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History of Canterbury Cathedral
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Second Writing Assignment: Pilgrim’s Ampulla of St. Thomas Becket The shrine of St.Thomas á Becket of Canterbury in the Canterbury Cathedral drew large crowds of pilgrims in the twelfth century. Some of these pilgrims were locals, arriving after a day or two of travel, and some were long distance journeyers who came to Canterbury from distant lands. Just as with other holy sites, the shrine’s popularity as a pilgrimage destination led to the manufacture of pilgrimage badges and ampullae. These objects could then be sold to pilgrims who wanted to commemorate their journey. But, as evidence and theory have now shown, these pilgrimage badges and ampullae were more than just commemorative and attractive souvenirs. These objects were imbued with …show more content…
The ampulla is from the twelfth century, between 1170 and 1200. Although the artist is unknown, it is likely it was made and sold by artisans working out of the workshop in Canterbury Cathedral (Webb, pg. 35). On one side of the ampulla three figures are shown. The middle figured is identified as St. Thomas by his long robes, miter, and crozier. There is also a nimbus carved behind his head, a reference to his saintly status. On either side he is flanked by a knight. This creates symmetry in the design. The knights are identifiable by a cross hatching design that imitates chainmail and by the swords they both bear. In the martyrdom myth, it would be these knights who would then kill St.Thomas. The knights’ swords and feet, as well as St. Thomas’ feet, are connected to a metal arc that encircles the bottom of the ampulla. This is the side of the ampulla that would typically have faced outward if the ampulla was worn around the pilgrim’s neck. This front facing design foreshadows the scene pictured of the back of the …show more content…
Koopmans discusses that often the water relic was put into ampullae, sealed, and reopened at the bedside of the sick person or simply at the pilgrims home (Koopmans, pg. 556, 557). This is unusual as it forced the pilgrim to bring a sacred substance from the church along with them as they make their return trip home. Typically, the ritual of pilgrimage focuses on the journey to the shrine, but this information suggests the way the rituals of pilgrimage continue once the pilgrim has arrived home. Further, bringing healing water back to a loved one is illustrative of how a pilgrimage taken abroad can reinforce and fulfill social ties and duties at
present in both paintings. El Greco presented both St. John and St. Francis with a very
Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monaster...
When entering the Basilica one intakes the view of the catenary arches with light figures hanging down above them as well as beautiful Main Alter with the original paintings and statuary. The first thing at the door of the Basilica is a large black that holds the holy are. On the left there is a gothic style baptisrty The walls of the Basilica are white with several paintings hanging from them. On the right midway though the Basilica stand the Christ of King Shrine against the wall. On the left side midway though the Basilica the entryway to the chapel in which has the “Our Lady Bethlehem Shine”. The Our Lady Bethlehem Shrine is very important to the mission because, “thousands of pilgrims come every year and pray tour Lord through her intercessions.” At the foot of the alter the gave is Junipero Serra is placed, making this Basilica so significant. To the right of the alter there is a glass in casement with the relics of the coffin of blessed Fray Junipero Serra. “The pieces of the original casket which fallen to decay were set aside for safekeeping and now exhibited here in the reliquary.” The exit of the Basilica is on the left hand site at the very front near the alter. This exit then leads to the Mission’s Main
Saint Matthew, folio 25 verso of the Lindisfarne is dated in Early Middle Age during 8thcentury in England. He is a symbol of winged man because his Gospel opens with a description of human ancestry of Christ. He sits in a semi-profile view on the left side of a bench facing the accompanying text. This suggests a Mediterranean model employing classical perspective. The double page that opens the Gospel of Matthew provides an example of innovation and synthesis in style. He holds a pen in his right hand, but appeared poised in a moment of thoughtful contemplation. A curtain sets the scene indoors as in classical art. The identity of the represented as a disembodied head and shoulders behind the curtain is uncertain. He could possibly be a
The chosen art work is "Miracle of St. Dominic." This painting is a tempera on panel, painted by the Renaissance artist Taddeo di Bartolo, in the year thirteen sixty three. The painting is currently housed at the McNay Art Museum, measuring approximately 10" high by 10" wide. In this particular painting we are witnessing a miracle by St. Dominical. There are spectators and a horse that lays above the man in red, who St. Dominical has brought back to life.
The Stavelot Triptych is stunning in its complexity and artistry. It was created by unknown artists, around mid-12th century, possibly for Abbot Wibald, in modern-day Mosan, Belgium. This artwork is currently on display in the Jerusalem exhibit at the MET. The Stavelot Triptych not only tells the story of the True Cross, but it shows the division of the Roman Empire, division of Christianity and the artistic differences between the East and the West. This formal analysis will express how the structure/shape, color, line, composition and techniques/ textures contribute to the meaning of the triptych.
During the Romanesque era, pilgrims were the most noticeable characteristic of public religious devotion, proclaiming their faith in the power of saints (Gardner 335). Pilgrims traveled all over Europe to reach the major shrines located in Jerusalem. The large quantity of pilgrims whom wished to visit the saints effected the Romanesque churches architecturally (Gardner 335). Changes in design and structure we being made in order to accommodate the growing crowds of pilgrims. Changes such as longer and wider naves and aisles, transepts and ambulatories with additional chapels and even second-story galleries (Gardner 335). The increase of the pilgrimage routes which allowed more pilgrims to travel in order to visit their saints, established many changes in architectural styles as well as the dissemination of the faith in saints.
Rituals are held as a very important part of any society, including ours. They go back to ancient times, or can be as simple as maintaining one’s hygiene. Non-western societies have rituals that may seem very foreign to us, but they have been engrained in their communities and are essential to their social structure. This interpretation will focus on the Great Pilgrimage, a ritual performed by Quechuan communities. We will be looking specifically at a community in the Sonqo area.
The Nacirema are unique followers of the market system, and live in a rich natural habitat. This primitive market system takes up much of the inhabitant’s time. However the people spend a large block of time in daily ritual activity. This tribe does not worship the soul like prominent religions but they worship the body. They believe the body is ugly and prone to injury and sickness. So to alleviate the problem they perform many rituals and ceremonies. In each home there is a ritual center where these actions take place. These centers are so important that all wealthier tribesmen have more than one. The shrines are located in the family home but the performance of ...
It was purchased by an American art dealer at a Sotheby’s auction in July 2008 for $2MM. It was brought to the Metropolitan Museum of Art where it was cleaned of grime, overpainting and discoloration. It was examined by infrared reflectogram and x-rayed for the first time and, on the basis of stylistic hallmarks such as “emphatic cross-hatching,” such as on the face of the saint, it was confirmed to be a Michelangelo (Michelangelo, n.d.).
The act of pilgrimage is scared to the devoted followers of any faith as it requires a commitment to religious obligations and the utmost sacrifice to an unseen deity. As one takes part in a religious journey, he or she renounces worldly obligations in efforts to fulfill the greatest form of piety.
The Influence of Beck One of the most eccentric and talented performers of my time is definitely Beck. I have followed Beck since my young teen years and have found that his music has followed me in every aspect of my life. This soundtrack of my being has become so influential that I look forward to every album as a step in the next direction of my days. Bek David Campbell was born July 8, 1970, in Los Angeles, and came from an exceptionally sturdy music background. His father, David Campbell, was a conductor and string arranger, giving Beck his strong musical background.
In the 14th century, war, and violence were prevalent. The Canterbury Tales were written during the Hundred Years War, when the Catholic Church was dealing with the Western schism, and “Against the darkest period of his life…” (Bloom 14). The story is centered on a group of thirty pilgrims who are traveling to the shrine of St. Thomas at Canterbury (Bloom 14). The pilgrims are all focused on a theme which is backed by the story’s underlying tone of religion.
St. Peters Basilica. (2009). Chapel of the Pieta. Retrieved April 15, 2011, from St. Peters
...troversy as all countries have lost, to a great or lesser extent, treasures of national renown and significance over time. Wars, theft, treasure seeking, changing boundaries and migration have all in some way contributed to this diaspora of art. There is clear evidence that the historic placing of objects in locations remote from their origin has on occasion afforded protection and preservation, The Elgin Marbles in The British Museum being a case in point. However, given the overarching principle of self determination it is difficult to argue that serendipitous historic placement is sufficient reason for items of true national heritage to be kept indefinitely. A world-wide system of touring exhibitions and cultural exchange, with context being provided by the originating society may provide the natural progression to the accessible widening of people’s experiences.