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The use of symbolism in fences
The use of symbolism in fences
The use of symbolism in fences
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In the play Fences written by August Wilson, Bono, an African American man living in the 1950s states that, “Some people build fences to keep people out...and other people build fences to keep people in” (Wilson 61). In a well developed essay, explore the rationales that lead one to build a fence, and explain what the fence offers to the people who reside inside it. The Reason for Fences There are two kinds of fences: those which are built with a hammer and nails, and those that subconsciously build a physiological wall around one’s mind. In either case, both are built from similar premises, and take on a role that functions to comfort those who have built them. Fences, both metaphorically and literally, are purposefully constructed barriers, that aim to protect oneself from what …show more content…
awaits them on the other side. In August Wilson’s play entitled Fences, Bono offers the contemplation of the opposing but related function of fences in order to convey the familial relations between Troy and Rose. Troy, an African American man and husband to Rose, starts to build a fence around his house, essentially separating his family from the world outside of it. When analyzing the situation, his rationales for doing so are justified and convincing. First, the consideration of the time period. The play took place in the 1950s, a time when African American people were finally given a place in society, but all the same, the divide between the blacks and the whites was gapingly obvious. During this period, African American people were “separate but equal,” and the persecution of the color of one’s skin was only just beginning to dawn. Troy rightfully believes that he had been denied his career in baseball because of the color of his skin. Later, he prohibits his son Cory from pursuing his dream of playing football in fear that society would knock down his son, just as it knocked down him. By building a fence, Troy is expressing his intolerance toward society. It’s an attempt to shield his family from the unjust, but socially accepted behavior of oppression towards those with darker skin. However, not all fences are built around a house. Fences can also be constructed around one’s mind. In today’s age, there seems to be a new monumental movement every month. From marriage equality to second amendment rights, this era has seen it all. But, with a newfound tolerance for everyone’s opinions, the term “politically correct” has exploded in the last few years—and it’s all because of fences. It seems that the philosophy of political correctness has evolved from making a conscience and genuine effort to avoid offensive remarks towards a belief or way of life to an obligatory duty that welcomes and supports everyone’s opinion as appropriate and correct.
With this sudden need to accept everyone’s opinion comes a sudden need to put a filter on everything we say, think, and do in terms of expression. Because of the rigid boundaries that border the ground of political correctness, we, as Americans, have adapted to these boundaries and ingrained them within our minds. These boundaries essentially function in the same way that fences do in that they protect one from a potential danger, while simultaneously reassuring a sense of comfort. The figurative fence that encodes for political correctness protects one from the dangers of social exploitation that result from the failure to be politically correct. Inside the fence, people are assured that they will not, and cannot possibly offend anyone, and thus avoid a potential conflict, argument, or debate. However, what this fence also does is restrict one in a way that arguably takes away the constitutional right to freedom of
speech. Fences function as a safe-zone, a guarded ground where an individual is protected from a possible threat. With every fence comes a feeling of security, but also a missed opportunity. Think about how many fences you see everyday: all of the white pickets lining the perimeter of a property, all of things you think but don’t say. Sure, fences can protect us, but equally as significant, they prohibit us.
August Wilson’s play, Fences, follows the formal conventions of its genre, which helps convey the story to the audience because he uses stage directions, theme, symbolism, and figurative language. Theme and symbolism are an important factor in the play. These two things are the main focus of the play because it gives us a message that the author wants to give us to secretly while we read. A theme that was given in Fences is that oppression does not choose to hurt people of color, but gender as well.
Fences is a play that deals with boundaries that hold people back and the trials and tribulations of those who try or wish to cross them. The characters are African-Americans in a time before the civil rights movement, living in an industrial city. The main character, Troy Manxson, is a talented baseball player who never had the chance to let his talent shine, with restrictions on race and his time in jail as the main obstacles that held him back. He is now hard working and loves his family. However, he tends to exaggerate and has his faults, most prevalent a wandering eye when it comes to women. His wife, Rose, is younger than him and loyal, but she may not have known about all of his faults when she married him. At the beginning of the play, Troy has a son from a previous marriage, Lyons, and a son with Rose, Cory. Also appearing are Bono, Troy’s drinking buddy, and Gabriel, his brother.
Michiko Kakutani's essay “The Word Police” is a refreshing look at a literary world policed by the Politically Correct (P.C.). She pokes fun at the efforts of P.C. policepersons such as Rosalie Maggio, author of The Bias-Free Word Finder, a Dictionary of Nondiscriminatory Language . But in mocking authors like Maggio, Kakutani emphasizes that efforts of the P.C. police are often exaggerated to the point of silliness and can even become a linguistic distraction from the real issues. In fact, such filtering or censorship of words can lead to larger problems within the English language: “getting upset by phrases like ‘bullish on America' or ‘the City of Brotherly Love' tends to distract attention from the real problems of prejudice and injustice that exist in society at large” (686). According to Kakutani, over-exaggerated political correctness just serves in complicating our words and diluting the messages. But really, the problem in P.C. advice on word-choice is the exaggeration of inclusive ness. Kakutani addresses the P.C. police's righteous motive: “a vision of a more just, inclusive society in which racism, sexism, and prejudice of all sorts have been erased” (684). But where does one draw the line between writing inclusively and walking on eggshells? What is politically correct? Must writers assume the worst of their audiences when debating whether to mutate the spelling of “women” to “womyn” in order to avoid sexist language? The truth is, writing purely inclusively is an arduous task; it requires consistent and careful consideration of many exterior elements such as audience, literary content, and societal context. An examination of these elements reveals just how difficult ...
Everything in August Wilson’s play Fences, can be related to or is a fence of some sort. The main character, Troy Maxson, is a retired negro league baseball star whose whole life revolves around fences. Fences is completely driven by this idea of metaphorical and physical fences. Pride and alcohol are the fences that really cloud Troy’s views. His son, Cory, has fences in this play as well. All these fences intertwine to create a story that addresses many of society's problems.
An extended metaphor about a black family. A black family trying to find a place for themselves in the late fifties and early sixties It is a play about Troy Maxson, who builds so many 'fences' around himself that he succeeds in alienating himself from everyone he cares about and from the world that is rapidly changing around him. Wilson shows this more specifically by Troy's disintegrating relationship with his son, Cory, and his wife, Rose. As Bono said, "Some people build fences to keep people out.and other people build fences to keep people in" (Wilson, 61).
Answer: When I hear the word fence I imagine a farm gridded using white wooden fences. The fences are separating the animals that inhabit the farm. In literature, a fence reminds me of The Boy in the Striped Pajamas. Similarly to a fence on a farm, the fence surrounding the concentration camp separates things - people this time, not animals. What’s the writer doing with this object? I believe she's using it to show the difference between the fortunate and unfortunate. A fence in literature is a barrier between things. It symbolizes differences and enhances the meaning of the things on either side of the fence. Bruno, the free boy, is used to show the ignorant and lucky. The other boy, Shmuel, is used to show the minority and less fortunate. Their parts in The Boy in the Striped Pajamas are only enhanced by the presence of a
families, or ethnicities. Robert Frost wrote of fences in his poem ―Mending Wall‖ showing how
Fences examine the escalating racial tensions in America during the 1950s. It deals with such complex social issues as racism and adultery. The author also recognizes that the family lies the foundation for American society as a whole, and chooses family as the emphasis for the story. The family is built with that specific form of love, respect, friendship, belonging, affection, and values that defines the true basis of society. Its importance to the Black culture dates back to the times when Blacks where taken from their native land and brought to a foreign and hostile land. The protagonist of Fences is former baseball player-turned Pittsburgh garbage man Troy Maxson, and the antagonist is clearly racism. It is racism which has defied Troy Maxson at every turn and his skin color stood in the way of his quest to grab a piece of the American dream for himself and his family. Racism creates the conflict, which causes Troy to feel that he has been fenced in by a discriminatory society. There are heated tensions wit...
August Wilsons play, Fences, tells us the story of a man named Troy Maxson and his family. Troy Maxson did not live an easy life. He was raised in a time where African Americans were not welcome. The city where he was raised was flourishing and people were profiting. Wanting to take part of the city’s wealth, the African Americans were hopeful and packed their bags to move to the city. Wilson, says that “they came from places called the Carolinas and the Virginias, Georgia, Alabama, Mississippi, and Tennessee.” They came to take part of the growing economy. They were described coming to the city well prepared for their new journey. Wilson says, “they came strong, eager searching.” However because of their color they were
Racism is everywhere; it is all around us and at most times it resides within us. Racism basically refers to the characterization of people (ethnicity based) with certain distinct traits. It is a tool with which people use to distinguish themselves between each other, where some use it to purposely inflict verbal, physical or mental attacks on others while some use it to simply distinguish or differentiate from one another. It all depends on the context in which it is used. The play Fences by August Wilson, takes place during the late 1950’s through to 1965, a period of time when the fights against segregation are barely blossoming results. The main protagonist, Troy Maxson is an African American who works in the sanitation department; he is also a responsible man whose thwarted dreams make him prone to believing in self-created illusions. Wilson's most apparent intention in the play ‘Fences’, is to show how racial segregation creates social and economic gaps between African Americans and whites. Racism play a very influential role in Troy’s but more importantly it has been the force behind his actions that has seen him make biased and judgmental decisions for himself and his family. Lessons from the play intend to shed light on how racism can affect the mental and physical lives of Troy Maxson and his family.
"Neighbor" is here a metaphor for two people who are emotionally close to each other. "Good fences make good neighbors", is a line the author emphasizes by using it two times. The "neighbor" says the line while the main character does not agree with it. He can not see that there is something between them they need to be "walling in or walling out".
The “Politically Correct” movement’s purpose is to bring historically condescending terms, offensive music and art, and controversial educational content to an end and replace them with more positive and less-offending references. Offensive and demoralizing efforts are wrong, but the censorship and deletion of words and phrases that do not contain the intention to demoralize are taking political correctness too far. Politically correct (or “PC”) antics have created a social decline that is growing worse with each generation, specifically regarding areas of art, education, language, and our right to freedom of speech; the degradation they have brought to the American psyche has even led to name-changing.
August Wilson’s Fences was centered on the life of Troy Maxson, an African American man full of bitterness towards the world because of the cards he was dealt in life amidst the 1950’s. In the play Troy was raised by an unloving and abusive father, when he wanted to become a Major League Baseball player he was rejected because of his race. Troy even served time in prison because he was impoverished and needed money so he robbed a bank and ended up killing a man. Troy’s life was anything but easy. In the play Troy and his son Cory were told to build a fence around their home by Rose. It is common knowledge that fences are used in one of two ways: to keep things outside or to keep things inside. In the same way that fences are used to keep things inside or outside Troy used the fence he was building to keep out death, his family, and his disappointments in life while Rose used the fence to keep those she cared about inside and help them bond.
August Wilson uses the symbol of a 'fence' in his play, Fences, in numerous occasions. Three of the most important occasions fences are symbolized are by protection, Rose Maxson and Troy Maxson's relationship, and Troy against Mr. Death. Throughout the play, characters create 'fences' symbolically and physically to be protected or to protect. Examples such as Rose protecting herself from Troy and Troy protecting himself form Death. This play focuses on the symbol of a fence which helps readers receive a better understanding of these events. The characters' lives mentioned change around the fence building project which serves as both a literal and a figurative symbol, representing the relationships that bond and break in the backyard.
The poem itself is a technique Robert Frost uses to convey his ideas. Behind the literal representation of building walls, there is a deeper metaphoric meaning, which reflects people's attitudes towards others. It reflects the social barriers people build, to provide a sense of personal security and comfort, in the belief that barriers are a source of protection which will make people less vulnerable to their fears. Robert Frost's ideas are communicated strongly through the perspective of the narrator in the poem, the 'I' voice, who questions the need for barriers. The use of conversation and the thoughts of the narrator reflect the poet's own thoughts. In line thirty to line thirty-five, the narrator questions the purpose of a wall. He has an open disposition and does not understand the need to 'wall in' or 'wall out' anything or anyone.