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Techniques used in film analysis
Example movie analysis
Example movie analysis
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As well as the Petrol station fight, Baz Luhrmann has poorly modified the Queen Mab scene. In the original Queen Mab scene spectators observed a highly imaginative Queen Mab speech in which Mercutio describes how the fairy, Queen Mab delivers dreams to humans as they sleep, but Baz Luhrmann did not see this suitable for a modern audience . This scene has been modernised by Baz Luhrmann, presenting Mercutio as a un-intelligent crossdresser that tells the story of Queen Mab. The mood that Baz Luhrmann has created in this scene greatly contradicts Shakespeare's great poetry, making the scene less understandable and relative than the original.
Intimate pictures, on display for the first time in years, show the young Helen Mirren, Judi Dench and Diana Rigg in Sir Peter Hall's 1968 version of Midsummer Night's Dream
The personality of Lady Macbeth or Ruthie Bataglia remains instinctive yet ruthless in her goal to get Mikey to become the "padrino." Some lines are paraphrased to Shakespeare's original version word for word. For example, Ruthie rebukes her husband saying, "Show a little ambition," and "If I was the man, I'd know what to do." Other lines were brilliantly revised to better understand the audience. Lady Macbeth’s says in the play, " I had given suck, and know how tender 'tis to love the bebe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his bon...
...lemma of romance, and while the play engages several different romantic elements, it does not represent a genuine love chronicle. A Midsummer Night's Dream separates the spectators from the sentiments of the proponents with the purpose of triggering amusement at the troubles and difficulties experienced by people in love. The analysis of the relevance of the plot, characters and theme in the play in today’s world will offer a deeper understanding of the play structure and the author’s intention. All the three authors expressed a common understanding: Shakespeare was ahead of his time in terms of style, approach and content. Even during the Elizabethan era, he was able to write and successfully produced a play that contained seamless dance, music and costumes, it was a century after his death that most of the styles were fully understood and successfully implemented.
Kenneth Branagh creates his own individualistic adaptation of this classic through the use of visual imagery, characterization, and setting. Branagh cut many lines and speeches from the text to better support his interpretation of a more open and informal society of warm-hearted, affectionate characters. Though Shakespeare's mood is more formal, Branagh remains true to the essence of the play as all of the same characters and most of the dialogue are justly included in the film. Although distinct differences can be made between Branagh’s film and Shakespeare’s written work, they both share a common denominator of good old-fashioned entertainment; and in the world of theater, nothing else really matters.
In Shakespeare's The Tragedy of King Richard the Third, the historical context of the play is dominated by male figures. As a result, women are relegated to an inferior role. However, they achieve verbal power through their own discourse of religion and superstition. In the opening speech of Act 1, Scene 2, Lines 1-30 Lady Anne orients the reader to the crucial political context of the play and the metaphysical issues contained within it (Greenblatt, 509). Lady Anne curses her foes, using strong language to indicate her authority. She speaks in blank verse, by which she utilizes imagery to emphasize her emotions and reinforce her pleas. Her speech clearly illustrates the distinction between the submissive female role within the male sphere of war and the powerful female voice within the realm of superstition.
A Midsummer Night’s Dream is one of Shakespeare’s most popular and frequently performed comical plays (Berardinelli). The play transformed into a cinematic production by Michael Hoffman has not changed in its basic plot and dialogue, but the setting and some character traits have. The play setting has been gracefully moved from 16th century Greece to 19th century Tuscany (Berardinelli). The addition of bicycles to the play affects the characters in that they no longer have to chase each other around the woods, but can take chase in a more efficient fashion. As far as characters are concerned, Demetrius is no longer the smug and somewhat rude character we find in act 1, scene 1 (Shakespeare pg. 6, line 91), but rather a seemingly indifferent gentleman placed in an unfortunate circumstance set to delay his wedding to Hermia. Perhaps the most noticeable change in the character set from stage to film occurs in the characters of Puck and Nick Bottom.
Movies are a pastime that allows people to come together. They have the ability to create a silent bond among the viewers, while entertaining and informing them all at once. Movies are made to entertain and inform the movie watchers. Princess Mononoke is a movie that at the surface, seems to be a simple story that follows a young man in search for a cure for his disease given by an evil creature. Although it may seem simple, this movie has a complex underlying message that is relayed to the audience. Princess Mononoke presents the message of sustainability and conservation of the land that is given to the people.
This film was created based on a 2000-year-old letter written to the Pharaoh in 164 BC. It tells the story of two twin girls, Tages and Taous from the ancient Egyptian capitol city of Memphis, who were wrongfully detached from a wealthy family and left to fend for themselves on the streets. A short chain of events led the two girls to find themselves serving as priestesses of the Apis Bull in Sakkara, a temple town located just outside the capitol. It was there, in Sakkara, that the twins wrote the letter to the Pharaoh. Though the Pharaoh never responded to the letter, its discovery provided a small glimpse into both the culture and economy that existed in the ancient city.
The entire play is constructed around groups of opposites and doubles, leaving two opposing staging traditions to debate over the dramatic qualities of A Midsummer Night’s Dream, being either l...
Considered to be the greatest playwright to ever have lived, William Shakespeare’s works continue to fascinate and entrance audiences around the world. Imbued with imagery, his comedy A Midsummer Night’s Dream is perhaps one of his more fantastic but none the less intricate plays. Presiding over the proceedings, the moon is the uniting feature of the play. With its multi-layered symbolism it is the thread that connects the different characters and weaves the tale together.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
Every 30 years or so we are treated to a new iteration of Shakespeare’s classic romance, A Midsummer Night’s Dream. Beginning in 1935, directed by Max Reinhardt with a cast including Olivia DeHavilland and Jimmy Cagney, the show was golden on the silver screen and was lauded as an astounding Shakespeare adaptation. In 1968, director Peter Hall had his go at the Bard’s work in a production featuring the Dames’ Judy Dench and Helen Mirren in a well-received CBS television special. And most recently, the 1999 adaptation by director Michael Hoffman features a star-studded cast of television and film actors, including Rupert Everett, Calista Flockhart, Kevin Kline, Michelle Pfeiffer, and Stanley Tucci to name a few. The film however received mixed reviews, with some criticizing Hoffman for taking artistic liberties in changing the setting from the traditional Athens to Provincial Italy, and for casting actors with no previous Shakespearean experience in leading roles. I found Michael Hoffman’s adaptation of A Midsummer Night’s Dream to be entertaining, well-directed, and cast in a way that simplifies the viewers identity of the characters; I believe the film will however serve suitably as a vessel to bring Shakespeare to the living rooms of the masses for the next twenty years in continuing with the tradition.
...om that point on the play began to slow down and unravel the conflicts. This was a play I which everything happened very quickly. The problem was presented right at the beginning, the conflict was established along with subsidiary conflicts resulting from our central conflict itself, and the was then resolved rather quickly. The theme of conflict was apparent throughout the play as well, and is the cause of the problems that befall the characters. Overall there was never really a difference or a change in the main idea or conflict or setting of the play to the film, besides a few content difference and alterations with he context and words of the play to the film, I believe that the film was a very good portrayal of the play, the plot and other literary elements used in drama. All were established and addressed the final resolve at the end in A Midsummer Night Dream.
“True, that he’s no Prince Charming, but there’s something in him that I simply didn’t see.”
The concept of contrast plays an important role throughout Shakespeare’s A Midsummer Night’s Dream. Shakespeare provides many examples of contrast signifying it as a motif. He groups the ideas of contrast together into those of some of the most important roles in the play. Helena is portrayed as tall and Hermia is short. Titania is a beautiful fairy who falls in love with Bottom, who is portrayed as graceless. Moreover, the main sets of characters even have differences. Fairies are graceful and magical creatures, yet tradesmen are clumsy and mortal. Additionally, the tradesmen are always overjoyed while the lovers are always serious with their emotions. Contrast layers throughout the whole play, as examples are shown in nearly every scene. Contrast becomes a constant, important motif to Shakespeare’s playwrite.