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History of ancient and medieval architecture
History of ancient and medieval architecture
Carolingian renaissance essay questions
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Charlemagne, also known as Charles the Great, was the king of the franks. He was highly influenced by Constantine and his christian empire. Charlemagne supported christian art and commissioned the contraction of a palace and chapel in Germany, which severed as the center of his power. His time was known as the Carolingian Renaissance, where he revived many imperial roman traditions such as the early Christian tradition of depicting Christ as a statuesque youth. In his time marvelous illuminated manuscripts. After the rule of Charlemagne, as Carolingian art began to subside, entered the new ruler Otto III. Otto III was both influenced by Constantine and Charlemagne. Ottonian art focused on geometry, ivory plaques, and small artwork as well as elegantly illuminated manuscripts, lavish metal work, intricate carvings and Romanesque churches and cathedrals. Both Ottonian and Carolingian architecture mainly focused on geometrical shapes when constructing their churches and cathedrals. Unlike Charlemagne, Ottonian’s created a lot of metal work mainly in the form of manuscripts as a cover for books.The influence of Early Christianity reflected on both rulers through its art portraying stories from their christian belief’s.
During the early middle ages, the Roman Empire began to decline. Rude people known as the Germanic Barbarians begun to migrate into Europe. As a result, three different cultures fused together marking the beginning of the dark ages. With the fusion of Christianity, Greco-Roman heritage and the cultures of the Barbarians, the visual arts of the Early Middle Ages changed for a long time. A major change influenced by the German’s was in architecture. Barbarian’s brought upon the European’s the use of stone causing Europea...
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...past generations of the Late Antiquity.
During the Romanesque era, pilgrims were the most noticeable characteristic of public religious devotion, proclaiming their faith in the power of saints (Gardner 335). Pilgrims traveled all over Europe to reach the major shrines located in Jerusalem. The large quantity of pilgrims whom wished to visit the saints effected the Romanesque churches architecturally (Gardner 335). Changes in design and structure we being made in order to accommodate the growing crowds of pilgrims. Changes such as longer and wider naves and aisles, transepts and ambulatories with additional chapels and even second-story galleries (Gardner 335). The increase of the pilgrimage routes which allowed more pilgrims to travel in order to visit their saints, established many changes in architectural styles as well as the dissemination of the faith in saints.
The representation of divinity was clearly defined in Christ in Majesty with Symbols of the Four Evangelists through its subject matter, technique, and style. Christ acts as the focal point, but the artist also used different subjects from the Old and New Testament to decorate the apse. Unlike the mosaics in the apse of Byzantine churches, the artist employed the technique of classical fresco painting. The artist also applied decoration to the figures with the hierarchy of scale, and through the geometric style in the drapery instead of maintaining a sense of realism.
The collection Two Lives of Charlemagne contains two different biographies of Charlemagne who was a king of the Franks and a christian emperor of the West in the 8th century. The first biographical account was written by his courtier Einhard who knew him personally and well. On the other hand, the second account was penned by Notker the Stammerer was born twenty-five years after the king’s death. Even though these two versions indicate the same king’s life, there were many differences between the two. Einhard’s writing focused on the emperor’s official life and his military campaign. However, Notker provided more of a perspective about the king’s legacy and seemed more hyperbolic as well as mythical. This paper will compare and contrast the
Charlemagne is a known for his success to try to maintain his empire. This new empire will embrace the unity of Christian faith. Under Charlemagne, new lands are conquered and a Renaissance is embraced. He even tries to revive the Christian faith. Charlemagne is a man that hopes to be an inspiration to the next generation. These deeds of Charlemagne is seen in the Two Lives of Charlemagne. In the Two lives of Charlemagne, both Notker’s and Einhard’s goal is to portray Charlemagne as a man of good character, a man that accomplishes many deeds and a man that hopes to provide an outlet for the next generation.
The Relationship of Political and Religious Societies in the Age of Charlemagne, Based of Einhard's The life of Charlemagne sections 15-33
The two lives of Charlemagne as told by Einhard and Notker are two medieval sources about the accounts of the life Charlemagne. Modern sources by Matthew Innes and Rosamond Mckitterick discuss how history was recorded during the medieval period and how it was suppose to be viewed in the early ages. Observing each of these sources helps get an understanding of how the writing of history is important in recorded history and how it affected how the history of Charlemagne was recorded.
Price, Douglas. " Chapter2: The First Europeans, Chapter 3: The Creative Explosion." In Europe before Rome: A Site-by-site Tour of the Stone, Bronze and Iron Ages. Oxford University Press, 2013. 15-122.
This cathedral was built during the Medieval Period for the worshipers of God. To this day pilgrims come to see the pure, Gothic cathedral. The massive cathedral seems to loom overhead as if a symbol of God watching over the worshippers that visit. The earlier church burned in 1194, it was rebuilt and has gained a much more appreciated and admirable character distinction, statuary, and stained glass. The distinct character of the thirteenth century was captured, through the “Age of Faith” period. The architecture is Gothic which was very popular in the 1200s. Gothic architects created a frame of support with columns and arches so that the walls no longer need to support the ceilings, but are freed up to hold windows. The Gothic structure allows for plenty of windows. Chartres has a significant collection of medieval stained glass, with over 150 early thirteenth century windows. The windows allowed sunlight to enter the dark, Gothic cathedral in order to highlight the story of Christ through the stained glass windows told throughout history to pilgrims alike. These windows create a spiritual and promising place for thought and prayer. Stained glass was used to help teach the stories of Christ to people that were illiterate during the medieval times. While most worshippers of that day were illiterate, comprehending the symbolism of the story of Christ in each of the windows was vital and gave meaning towards adversity during the medieval ages, as they struggled through their dark and dreary lives, which were filled with hopefulness, while viewing the story through the stained glass windows. The windows are also...
Ziggy Marley once said, “God is like the sun. When the sun shines, it shines for everyone. God is for everyone.” In the same way, Abbot Suger built the Basilica of St. Denis so that sunlight would flood throughout the building and symbolize the power of God inviting visitors into the cathedral. The Basilica of St. Denis was an artistic response to the rise of the Catholic Church’s power for it was modeled to be a physical representation of heaven, which the church heavily preached upon. (Thesis) As the basilica represented the shift from Romanesque architecture to Gothic, Abbot Suger introduced new techniques that transformed cathedrals to look more spacious and “heavenly”. (Map Statement #1-Art History) By allowing sunlight to come through the large windows, Abbot Suger instilled the Neo-Platonic idea that the sun was the physical representation of God. (Map Statement #2 –Philosophy) Also, at that time, the church was rising in power, so the new structural style of the basilica brought more converts and eventually more power to the church. (Map Statement #3 –Social Institutions) [Insert Literature Map Statement] The Basilica of St. Denis was built so that worshippers would be in awe of the “heaven-like” setting, which would cause more people to declare their faith to God and to the church.
When walking around a city, you may notice that the architecture and art look similar to other works. Many of these designs have changed along the course of history and time whilst others have not. The designs that many people still see in society and day to day living is from two of the many cultures of the old civilizations, Roman and Islamic. The art and architecture forms from the Islamic and Roman cultures have many comparisons and contrasts between them. They, the Islamic and Roman nations, have both adopted from other cultures and have made their own discoveries in the art and architecture worlds. The Roman and Islamic architecture and art vary drastically from each other and yet have varying comparisons between the two.
The Romanesque architecture style, which occurred during the late 11th century to the middle 12th century, literally means “roman-like” architecture. The Romans, who were inspired by the Etruscans, used barreled and groined vaulting. Romanesque architects later adapted the use of rounded arches, giving the style its name. The Romanesque style, being inspired by the Roman architecture, used the plan of the basilica style. Romanesque cathedrals were not originally designed for aesthetic purposes. Romanesque style replaced flat wood ceilings with stone vaulting. It was one of the first styles to use mainly all stone, but the walls of the Romanesque cathedrals were built very thickly. They were almost like a fortress. Romanesque cathedrals had few windows as a result of their thick walls so the churches were very dark. In a sense, this echoed the life that was outside of these sanctuaries’ walls during the Middle Ages.
The shift between the Middle Ages and Renaissance was documented in art for future generations. It is because of the changes in art during this time that art historians today understand the historical placement and the socio-economic, political, and religious changes of the time. Art is a visual interpretation of one’s beliefs and way of life; it is through the art from these periods that we today understand exactly what was taking place and why it was happening. These shifts did not happen overnight, but instead changed gradually though years and years of art, and it is through them that we have record of some of the most important changes of historic times.
...ll as the Early Christians had many things in common but for sure we know the impressions of classical Roman features in early Christian art. Indeed, one can see how Roman Art and Greek Art have influenced naturalism on sculptures from Early Christian Art. We also see similar compositions and influences on the tombs and churches, the ideal design and styles were directly adopted from the Roman Art style.
Another huge influence was Charlemagne, King of the Franks. He was strong in Christianity and ordered for more churches and gothic cathedrals to be built.
To begin with, the history of Christian church architecture is, obviously, a highly complex one, but it is important that one understands the evolution of the floor plans of Catholic churches to see how the changing shapes of churches reflects an extended analysis of Catholic belief and practice. According to Cunningham, the architecture of a church building was designed in a certain way and it had a certain
Jacobsen, Aaron H. Art and Architecture of the Middle Ages. Barbarian Art of Christian Europe, Romanesque Art, Gothic Art.