I don’t want to get married. Tim Parks’ latest short story, “Bedtimes”, featured in The New Yorker magazine explores the deteriorating suburban institute of marriage and their dramas following the central idea of communication (or lack thereof). The use of various literary techniques such as structure, use of metaphor, and simplistic language present readers to follow “a week in the life” of Thomas and Mary, two stale lovers stuck in a relatable rut. Through the focus of their issues, “Bedtimes” helps us to understand and make sense of the purposefully colourless and tiring week that explores ideas central to family values and relationships. Park’s use of structure creates an intentionally boring “week in the life” type narrative that positions …show more content…
Working repetitively to create meaning, the idea of “the wall” can be seen as a symbolic barrier in the marriage. Almost every night, we see either Thomas or Mary heading to bed to find their partner alone, “face to the wall.” This idea of a wall in the marriage suggests that there is something stopping the characters from continuing. The constant “turning to face the wall” suggests ignorance towards a central underlying problem in the marriage - communication. “Thomas feels he should protest, but doesn’t”, and “…these thoughts are discouraging, and eventually he rolls over toward the wall and falls asleep,” reflect the absence of direct conversation within the relationship, as well as the internal thoughts of …show more content…
Parks highlights this through his interpretation of marriage and relationships within “Bedtimes”. To conclude, Parks’ clever use of a range of specific literary styles help project to us the marriage of Thomas and Mary. With structure, we follow the long week through Monday to Friday in a diary styled cry for help, which builds tension yet ends anticlimactically as “yet another week has gone by”. Through metaphor, the idea of “the wall” helps create a subjective barrier for the characters that they at times choose to ignore. With use of simplistic language, Parks further presents the marriage as boring and tired, whilst adding to the fact that beneath the surface, the marriage is complicated. It is through these techniques that help us make meaning of the narrative and make us too wonder where it all went
Human beings are not isolated individuals. We do not wander through a landscape of trees and dunes alone, reveling in our own thoughts. Rather, we need relationships with other human beings to give us a sense of support and guidance. We are social beings, who need talk and company almost as much as we need food and sleep. We need others so much, that we have developed a custom that will insure company: marriage. Marriage assures each of us of company and association, even if it is not always positive and helpful. Unfortunately, the great majority of marriages are not paragons of support. Instead, they hold danger and barbs for both members. Only the best marriages improve both partners. So when we look at all three of Janie’s marriages, only her marriage to Teacake shows the support, guidance, and love.
Essentially, to acquire a healthy marriage, a few keys to success are commitment, good communication skills, trust, and patience. Without these qualities, marriages can immerse in negativity which often leads to divorce. In Bobbie Ann Mason’s “Shiloh” and Raymond Carver’s “Cathedral”, a failing marriage seems to be the similar theme. Both short stories provide instabilities in their relationships and how they lack these fundamental qualities. In “Shiloh,” Leroy and Norma Jean deal with the loss of a child; the grief and unsupportive environment leaves their marriage questionable. In “Cathedral,” the nameless narrator becomes jealous when his wife, who is also nameless, invites an old friend Robert to stay the night after the visitor’s wife
He also discusses how love and the desire for commitment play a big part in the argument for and against gay marriage. Stoddard begins his argument successfully with pathos, or emotional appeal, to attain the reader’s empathy for those who have been deprived of a loved one. The story tells of a woman named Karen Thompson, who was basically married, but not legally, to her female partner; when Thompson’s partner was in a critical car accident, her partner’s parents completely cut Thompson off from all contact with their daughter. Had the two women been married, they would not have had to deal with such heart-throbbing pain. This example is effective in presenting how marriage “can be the key to survival, emotional and financial” (Stoddard, 1988, p. 551).
In the end, readers are unsure whether to laugh or cry at the union of Carol and Howard, two people most undoubtedly not in love. Detailed character developments of the confused young adults combined with the brisk, businesslike tone used to describe this disastrous marriage effectively highlight the gap between marrying for love and marrying for ?reason.? As a piece written in the 1950s, when women still belonged to their husbands? households and marriages remained arranged for class and money?s sake, Gallant?s short story excerpt successfully utilizes fictional characters to point out a bigger picture: no human being ought to repress his or her own desires for love in exchange for just an adequate home and a tolerable spouse. May everyone find their own wild passions instead of merely settling for the security and banality of that ?Other Paris.?
In today’s society, the notion and belief of growing old, getting married, having kids, and a maintaining of a happy family, seems to be a common value among most people. In Kevin Brockmeier’s short story, “The Ceiling,” Brockmeier implies that marriage is not necessary in our society. In fact, Brockmeier criticizes the belief of marriage in his literary work. Brockmeier reveals that marriage usually leads to or ends in disaster, specifically, all marriages are doomed to fail from the start. Throughout the story, the male protagonist, the husband, becomes more and more separated from his wife. As the tension increases between the protagonist and his wife, Brockmeier symbolizes a failing marriage between the husband and wife as he depicts the ceiling in the sky closing upon the town in which they live, and eventually crushing the town entirely as a whole.
...nd dates to him.” “And the real inner workings of a marriage, like most history, have escaped him” (Mason 232). The story suggests that it is impossible to wrap our minds around abstractions such as war and marriage and that all we can do is understand how they relate to our own lives.
In “The Yellow Wall-paper by Charlotte Perkins Gilman, the unnamed female protagonist is going through a rough time in her life. (For now on, this paper will refer to this unnamed character as the “the narrator in ‘Wall-paper,’” short for “The Yellow Wall-paper. The narrator is confined to room to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two heroines of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters.
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
The narrator is confined to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two women of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters. Their personal freedom was severely restricted. For Mrs. Mallard, marriage was a curse to be reckoned with. She knew inside that her marriage was wrong, but she could not express her feelings openly. Her husband was not a bad man, but he was in the way. After hearing about her husband’s death, Mrs. Mallard comments, “now there would be no powerful will bending her in that blind persistence with which men … believe they have a right to impose a private will upon a fellow creature” (Chopin 72), Her husband definitely was a thorn in her
The traditional values of a “Nuclear Family” that were set up in the 1960’s are a reoccurring theme throughout “The Country Husband” by John Cheever. Francis Weed demonstrates the strain of a domestic lifestyle, and his character communicates the chaos that pressure ensues. With changes in attitude, the struggles of a traditional suburban community, characterization of a middle-aged man who suffers with morality and the desperation for escape from reality, Francis Weeds finds himself in what would be identified as a “mid-life crisis.” In the short story, Francis portrays reckless behavior due to the adolescent yearnings. He wants to pursue an unattainable affair with the engaged babysitter that his wife hires. With his codependent characteristics, Francis is unable to escape his reality. When Julia, his wife, threatens to leave him due to his uncaring demeanor he persuades her to stay because he realizes that he is hopeless without her and he simply
Each couple goes through a different scenario that affects marriage during their retreat and individual life journey. Through the scenarios, the audience can tell that money, lack of trust, closed feelings, and cheating breaks marriages apart; Tyler Perry’s writing about these problems creates a message for his audience. Tyler Perry’s combination of comedy and melodrama displays an unexpected climax leading to a soothing or a sad ending for the characters (Hale). This leaves the audience gasping to know what happens next; it introduces new drama for the characters. In addition, The plot structure focuses on “emotional affairs, domestic abuse, near-nervous breakdowns, cancer, and death” (Robeldo). In summary, Tyler Perry’s writing displays the connection between him and the audience, sharing a common lesson learned from watching the
Marriage can be seen as a subtle form of oppression, like many things which are dictated by social expectations. In Kate Chopin’s The Story of An Hour, Louise Mallard finds herself in distress due to the event of her husband’s death that makes her question who she is as a person. The author cleverly uses this event to create the right atmosphere for Mrs. Mallard to fight against her own mind. As the short story progresses, we see that Mrs. Mallard moves forward with her new life and finds peace in her decision to live for herself. This shows that marriage too is another chain that holds oneself back. Not wanting to admit this to herself, Louise
Communication is a vital component of everyday relationships in all of mankind. In plays, there are many usual staging and dialogue techniques that directors use to achieve the attention of the audience. However, in the play, “Post-its (Notes on a Marriage)”, the authors Paul Dooley and Winnie Holzman use both staging and conversation in order to convey the struggles of modern relationships. The play is unconventional in how it attempts to have the audience react in a unique way. The authors use staging and conversation to portray to the audience that there are complex problems with communication in modern relationships.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator and her husband John can be seen as strong representations of the effects society’s stereotypical gender roles as the dominant male and submissive female have within a marriage. Because John’s wife takes on the role as the submissive female, John essentially controlled all aspects of his wife’s life, resulting in the failure of the couple to properly communicate and understand each other. The story is intended to revolve around late 19th century America, however it still occurs today. Most marriages still follow the traditional gender stereotypes, potentially resulting in a majority of couples to uphold an unhealthy relationship or file for divorce. By comparing the “The yellow wallpaper” with the article “Eroticizing Inequality in the United States: The Consequences and Determinants of Traditional Gender Role Adherence in Intimate Relationships”, the similarities between the 19th century and 21st century marriage injustice can further be examined. If more couples were able to separate the power between the male and female, America would have less unhappy marriages and divorces.
A visual rhetoric can strengthen the effectiveness of a written article as it allows the reader to transfer how they analyze the message of the written rhetoric. In a rhetorical analysis, credibility is extremely important. The author of “A’s Before Baes”, Vivian Cheng, cultivates her audience as she is writing from the point of view of a fellow student. The article “A’s before baes” was published in the Western Gazette. The Gazette is a student run newspaper for the University of Western Ontario that was founded by the University Student Council. The purpose of this article is to explore the possibilities of why the trend of young marriage has changed over time, and how university life has potentially negative effects on anxieties surrounding relationships and marriage. “A’s before baes” is targeted towards female Western University undergraduate student, which is clearly demonstrated through the headline, language and the visual rhetoric included in the article. While the visual element