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Barrio Boy by Ernesto Galarza and A Place to Stand by Jimmy Santiago Baca are inspired to write an autobiography. Both of these writers defend, reclaim, identify and interpret the meanings of indigenous cultures, and memory. Galarza and Baca grew up in different environments and had different motivations to get their life down on paper for readers to know their life story.
Ernesto Galarza was born in Mexico. He decides he wants to tell the story of his journey from a small village in Mexico, to a barrio, a neighborhood, in Sacramento, California. He focuses his story when he was a few years in Jalcocotán and what he did every day, to the decisions his family had to make, and finishing his story with high school. Jimmy Santiago Baca was born in New Mexico. He wanted to get down the “story of his transformation,” and recounts the beginning of his childhood into adulthood by writing a memoir. He focuses on his time of life before, during the period he was in prison, and after the years he spent in a prison. Baca describes his memories, experiences, and feelings and how he categorized himself as a victim of the system to a survivor by writing. Galarza and Baca weave their cultures and memories all throughout their autobiographies.
Before writing this paper, I interviewed several of my colleagues. Among the questions I asked were: if they could give me a definition of culture and what their culture was like. Interestingly I got the same answer, just in different words and terms. Culture to them was what was popular in their family when they grew up. And when they answered what their culture was like, they would label it: Mexican, Chinese, American culture, etcetera. This is why I believe it is vital to know the definition of “culture...
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...at a big percentage of people don’t have a complete understanding of their culture, but they still embrace it in every form they can.
Works Cited
Baca, Jimmy Santiago. A Place to Stand: The Making of a Poet. New York: Grove, 2001. Print.
Galarza, Ernesto, and Ilan Stavans. Barrio Boy. Notre Dame, IN: University of Notre Dame, 2011. Print.
Martí, Jose. "Our America." Comp. Jeffrey Grant. Belnap and Raul A. Fernandez. Jose Martí’s "Our America": From National to Hemispheric Cultural Studies. Durham: Duke UP, 1998. N. pag. Print.
Rosaldo, Renato. "The Erosion of Classic Norms." Culture & Truth: The Remaking of Social Analysis: With a New Introduction. Boston: Beacon, 1989. N. pag. Print.
Valle, Victor. "Our America 2nd Lecture." Lecture.
Valle, Victor. "Prospero in the 20th Century: A Note-taking Guide for Rosaldo’s “Lone Ethnographer”." 22 Jan. 2014. Lecture.
Martinez’s story is not so much one that pieces together the events of the crash, nor the lives of the three youths, but it is an immigrant’s tale, discovered through the crossings of the various Chavez family members and profiles of Cheranos in Mexico.
Sandra Benitez was born in Washington D.C. on March 26, 1941. Her birth name is Sandy Ables, she had lived her childhood in Mexico and El Salvador where her father served as a diplomat. When Benitez was a teenager she was sent to live with her grandparents up north where she had become “Americanized”. In 1979 she had left her job and had began to attend a creative writing course. “Her first novel, a murder mystery set in Missouri, was never published. She brought the novel to a writer’s conference, where she was told it was terrible”. (Benitez, Sandra Benitez) This had led her to change her name to Sandra Benitez and focus on writing on her Latina heritage. In 1993 Benitez had published her first novel, A Place Where the Sea Remembers, receiving the Minnesota Book Award and the Barnes and Noble Discover Award.
The story is told in the first person and it seems to be reasonable, because the author tells his own story. Although, he is very careful, while talking about the facts, because even the fact of the existence of this book exposes him to danger. Because the content of it, revels the reality of life in Mexico, including the life of criminals, and the way they influence the life and career of the author and the ordinary people. The story is gripping, and it simultaneously appeals to both: ethos and pathos. At the same time the author seems to be worth believing, because, on one hand, he worked for Dallas Morning News, and got...
Culture has been defined numerous ways throughout history. Throughout chapter three of, You May Ask Yourself, by Dalton Conley, the term “culture” is defined and supported numerous times by various groups of people. One may say that culture can be defined as a set of beliefs (excluding instinctual ones), traditions, and practices; however not all groups of people believe culture has the same set of values.
Junot Diaz is a Dominican-American writer whose collection of short stories Drown tells the story of immigrant families in the urban community of New Jersey. His short story “Fiesta, 1980” focuses on Yunior, an adolescent boy from Dominican Republic and his relationship with his father. On the other hand, Piri Thomas was a great Latino writer from Puerto-Rico whose memoir Down These Mean Streets tells his life story as an adolescent residing in Harlem and the challenges he faces outside in the neighborhood and at home with his father. Both Diaz and Thomas in different ways explore the dynamics of father-son relationships in their work. Furthermore, both expose masculinity as a social construct.
Throughout the autobiographical narrative written by Gary Soto, many different literary elements are used to recreate the experience of his guilty six-year old self. Different elements such as contrast, repetition, pacing, diction, and imagery. Soto narrates this story as a young boy at a time when he seems to be young and foolish, Soto foolmaking mistakes, but at the same time hoping to learn from them. Soto uses each of these devices to convey different occurrences in the narrative.
In Watts Los Angeles, California Rodriguez and his family first settled after his father refused to return to Mexico, having been in prison due to some false charges he was accused of. Watts being a black neighborhood caused his older brother Rano to constantly be bullied, jumped, or chased by the other children Rano took all the rage and pain out on young
Significantly, the poem’s main character, a ten years old boy, has clear that he wants fame and that he wants to prove to be tough, as he expressed “At ten I wanted fame” (Soto line 1),
Tindall, George, and David Shi. America: A Narrative History. Ed. 9, Vol. 1. New York: WW. Norton & Company, 2013. 185,193. Print.
Torres, Hector Avalos. 2007. Conversations with Contemporary Chicana and Chicano Writers. U.S.: University of New Mexico press, 315-324.
Nazario begins her literacy non-fiction by describing the journey of Enrique through Tegucigalpa, Honduras to Laredo, Texas. He faces lots of obstacles throughout the journey like getting robbed by bandits, beaten up by gangs, running away
of the native tongue is lost , certain holidays may not be celebrated the same , and American born generations feel that they might have lost their identity , making it hard to fit in either cultures . Was is significant about this book is the fact it’s like telling a story to someone about something that happened when they were kid . Anyone can relate because we all have stories from when we were kids . Alvarez presents this method of writing by making it so that it doesn’t feel like it’s a story about Latin Americans , when
Often changes in social norms move at a glacial pace. Particularly difficult in assessing social norms is the definition of what is normative to begin with. For that reason, most historians will look at what artifacts and documents signify popular culture. While these artifacts and documents may reveal what norms existed at a given time, tracking changes in norms relies upon the existence o...
Clutter, Ann W., and Ruben D. Nieto. "Understanding the Hispanic Culture." Osu.edu. Ohio State University. Web. 20 Nov. 2011. .
In the end, what we learn from this article is very realistic and logical. Furthermore, it is supported with real-life examples. Culture is ordinary, each individual has it, and it is both individual and common. It’s a result of both traditional values and an individual effort. Therefore, trying to fit it into certain sharp-edged models would be wrong.