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Philosophical perspective of arts plato
Plato and Aristotle contribution to the nature and function of art
Plato and Aristotle contribution to the nature and function of art
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The word 'Abstract' means to separate something from something else. Abstract art is art which does not represent anything. It could be based on a subject or may have no source at all in the world around us.
The term abstract art can be applied to art that is based on any object, figure or landscape but the forms have been simplified to create an abstracted version of it. Cubist and Fauvist artists drew their inspiration from the world visible around us for their subject matter but made it extremely abstract
As ancient Greek philosopher Plato gave the idea that the highest form of beauty lies not in the forms of the real world but in geometry. The same idea is also used in explanation of abstract art. It is also believed that it does not represent the material world but seems to represent the spiritual world.
In the abstract paintings the artists have used shapes, lines,
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Her work represents Modernism in its true sense, particularly modern sculpture. She was one of the few women artists who could achieve fame internationally. She moved to abstractionism only in 1930s as it took her time to develop her own style. Her sculptures are still the representations of human forms and the natural world.
Ben Nicholson (10 April 1894 to 6 February 1982) was a British painter of Abstract art compositions, abstract low relief work, landscape and still-life. In London Nicholson met Barbara Hepworth and they got married in 1938. Both inspired each other and moved towards the realm of Abstract art together.
Victor Pasmore (3 December 1908 to 23 January 1998) was an English artist and architect. He pioneered the development of abstract art in the 1940s and 1950s.For him painting only was not an enough form of art. He found that art is integral with architecture and design. His famous artworks include abstract paintings, relief work, abstract prints and most prominently abstract
Arthur Keller was a very talented artist; he painted using live models, and worked well with charcoal, acrylics, oils, pastels, watercolor and pencil. Keller was able to bring a realistic look to his paintings, using shadows, patterns, details, and shading. Although he is not alive anymore, his paintings will be around forever.
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
For example, the buildings in the background are rectangles, and the border is full of rectangles and squares. The form of this art is clearly 2D, considering it is on canvas. However, Ringgold did an amazing job at portraying a sense of 3D degression. The texture of this art is considered to be rough and clothlike. This is due to the fact that “Ringgold’s vehicle is the story quilt” within this work of art.
That form of representation or sketching involves the drawing of the skeletal structures in thick black lines, and in the case of Morrisseau’s "Astral Planes" painting, humans and animals. Lines drawn in the "Astral Planes" painting are smooth, unbroken, and with no sharp edges; mainly forming the outline of different objects on the painting. Lines get thickened in some shapes creating a volume to certain parts of the objects, such as the head and the arms of creatures. Lines and shapes integrate to produce an eye-pleasing piece of art to look at. The “x-ray” effect provides a feeling of animation to the painting observer.
Despite the criticism, Basquiat was known for his unique and purposely artwork that will never be forgotten. All the artists during that time all portrayed similar ideas that were introverted abstract art. Artist started portraying common objects in an abstract expressionism that was aggressive and emotional. During this era, Basquiat and other similar artists created pieces that were rich in detail that demonstrated different aspects of life. During this art movement, many people considered it controversial and didn’t find the artwork to be intriguing.
Abstract art: is a descriptive art in which the forms of the visual world are purposefully simplified, fragmented, or otherwise distorted. Seated Woman Holding a Fan (picture. 2.13) by Pablo Picasso is an illustration of abstract art.
The book indicates that conceptual art is a set of practices where the concept is the most important part of the work (Hacking 40). On www.visual-arts-cork.com, the site states conceptual art is a form of contemporary art that focuses on an idea. Plus it is focuses on ideas and meanings versus being art. Conceptual art as an art form began in the sixties and seventies (“Conceptual Art Meaning and Characteristics.”). What is contemporary art? Again, www.visual-arts-cork.com gives definition. The three main usages of the term “contemporary art” include “art produced after 1945 … art produced in our era or lifetimes,” and/or “art produced since the 1960s” (“Contemporary Art (1970-Present)”).
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
1. “Jabberwocky”- Speaker: The young boy’s dad, Tone: Epic, Figurative Language: onomatopoeia In the poem “Jabberwocky” by Lewis Carroll, the author conveys the epic battle between the young boy and the Jabberwock through the use of onomatopoeia.
...nding things; putting them together and making them work. He often used subtle colours in his collages allowing for the occasional use of bold colours to act as a contrast. Similarly he would cut shapes into clear geometric forms, often to make some kind of statement. The influences of Cubism and Constructivism, can be seen in the arrangement and composition of his work.
Influenced by the futurists and is known to have been one of the founders of Constructivism, he left painting because of its decorative aspect and subjectivity. He was more interested in carrying on a universal language and believed that art should serve a cause. In these harsh terms he completely discarded painting, saying “Down with art if it is an escape route from a meaningless life! Not for art that reproduces the external world, prettifying it with a decorative mantle, but for a constructive art that reflects our way of life.” (The Future is our only Goal)
During the ancient times in Greece, Plato was the first human to document and criticize the existence of art and artists. He mentioned that human art was always in a form of a representation of something else. In one of Plato’s famous works, he demonstrates the idea of art is like an “imitation of nature” (Blocker 3). In other words, the purpose of art was to represent nature and nothing else. Art was not created for the sake of its own self nor was it created to appreciate its own beauty by any means. Instead, art, usually in forms of writings, paintings, or sculptures, was created to only to represent nature, Gods, emperors, families, or other important individuals. Furthermore, Plato had a very critical view towards the existence art in our society because art makes us more emotional, and our emotions lead to many errors about life. He believed it is our rational thinking, not our emotions or senses, which helps us und...
Cubism takes the opposite route for the same effect. Solid lines are drawn, but the painting itself is usually more abstract (as with Picasso). At times it can be difficult to discern what some paintings are supposed to represent. Bright, vivid colors infuse the pieces with more passion. The contrast between those not well defined objects and the punch of emotion gives cubism its personality and vitality.
The relationship between art and society: Mimesis as discussed in the works of Aristotle, Plato, Horace and Longinus The relationship between art and society in the works of Plato are based upon his idea of the world of eternal Forms. He believed that there is a world of eternal, absolute and immutable Forms (the world of the Ideal) and thought that this is proven by when man is faced with the appearance of anything in the material world, his mind is moved to a remembrance of the Idea or an absolute and immutable version of the thing he sees. It is this moment of recollection that he wonders about the contrast between the world of shadows and the world of the Ideal. It is in this moment of wondering that man struggles to reach the world of Forms through the use of reason. Anything then that does not serve reason is the enemy of man. Given this, it is only but logical that poetry should be eradicated from society. Poetry shifts man’s focus away from reason by presenting man with imitations of objects from the concrete world. Poetry, with its focus on mimesis or imitation, has no moral value. While Plato sees reality as a shadow of a realm of pure Ideas (which in turn is copied by art), Aristotle sees reality as a process of partially realized forms moving towards their ideal realizations. Given this idea by Aristotle, the mimetic quality of art is redefined as the duplication of the living process of nature and its need to reach its potential form.
Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing one's self. Every artist puts a piece of his or herself into their artwork. Who really is to determine what that work of art was meant to express?