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Macbeth plot analysis essay
Macbeth plot analysis essay
Ac 2 scene 2 macbeth analysis
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In this part, Macbeth has just seen Banquo’s ghost appear and loses his composure. Lady Macbeth attempts to assure him that Banquo is not present, and the guests look on with confusion. This moment represents the manifestation of Macbeth’s guilt, as well as his increasing level of paranoia and fear. As the play progresses, Macbeth transitions from being able to tell right from wrong to not having a conscience--he has lost ownership of his own mental state. At the beginning, he feels guilty towards his actions but his mental state gets progressively weaker until he is no longer able to feel shame. Lady Macbeth attempts to enforces order by shaking Macbeth out of his trance This scene is full of tension and emotion; the insane, fearful, and paranoid nature of Macbeth should complement Lady Macbeth’s distress and confusion. The overall theme here is the loss of control.
This takes place inside Macbeth’s dining room inside his castle in Scotland. Macbeth should be sitting at the head of the table in a fancy elevated armchair, similar to a throne. He is at the
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upstage center and faces the audience, with Lady Macbeth standing behind him, positioned slightly to his side. The rest of the guests should be scattered along the borders of the center stage, facing each other, talking quietly. Banquo’s ghost sits at the downstage center and faces Macbeth. He is dressed in tattered clothes and has blood all over his body--symbolic of the guilt Macbeth feels. Banquo’s ghost is visible to the audience because his presence indicates how Macbeth cannot even convince himself that he is hallucinating.There should be dim lighting and the spotlight should be focused on Macbeth. The mood should be eerie. In this part, the characters remain mostly stationary. Lady Macbeth is frustrated and puzzled about Macbeth’s strange behavior. She attempts to remedy this situation by controlling it and bringing order. However, she cannot regulate Macbeth’s actions, nor his visions. For that reason, she feels that she is not in power anymore. By the end, she begins to realize that she is losing control and begins to feel slightly panicked. As she speaks, she should try to restore the situation to normal by being overbearing and commanding.She gradually gets more panicked when she realizes the situation is spiraling out of her control and has to restrain her temper at certain times when she is rebuking Macbeth. This moment begins with Lady Macbeth addressing the guests by saying, “Sit, worthy friends” (3.4.54).
She steps in front of Macbeth and puts on a fake, nervous smile. She attempts to divert the attention from Macbeth’s previous outburst by displaying confidence and speaking with an authoritative tone. Lady Macbeth emphasizes the words “Feed, and regard him not” (3.4.59) with a steely tone, almost daring the guests to defy her. She commands them to continue on with the dinner. Meanwhile, Macbeth stares forward with a scared expression and remains silent.
At the line, “Are you a man?” (3.4.59), Lady Macbeth turns around and whispers angrily to Macbeth. She attempts to make this move stealthy to not draw attention. She forces him to turn around to look at her and furiously shakes his shoulder. He widens his eyes and whimpers, “Ay, and a bold one…” (3.4.60-61). He is paralyzed, still mesmerized by Banquo’s
ghost. Lady Macbeth throws her arms in the air and exclaims, “O proper stuff!” (3.4.62). She realizes that she has spoken loudly then immediately lowers her voice and angrily says, with gritted teeth, “This is the very painting of your fear.” (3.4.62). The way she speaks this should convey the sense that she fears the guests will pay more attention to Macbeth’s odd behavior. She continues to speak faster and faster and gradually “unintentionally” elevates her voice, to represent her anger and annoyance. This attracts the attention of the guests, who stop their chatter and stare at the two closely. At the line “Shame itself!” (3.4.67), she shakes her head in disgust. She is frustrated because she cannot control Macbeth. As Macbeth speaks, he should become increasingly agitated and fearful, gesturing frantically and breathing heavily. His actions should almost be haphazard and reflect the fear he feels. He should not be able to control his actions, which symbolizes how he has lost control of his own mind and cannot distinguish what is real from what is imagined and good from bad. He is unaware that this image of Banquo is formed by his own guilt and does not acknowledge Lady Macbeth’s reasoning, showing that he is in a world of his own. Macbeth then leaps out of his seat and points forward. He furiously shakes Lady Macbeth and defensively pleads, “Prithee see there!” (3.4.69) to convince her that Banquo’s ghost is present. At the line “Why, what care I?” (3.4.71), he lowers his hand and begins to shake. His voice gets shaky and he becomes increasingly agitated. His body begins to twitch at certain moments. The entire time, his eyes are fixated on Banquo’s ghost. While this is happening, the guests are shocked by Macbeth’s sudden outburst. He should be presented as insane and uncontrollable. At the end of his speech, the lights flicker and Banquo’s ghost vanishes. Macbeth is startled. He immediately pushes his chair back and jumps a little. Macbeth acts extremely confused, looks around, shakes his head, and then rubs his eyes. Lady Macbeth scoffs at him and laughs nervously. She mocks his foolishness. Macbeth, however is adamant that he saw Banquo’s ghost. He stares at the ground with a furrowed brow and slowly shakes his head in confusion. Lady Macbeth responds with “Fie, for shame!” (3.4.76) and scorns him again. She is embarrassed for her own sake and his; the guests are sitting at the table with confused expressions, watching Macbeth. Macbeth suddenly looks up and mumbles that what just happened was stranger than a murder, for a dead man was just able to come back to life. He is starting to realize that nothing is as it seems; fair is foul and foul is fair. Macbeth is scared of what is to come and is unsure whether Banquo will reappear or not. Lady Macbeth and the guests look at Macbeth with confused, concerned gazes.
“How far is't call'd to Forres? What are these So wither'd and so wild in their attire, That look not like the inhabitants o' the earth, And yet are on't? Live you? or are you aught That man may question? You seem to understand me, By each at once her chappy finger laying Upon her skinny lips: you should be women, And yet your beards forbid me to interpret That you are so.” A shown from this quote Banquo asks many questions regarding on what they want and examines them carefully as stated before “…chappy finger laying Upon her skinny lips: you should be women, And yet your beards forbid me to interpret That you are so.” And unlike Macbeth he doesn’t just simply ask what are you. As you continue to read on you notice how Banquo shows little not fear regarding the three mysterious witches. As there is no evidence of him feeling any fear. Macbeth, however, starts, or flinches, recoils, according to the statement Banquo says. “Good sir, why do you start and seem to fear Things that do sound so fair?” the reason why he flinches shows how he reacts to him being called the Thane of Cawdor and that the prediction that he will be
Foils are used in works of literature to draw stark contrasts between the qualities of two characters, often deepening the meaning of the plot. This is apparent in Macbeth by William Shakespeare in which the protagonist Macbeth, with his newly found ambition, warps into a tyrannical man. The play opens with him being praised as a loyal captain in Duncan’s army who is driven by morals. However, Macbeth soon meets three witches who tell him that he will one day become king. This is where Macbeth’s ambition is born. At first, Macbeth believes events will pan out and that he will become king with no effort, but he soon strays from his morality and becomes an evil king. Thus, Macbeth requires numerous foils to embody all aspects of evil since the
Besides Lady Macbeth, the one who knows how much Macbeth is acting is Banquo. In the scene where Banquo is starting for his afternoon ride, the conversation between the new King and his "chief guest" is artificial on both sides. In pretending that he is about to seek advice from Banquo, Macbeth [. . .] is relying on the security of his office to prevent a contradiction from Banquo. A few lines farther on he says that his fears in Banquo sink deep.
Lady Macbeth is strategic in her control of Macbeth, exploiting the weaknesses and prejudices of everyone around her. Lady Macbeth extorts her husband, tapping into Macbeth’s darkest desires and unleashing a chain of events that proves to be cataclysmic. While one might argue that Macbeth’s victims, most notably Banquo, and to a lesser extent, Duncan, possess more control over Macbeth’s actions, it must be taken into account that this influence only becomes present within a post-mortem state. The spirits which haunt Macbeth are a manifestation of his own guilt, and the burden that Macbeth feels is nothing but a product of his own conscience. In other words, Macbeth is more so influenced by the idea of the ghosts, rather than the actual people they were. Moreover, the theme of guilt weighing down on someone to the point of breaking is even reflected in Lady Macbeth herself, who, by the end of her character arc, has been driven to insanity and, ultimately, self-destruction. In essence, to go against your own morals is to become unhinged from your own
It shows how much Duncan appreciates Macbeth, even when he is secretly planning on murdering the king. Duncan compares Macbeth’s honor and pride to a dinner. He describes how all of the honorable deeds Macbeth has done fills him, just like the banquet he is going to later that night will fill his stomach. A final metaphor included in the play to enhance the reading is expressed by Donalbain. He
Following this murder, Macbeth sees Banquo's ghost at the banquet. He is filled with feelings of regret and, as a result of his troubled mind, sees Banquo's ghost.
Macbeth can never be secure without heirs of his own because of the other plans that have been stated due to the death of Duncan. Macbeth will constantly be worried of someone taking his throne. Both Macbeth and Banquo know that Macbeth will become king, but Banquo will beget future kings. Fate has a kingly plan for Banquo’s children. This frightens Macbeth into thinking that Banquo already has a plan to hasten the day of his heirs. This amount of fear drives Macbeth into contemplating on committing another murder to crush Fate’s kingly plans for Banquo’s children.
But he wont, so she insults him more, and goes to do it herself. Lady Macbeth was the initial force to make this entire play roll along. Macbeth was comfortable where he was, he was curious about the fact the witches stated, but he didn't want to force it to work. After Lady Macbeth's help in the killing of Duncan, the only influence she has upon him is to keep everything to themselves. At the party after Banquo's murder, Lady Macbeth tries to calm Macbeth, and tell him that what he sees is only an illusion, and not to worry about Banquo, and to shut up because his fit may show everyone that they are the murders of Duncan and Banquo.
After Lady Macbeth reads his letter and Macbeth arrives home, she is excited about becoming queen. She asks Macbeth when King Duncan is to be arriving and tells Macbeth to leave the plan up to her, his only job being that he has to look innocent and hide their true intentions. Macbeth seems to be stunned and nervous, telling his wife that they will talk later when she begins to tell him of her plan. In the seventh scene, at the castle, Macbeth speaks of the intense guilt he is feeling even before he is to kill Duncan; “… this even-handed justice/ Commends the ingredients of our poisoned/ Chalice to our own lips…” (1. 7. 10-12) (Shakespeare), “… He’s here in double trust…” (1. 7. 12) (Shakespeare), “… Besides, this Duncan/ Hath borne his faculties so meek, hath been/ So clear in his great office…” (1. 7. 17-19)(Shakespeare) all express Macbeth’s discomfort with murdering Duncan to steal the throne. Not only does he convey these emotions during this monologue, but he does so when Lady Macbeth enters the room, saying “We will proceed no further in this business./ He hath honored me of late, and I have bought/ Golden opinions from all sorts of people…” (1. 7. 32-34) (Shakespeare). To respond to this, Lady Macbeth does what she does best: emasculating her husband. She first articulates her questioning of his manhood after she reads Macbeth’s letter in the first act when she says “Yet do I fear thy nature;/ It is too full o’ th’ milk of human kindness…” (1. 5. 2-3) (Shakespeare), which contrasts with the heroic description the dying Captain gives of Macbeth in the opening scene. After Macbeth tells his wife that he is calling off the plan to kill King Duncan, she
The silence is taking up all of the conversation between them. The occasional drawer closing or shirt ruffling of Macbeth is all she can hear. Macbeth avoids all eye contact with his disapproving wife, as who sits on the bed watching him treat this day as if any other. After what seemed like years Macbeth finally speaks sternly " what is it...out with it." "How dare you ... he was your friend does that mean anything to you?" she finally blurted out. She could tell by the look on his face, it didn't mean anything to him as he kept getting dressed in all black.
...le Macbeth tells them that ‘every man be master of his time’ so that he can ‘keep alone’. By choosing to isolate himself and not inform Lady Macbeth of his plans to murder Banquo we see how Macbeth feels as if he can’t even trust his closest companions. After turning his back on Lady Macbeth, Macbeth becomes fixated not only on the prophecies of the witches but when he hints to Lady Macbeth that ‘a deed of dreadful note’ will fall upon Banquo and his son he talks like the witches. This shows how Macbeth has turned his back on seeking council from his lords and advisors and begins to act as a king who instead of rationally thinking things out, he chooses to justify his reasons on prophetic predictions from a world of sorcery.
Besides Lady Macbeth, the one who knows how much Macbeth is acting is Banquo. In the scene where Banquo is starting for his afternoon ride, the conversation between the new King and his "chief guest" is artificial on both sides. In pretending that he is about to seek advice from Banquo, Macbeth [. . .] is relying on the security of his office to prevent a contradiction from Banquo. A few lines farther on he says that his fears in Banquo sink deep.
The play identifies how Macbeth faced guilt after he killed his King, “Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressèd brain? I see thee yet, in form as palpable.” Macbeth is hallucinating a dagger in which was caused by the guilt he feels after killing King Duncan. Macbeth also states, “I’ll go no more.I am afraid to think what I have done. Look on ’t again I dare not…..What hands are here? Ha, they pluck out mine eyes.Will all great Neptune’s ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas incarnadine….” Macbeth’s emotions are everywhere. After he killed King Duncan he immediately regretted it as he explains that no water, not even Neptune’s ocean can wash the blood and guilt off his hands. Macbeth not only faced guilt but he also losses his sanity. Macbeth hallucinates Banquo’s ghost making him scared and on edge, “[to the Ghost]. What man dare, I dare. Approach thou like the rugged Russian bear, The armed rhinoceros, or th’ Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble. Or be alive again And dare me to the desert with thy sword. If
“ What man dare, I dare. Approach thou like the rugged Russian bear, The armed rhinoceros, or th’ Hyrcan tiger: Take any shape but that, and my firm nerves Shall never tremble . . .” (3.4. 121-122). Instead of acting guilty, Macbeth could interpret this part of his speech by acting as if he was nervous of the sight of Banquo’s ghost. This would give the affect to the audience a feeling of being in a spooky weird vibe. Doing this will set up the rest of the scene and the entire play. “The armed rhinoceros, or th’ Hyrcan tiger: Take any shape but that, and my firm nerves Shall never tremble. Or be alive again And dare me to the desert with thy sword . . . If trembling I inhabit then, protest me - The baby of a girl. Hence, horrible shadow! . . . Why so, being gone, I am a man again. .” (3.4. 123-125), Macbeth’s voice should be powerful to hide his nervousness. This will create the affect of this powerful, heroic guy, instead of this mad man talking to a ghost. Lady Macbeth can say her lines with her voice trembling in fear. “ You have displaced the mirth, broke the good meeting – with most admired disorder” (3.4. 132-134). Lady Macbeth will be mad at Macbeth because he has is acting delirious and out of
In Macbeth’s soliloquy, the conscious empowers the unconscious. “At the nonrational level of Macbeth’s psyche, conscience registers as “a dagger of the mind”: pricks of conscience that have assumed murderous, self-mutilating proportions” (Chauchi 337). In order for Macbeth to commit the murder, he has to do the act knowing with conscious. He must lose the principle of morality and enters in sublimation, which is satisfying the impulse with a substitute object, in this case, Macbeth’s desire for power. Shakespeare uses Macbeth character to exhibit the horrendous effects of ambition and guilt in men’s nature. From this point, Macbeth’s dramatic fall develops from his superego that makes a person feel guilty if the principle of behavior is not followed. The ego acts as a mediator between the id and superego to prevent an overwhelming anxiety (McLeod). Macbeth’s response is the result of anxiety, guilt, paranoia, fear, and distress. He plans a series of murders to protect his permanence as King. He orders Banquo’s death, Lady Macduff, and Macduff’s son. Macbeth’s paranoiac stage and inner conflict cause him to see Banquo’s ghost, and he has a confrontation between reality and metaphysical. He mislays the rational goal of being a fruitful king, and the tragic tension of his ambition drives him to become a tyrant. As Macbeth turns as an unscrupulous murderer, Lady Macbeth is not capable of losing her whole morality principle, so