Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay about art as communication
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay about art as communication
Since the beginning of civilization, art has been a crucial element to the evolution of today’s modern way of creativity and expression. Although art is primarily appreciated for its beauty and emotional power, art also plays a vital role in communication. Barbara Kruger forms juxtapositions of image and text, allowing her to make these communications whether it’s a concrete or abstract message. Barbara Kruger is best known for her aggressive but yet directive slogans, questions, and aphorisms. Much of her text questions the viewer on topics such as feminism, classicism, consumerism, and personal autonomy. Each and every element of her final work is crucial to its effectiveness as both an artistic expression and a form of protest against facets
One famous quote from Barbara Jordan is “If you’re going to play a game properly, you’d better know every rule .” Barbara Jordan was an amazing woman. She was the first African American Texas state senator. Jordan was also a debater, a public speaker, a lawyer, and a politician. Barbara Jordan was a woman who always wanted things to be better for African Americans and for all United States citizens. “When Barbara Jordan speaks,” said Congressman William L.Clay, “people hear a voice so powerful so, awesome...that it cannot be ignored and will not be silenced.”
Stating that fashion is an important source that informs culture and art, and this overtly evident in the life of Frida Kahlo. For this reason there are several interventions by Vogue portraying the iconic artist. Yet as is portrayed with Nelson, and as I attempt to portray myself, these depictions are usually lacking is not minimizing the power of Frida’s art work and image. Several of her interjections concerning Vogue, though brief are defiantly helpful in constructing a full case against Frida’s portrayal outside of
Though people can look into color and composition, others can still even look into the source of the art itself. Cole goes deeper, delving into the source of the art, looking in particular into the idea of cultural appropriation and the view a person can give others. Though it is good for people to be exposed to different opinions of a group or an object, sometimes people can find it difficult to tell the difference between the reality and the art itself. Sometimes art can be so powerful that its message stays and impacts its audience to the point where the viewer’s image of the subject of the art changes entirely. Cole brings up an important question about art, however. Art has become some kind of media for spreading awareness and even wisdom at times, but in reality, “there is also the question of what the photograph is for, what role it plays within the economic circulation of images” (973). Cole might even be implying that Nussbaum’s advertisement can sometimes be the point of some media, and that sometimes the different genres of art can just be to make someone with a particular interest happy. One more point that Cole makes is that “[a]rt is always difficult, but it is especially difficult when it comes to telling other people’s stories.” (974) Truthfully, awareness and other like-concepts are difficult to keep going when a person or a group is not directly involved.
Barbra Kruger is a revolutionary, and feminist artist that is shaking modern society. Kruger was born in 1945. Currently, Kruger is teaching at the University of California at Los Angeles. She resides in Los Angels, however, she travels between both New York City and Los Angels often (CITE). Her education is not what many people assume world class artist would have come from (CITE). She did not take a traditional path and never thought she’d actually become an artist; maybe a fashion editor, but never recognized for her work (CITE YT). According to Art History, Kruger took a year of classes at the Syracuse University in 1964, where she evolved an interest in graphic design and art. The following year, she enrolled in Parson School of Design. There she studied with many
Over the decades, art has been used as a weapon against the callousness of various social constructs - it has been used to challenge authority, to counter ideologies, to get a message across and to make a difference. In the same way, classical poetry and literature written by minds belonging to a different time, a different place and a different community have somehow found a way to transcend the boundaries set by time and space and have been carried through the ages to somehow seep into contemporary times and shape our society in ways we cannot fathom.
During the Art Deco era the calla lily became one of the most popular flowers around. Whether in florist shops or on artist canvases the calla lily became a recurring theme. Like many flowers before it the calla lily came to be more than a flower on its own but it represented the idea of femininity. The calla lily was used by artists such as Tamara de Lempicka, Diego Rivera and Georgia O’Keeffe as a symbol of femininity and feminism. Through examining their works, in relation to their own lives and the events of the day, I will explore how the calla lily came to represent a new type on femininity and feminism.
The contrasts between depth and surface, figure and landscape, promiscuity and modesty, beauty and vulgarity all present themselves in de Kooning’s Woman and Bicycle. Although the figure is a seemingly normal woman out for an afternoon with her bike, she becomes so much more through the artist’s use of color, contrast, and composition. The exotic nature of woman presents itself in her direct stare and slick buxom breasts in spite of a nearly indiscernible figure. It is understood that, on the whole, de Kooning did not paint with a purpose in mind, but rather as an opportunity to create an experience, however, that does not go to say that there isn’t some meaning that can come of this work. Even Willem de Kooning once said that art is not everything that is in it, but what you can take out of it (Hess p.144).
This investigation will examine a few key works by the anonymous female artist group know in popular culture as the Guerrilla Girls. In this essay it will reveal several prominent themes within the groups works that uncover the racial and gender inequalities in politics, art and pop culture with the use of humor. These collaborating artists work and operate with a variety of mediums, their works display a strong message concerned with activism connected by humor allowing the Guerrilla Girls to communicate and resonate a more powerful message to the viewer. The ways in which this collaborating group has employed many questions and facts against the hierarchy and historical ideologies which have exploited women and their roles in art. This investigation will allow the reader to identify three areas in which the Guerrilla Girls apply a certain forms of humor to transform society’s view on the prominent issue of gender in the art world. These specific ploys that are performed by the Guerrilla Girls are in the way they dress, the masks they wear, pseudonymous names of dead women artists and the witty factual evidence in their works. These are all examples to evoke audiences in challenging not only the art society which dictates the value and worth of women in art but also to confront yourself and your own beliefs in a way that makes audiences rethink these growing issues.
In the sixties and seventies, the feminist art movement emerged that began to challenge the inequalities that faced women artists. This movement coincided with the feminist movement as a whole, that women across the country were taking part in. Many female artists including Judy Chicago, Hannah Wilke, Eva Hesse and others began to rethink art making and attempted to raise consciousness regarding womenís issues. Many of these women began to focus on their work on sexuality and acknowledging the fact that they were women and artists. This forceful and radical approach was instrumental in gaining the acceptance of females in the...
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
"Whilst some feminists have argued to be included in 'male stream' ideologies, many have also long argued that women are in important respects both different from and superior to men, and that the problem they face is not discrimination or capitalism but male power." (Bryson, 2003, p. 3). The feminist art movement is unclear in its description because some describe this movement as art that was simply created by women and others describe it as art with anti-male statements in mind. For the focal point of this paper, the goal will be to analyze several female artists and their works of art who influenced, and who are said to have made powerful influence both in the feminist art movement from a political and societal perspective, then and today. With that being said, we will start with the female artist Judy Chicago and a quote from her that calcifies her position as an artist. "I believe in art that is connected to real human feeling that extends itself beyond the limits of the art world to embrace all people who are striving for alternatives in an increasingly dehumanized
These cultural strictures come in a number of forms. First, the artist attacks intellectual conformity, choosing art over all other means of self-expression even though it is not widespread in his or her society. Though it is not explicitly stated - and is perhaps even subconscious - the artist chooses art over either academe or high society. The artist questions society's customs, making this choice explicit in their daily actions. The artist rejects ostentatious displays of wealth and the cultural emphasis on money, replacing it with a frugal simplicity more conducive to authentic experience. Finally, the artist calls into question the cultural construct most important to any understanding of human interaction - the binary conception of gender.
The modernist period is characterized by society’s attempt to break traditional norms through forms of art. An issue evident during the modernist period, and even still today, is the denigration of the female image. While women thrive to prove their potential, they continue to be portrayed as powerless. As a patriarchal society, this norm fails to be altered and continues to be present. Although there was an increase in women’s literacy at the time, some did not believe in the idea of gender equality. Though gender debates were new to modernists and early contemporary artists, Gustave Flaubert’s Madame Bovary, Frida Kahlo’s The Broken Column, and The Beatles’ Run For Your Life fail to break the traditional norm. Instead, they contribute to the struggles of womanhood, portraying them as powerlessness beings.
Throughout this essay I hope to illustrate how the development of Feminism was shown through art into Post Feminism and how feminism not only gave rights to women but to other 'Minorities ', I also plan on showing how strong Political influence is involved in art and feminism.
Judy Chicago comments in her essay that she “had been made to feel ashamed of her own aesthetic impulses as a woman, pushed to make art that looked as if it had been made by a man.” The idea that female artists were not permitted to draw from their personal experiences completely undermines the basis of what art is. Art provides context of culture: it adds meaning and relevance to the time that it was created, and the artists’ personal experiences is what drives the artwork, and society, forward. Chicago’s blatant truths about women and their art in the early 70’s describes the struggles of walking between the worlds of femininity and the regular world talked about by Woolf. It’s impossible to deny the importance of femininity. If one is not