Psychoanalytic Criticism: Macbeth William Shakespeare is the most prominent writer in English literature. His plays have transcended time, excellence, brightness, and Western culture. Macbeth is the last of the four “great tragedies,” the shortest, and darkest. Macbeth was first published in the Folio of 1623 but written approximately in 1606. In context, King James I was a supporter of Shakespeare’s acting company. Most evidently, Shakespeare wrote some of his plays to delight the King’s taste. Macbeth is a clear example of the close relationship with the King. In the play, one of the leading characters, Banquo, is a noble figure from the King’s Scottish lineage. Additionally, the play embodies entities of evil and witches that fascinated …show more content…
In Macbeth’s soliloquy, the conscious empowers the unconscious. “At the nonrational level of Macbeth’s psyche, conscience registers as “a dagger of the mind”: pricks of conscience that have assumed murderous, self-mutilating proportions” (Chauchi 337). In order for Macbeth to commit the murder, he has to do the act knowing with conscious. He must lose the principle of morality and enters in sublimation, which is satisfying the impulse with a substitute object, in this case, Macbeth’s desire for power. Shakespeare uses Macbeth character to exhibit the horrendous effects of ambition and guilt in men’s nature. From this point, Macbeth’s dramatic fall develops from his superego that makes a person feel guilty if the principle of behavior is not followed. The ego acts as a mediator between the id and superego to prevent an overwhelming anxiety (McLeod). Macbeth’s response is the result of anxiety, guilt, paranoia, fear, and distress. He plans a series of murders to protect his permanence as King. He orders Banquo’s death, Lady Macduff, and Macduff’s son. Macbeth’s paranoiac stage and inner conflict cause him to see Banquo’s ghost, and he has a confrontation between reality and metaphysical. He mislays the rational goal of being a fruitful king, and the tragic tension of his ambition drives him to become a tyrant. As Macbeth turns as an unscrupulous murderer, Lady Macbeth is not capable of losing her whole morality principle, so …show more content…
Although, Macbeth is incapable of controlling his acts and she could not constrain him. Her inability to control drives her to a conflict between the id and superego that takes her to a cathartic moment. She wants to appear as a morally figure that is why she makes look the guards as the killers of Duncan. When Macbeth’s action could not be cover, It transgresses her false morality she slow slide into madness. The guilt of Macbeth’s crimes consumed her and reduced her to a stage of delusion where she could not accept her reality. In that instance, she is no longer satisfying her id and loses all purpose of being (Harris 83). Desperately, she tries to wash away the distortion invisible bloodstains. Her guilt causes her to kill herself, “Here’s the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand…Wash your hands, put on your nightgown, look not so pale. I tell you yet again, Banquo’s buried; he cannot come out on’s grave” (V.i. 50-51,
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
After Macbeth committed a dreadful crime at the start of the play, he realizes that by killing even more people he can get what he wants whenever he wants. Macbeth reaches a point where he is too busy fulfilling his own ambitions that he was not fulfilling his obligations as king. “Those he command move only in command, / Nothing in love…” (5.2.22-23). His obsession with power caused him to murder his good friend Banquo, and Banquo’s son. Macbeth’s out of control ambition has caused him to lose his emotion. He progressively sta...
Pressure is inevitable – it is something that is felt by all, whether the source is from within or as a result of other people and events. Throughout Shakespeare’s Macbeth, the main character is faced with many pressures, both internal and external. Although his pressures are external at first, they later become internal and affect his character as well as his sanity. Macbeth feels externally pressured by his wife and the three apparitions given to him by the witches. Consequently, he begins to feel mentally pressured by his fear to secure the throne, his paranoia, and his sense of tyranny and blood lust. These pressures cause his character to change, which leads him into greater downfall. When one is faced with pressure, both from within or from an outer source, their character is greatly influenced and subject to many changes.
Lady Macbeth Mental Illness William Shakespeare tragedy in Macbeth. Macbeth was a Thane, which is a noble. Lady Macbeth wants to be Queen of Scotland. Lady Macbeth wants to be king no matter what it takes, Lady Macbeth was going to be king and Lady Macbeth was going to be queen. Lady Macbeth was a very strong person.
The Tragedy of Macbeth written by William Shakespeare is a tale of a man and his un-bridled ambition, set in ancient Scotland. Macbeth is a nobleman of the king of Scotland, Duncan, who is in mid-war with Norway. Macbeth and his fellow general Banquo encounter three witches. The witches tell the pair that Macbeth will be king, and Banquo’s children will also be kings. Any person in their right mind would question information given to them by strangers, let alone witches, but for some reason these statements intrigue Macbeth. They temp Macbeth to do evil things such as treason, and worse, to kill. Although un-bridled ambition is his main tragic flaw, there is one more that plays a big role in his decisions and the outcome of the story; Macbeth is far too impressionable.
Lowe argues that Macbeth constantly presses the witches to reveal more, and acts under his own accord to commit the act of murder. The witches merely state that Macbeth will become king; they do not order him to kill Duncan. Lowe concludes that Macbeth is a culpable human, acting on his own ambition with help from the Witches. Macbeth, from a causation standpoint, reveals that the initial meeting with the Witches caused the downfall of Macbeth. Lowe states “Metaphorically speaking, the witches give Macbeth a flame, but Macbeth lit himself on fire and kept feeding that fire until he was completely destroyed. Thus, it can hardly be argued that Macbeth is a pawn of fate, a victim of circumstance. Rather, Macbeth creates his own tragic circumstance, freely murdering his way to his demise” (Lowe, 2005). Lady Macbeth also forces her own will upon Macbeth, calling him a coward to prick at his sides. The threat of being considered a coward in the eyes of his lover is more important than the problems anf implications of committing a murder. Macbeth values his self worth and personal gain than the life of his friends and allies. The murder of Banquo is what ultimately leads to his demise, says Lowe. Macbeth’s guilt takes the form of a ghost, coercing Macbeth into admitting his involvement in the murder of Banqou. This leads to the separation of Macbeth’s troops, whom later come to kill him in the final act. The Witches’ “prophecy” of kingship and grandeur, Macbeth’s senseless killings, and ultimately his guilt and remorse, are enough to make Macbeth believe he is acting out his
In Act I Macbeth is very uneasy in his and Lady Macbeth’s decision to kill Duncan. He says, “We shall proceed no further in this business. For he hath honored me of late.” (I.7.31-32) This is an unmistakable example of how Macbeth is not fully confident in his decisions. He feels guilt and anguish, as does Lady Macbeth, for she will not commit the murder herself, due to the fact that King Duncan looks too much like her father. At this point in the play, it is quite questionable as to weather either of the conspirators will consummate to the killings. Duncan’s death can be identified as the turning point of Macbeth’s sanity. This is when Macbeth starts to clearly display numerous symptoms of schizophrenia. O One of the most common symptoms of schizophrenia is the inability to distinguish between reality and fantasy. Macbeth displays this characteristic as he speaks vehemently to an empty chair, which he believes is the ghost of his old friend Banquo, who he just recently had killed. He says, “Prithee, see there! behold! look! lo! how say you? Why, what care I? If thou canst nod, speak too. If charnel-houses and our graves must send Those that we bury back, our monuments Shall be the maws of kites.” (III, 4) Macbeth is the only one to see the ghost, not even the audience is allowed by Shakespeare to see this apparition. After this, his mental stability begins to deteriorate throughout the course of the play. Guilt and obsession are also among the leading features associated with schizophrenia. After Macbeth is coaxed into killing Duncan, he is plagued by the blood, which he has spilt. However, he still manages to kill anyone who threatens his reign, even those who are very close to him. One could say that his obsession with maintaining his royal sta...
A combination of Macbeth’s ambition and paranoia lead to many senseless murders. He killed his best friend Banquo out of fear and he senselessly murdered Macduff’s family. The hallucination of Banquo’s ghost is a representation of Macbeth 's guilt, all of Macbeth’s guilt is manifested in the ghost. Macbeth states that he feels guilty because of the murders. “Ay, and since too, murders have been performed Too terrible for the ear.” (III, iv, 80-81) Seeing the ghost of Banquo is the breaking point for Macbeth. The ghost also causes him to think more irrationally which leads to the murder of Macduff. Also, after the murder of Duncan, Macbeth is full of regret and guilt. The voices he hears reflect his mental state. “Methought I heard a voice cry, “Sleep no more!” (II, ii, 35) His innocence was killed and he knows that he has to live with this guilt for the rest of his life, hence Macbeth will never sleep peacefully ever again. After each successive murder, Macbeth becomes more and more inhumane. “I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o 'er.” (III, iv, 143-145) Macbeth claims that after committing a murder, there is no turning back. He killed his best friend due to his ambition and fear. The third murder was outright moralless and unnecessary, he compulsively killed Macduff’s wife and children. Macbeth shows no remorse in his murders, he becomes an absolute monster towards the end of the play. As Macbeth loses his human morales, hallucinations appear to remind him of the sins he
The play identifies how Macbeth faced guilt after he killed his King, “Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressèd brain? I see thee yet, in form as palpable.” Macbeth is hallucinating a dagger in which was caused by the guilt he feels after killing King Duncan. Macbeth also states, “I’ll go no more.I am afraid to think what I have done. Look on ’t again I dare not…..What hands are here? Ha, they pluck out mine eyes.Will all great Neptune’s ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas incarnadine….” Macbeth’s emotions are everywhere. After he killed King Duncan he immediately regretted it as he explains that no water, not even Neptune’s ocean can wash the blood and guilt off his hands. Macbeth not only faced guilt but he also losses his sanity. Macbeth hallucinates Banquo’s ghost making him scared and on edge, “[to the Ghost]. What man dare, I dare. Approach thou like the rugged Russian bear, The armed rhinoceros, or th’ Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble. Or be alive again And dare me to the desert with thy sword. If
Macbeth, one of the darkest and most powerful plays written by Shakespeare, dramatizes the disastrous psychological effects that occur when evil is chosen to fulfill the ambition for power. Throughout the play, Macbeth’s character loses mental stability and becomes enthralled with the idea of being king. Empowered by the three witches, this situation consumes Macbeth’s consciousness until his mental state becomes deranged. This mental deterioration is evident in what he says and does as he evolves into a tyrannical ruler attempting to protect himself from enmity and suspicion. In an attempt to fulfill his ambition for power, Macbeth displays mental deterioration and becomes increasingly bloodthirsty.
I decided to analyze Act II, Scene II in MacBeth using Psychoanalysis. I have previously examined the passage using Marxism and Queer Theory, so I thought it might be beneficial to scrutinize the scene from yet another angle. However, I will also discuss another scenes, as well, in order to fully, yet briefly, demonstrate MacBeth’s two opposing psychological constructions.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
In this part, Macbeth has just seen Banquo’s ghost appear and loses his composure. Lady Macbeth attempts to assure him that Banquo is not present, and the guests look on with confusion. This moment represents the manifestation of Macbeth’s guilt, as well as his increasing level of paranoia and fear. As the play progresses, Macbeth transitions from being able to tell right from wrong to not having a conscience--he has lost ownership of his own mental state. At the beginning, he feels guilty towards his actions but his mental state gets progressively weaker until he is no longer able to feel shame. Lady Macbeth attempts to enforces order by shaking Macbeth out of his trance This scene is full of tension and emotion; the insane, fearful, and paranoid nature of Macbeth should complement Lady Macbeth’s distress and confusion. The overall theme here is the loss of control.
Sixth, Psychological Lens deals with the most important question of why. It looks into the work of literature as a fictional expression of the personality, state of mind, feelings, and desires of the author or character. Many readers want to know why a certain character did the things they did or why would the author write this work and Psychological Lens helps to explain this. For instance, Macbeth kills to gain power and keep it. The drama states,” Macbeth: ‘I have done the deed. Didst thou not hear a noise?’” (Shakespeare 25). Macbeth wants to be king so bad that he convinces himself to kill Duncan in order to rise to power. His conscience does not see the wrong in it therefore he is able to carry out the deed. Additionally, Lady Macbeth