to have informed his films. Therefore, this essay will firstly explore the nature and content of his studies, which will be drawn from to provide evidence for later discussions. Secondly, this paper will dissect two of his films, namely The Thin Red Line (1998) and The New World (2005), in order to identify said style and themes and to find common threads in Malick’s characters, messages and filmmaking techniques across these films.
Ben Wheatley’s ‘Free Fire’ is a magnificent blood-soaked romp that is equal parts captivating and witty.
Livingstone, Paisley & Carl Plantinga. The Routledge Companion to Philosophy and Film. London: Routledge – Taylor & Francis Group. 2009. Print.