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The importance of humours in literature
Humour in literature
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Why did I think this was a good idea? How could I be so stupid? This is not fun anymore. These were some of the thoughts that passed through my head, when I realized something. People can be stupid, and I don’t mean with math and all that school stuff. What I’m trying to say is that a lot of the time, they don’t think about anything beforehand. You need evidence you say? I’ve got some for you, I’ll tell you all about it. It was October 2nd, my sister Cianna’s 14th birthday, and she has a few friends over, and if I just had my best friend over, I wouldn’t be totally overwhelmed by 14 year-old girls. It should be about 20 minutes before my friend Avian gets here, so I escape the mass chaos of three girls scrolling through their Instagrams, by …show more content…
“Okay, you alright?” she asks. “Yeah, i'm fine.” I answer quickly. Before she can say anything else, the doorbell goes off, Avian must be here. I run down the stairs by two and almost trip and fall, but I catch myself and walk the rest of the way down to the door. I was correct, it is Avian. “Whats up, are the girls here?” he says with a hopeful face, “I want to play games with them not here, they're annoying.” “Sadly, they're in the living room, I could try to get them to go downstairs, though.” I …show more content…
“That would be fun.” “Alright, let me go ask.” I come back with the keys to my mom’s car on my finger and tell Avian to grab what he wants but he’s already got everything he needs in hand. “Okay let's get the girls in the car, the only things they need are their phones and earbuds.” After everyone piles into the car and Mom tells us about 15,000 times to be safe and that she loves us, we are off, driving towards the woods in the south side of Pelan. The sun is setting as we arrive at our destination. A sleeping night guard awakens to the humming of our car pulling up and tries to stretch out in the confined space. We pull over next to the window of the booth and a chilly breeze rushes in as I roll down the window to talk to him. The man turns to us and groggily asks, “Uh, you have an I.D.?” I answer with an easy “Yes.” and hand him my card showing my age and a picture of me. “Alright, yep you're 18, okay Julian be safe out there.” he suggests. “Thanks, you too, uh, Todd.” I say as I look at the tag on his
“You are in a hurry!” after probably expecting him to be less anxious. She then goes on to say
A dark brown roof with the light brown roofed garage. I said ok. He then asked me, do the automobiles still have wooden rims and axles? I said, the cars haven't had those since the 1920’s. He gasped, The twenties are over?? I said yes. He asked me panicking, what year is it?? I said, it’s 2015. April 17. Sweet mercy!. Is my house gone? I swear it was here in 1926. 1926? are you dead, I asked? No I was evicted in 1926. They tore down my home, didn’t they? Where’s my family. Tears flooded his eyes. What’s their names? Ruth and Bernard Goldstein. We used to live on this lot. I said well my grandparents live here now. They have been since 1975. Who are you? I’m Zac. Short for Zachary. My full name is Zachary Dorf. Are you Jewish? I said, yes I am. Born and raised. Have you seen it. Seen what? the Key. Key?? Yes Zac the pure silver key. It was my Omi Shannon’s key. it lead to my safe spot. Zac where’s my safe spot? Did the tall coated man come back for mommy and daddy? I said slow down buddy. What’s your name pal? Walter Millard Goldstein. Zac, is the safe spot
The short stories “The Snows of Kilimanjaro” and “The Short Happy Life of Francis Mocomber” were both written by world renowned author Ernest Hemingway. The two stories are written completely unrelated to each other; however, both stories have vast similarities in the time and place in which they take place. Hemingway is a writer that is very methodical in his word choices. When reading these two stories a second time the reader finds considerable differences in the writing style the author uses in each story. To demonstrate, three sentences from each story will be compared and contrasted to show the differences in word usage, word connotation, and to find which story is written better. The initial pair of these sentences to be looked at are, “A fourth planed down, to run quick-legged and then waddle slowly toward the others,” from the short story “The Snows of Kilimanjaro,” and “On the far bank of the stream Macomber could see, above the trees, vultures circling and plummeting down,” from the story “The Short Happy Life of Francis Macomber.” The subsequent couple of sentences are “’You Bitch,’ he said,” from the “Snows of Kilimanjaro” and “’Why not let up on the bitchery just a little, Margot,’ Macomber said, cutting the eland steak and putting some mashed potato, gravy and carrot on the down-turned fork that tined through the piece of meat.” Finally, the third set of sentences are “She shot very well this good, rich bitch, this kindly destroyer of his talent,” from the story “Snows of Kilimanjaro” and “’That was a good shot,’ Wilson said,” from the story, “A Short Happy Life.”
Chimamanda Adichie, in one of her eye-opening speeches, The Danger of a Single Story, provides the audience with a new insight into the negative impacts that can occur as a result of viewing a story from a single perspective and not putting in an effort to know it from all available viewpoints. Adichie in her simple, yet well-grounded speech, filled with anecdotes of her personal experiences effectively puts across her argument against believing in stereotypes and limiting oneself to just a single story using a remarkable opening, the elements of logos, pathos and ethos, repetitions, as well as maintaining a good flow of thoughts throughout the speech.
Do you want to ring the doorbell Uncle Henrik asked Kirsti, Yes, Yes, Yes Kirsti exclaimed. Kirsti rang the doorbell with excitement, usually Kirsti is shy but when ellen was involved she wasn’t, but Ellen didn’t answer, Ellen’s mama did Ellen’s papa was at work. Kirsti came running in to see ellen, with no manners. Mama tried to hold her back but she was still seasick and was wobbling all over. Ellen’s mom said “What a surprise!!! how did you get
Early in the morning, Juliet received a phone call. “Hello. This is Juliet speaking.” “ Juliet! Someone had stolen money from the store!,” Marcy yelled, worried. Juliet responded, questioning, “Did you look through the security cameras?” “We can’t,” Marcy said crying. “ Why not?,” Juliet asked. Marcy said back sadly, “The security cameras are smashed!” “ Okay. I’m on my way.,” Juliet said. Juliet rushed out the door but then
"William don't think about it as lying and just remember to tell them you're 18, you don't look 16 anyway, you will be fine lad".
There I lay in bed, tormented by the same question.The kind of question those who seem to have all the answers, simply cannot answer.The kind of question that runs through your head after a bizarre dream.The kind of question those who are closest to death ask themselves.But I wasn't close to death, nor was I waking up from a wild dream.I was simply a regular seventeen year old boy fearing the life that would come after graduation.Staring at the ceiling, I took a deep breath and exhaled as the question raced across my mind once again,”what’s next”,
I woke up, trembling, in pain, mentally stuck. It was 2am, Friday morning. It felt like I was sweating through the sheets, but it was brisk... brisk to the point where I was trembling eternally. I later realized I was experiencing a cold sweat.
“Fine.” She stated scrunching her eyebrows in frustration, whipping out her phone in the process.
She says sadly. "How are you holding up?" I ask. "I'm okay." She answers.
I stood there just staring I could not move. Every time I moved o\n took a breath I felt him getting closer. Quickly, I had to do something but I did not know what. I feel like he has a gun or a weapon but I do not know for sure. I was 5’4 and 87lbs., and this guy had to be at least 6’9 and 250lbs.. There was no way that I would win in a fistfight so I just had to sit there and hope he would not see me hiding. I decided to run, I got shot in the leg.
"Exactly. Come out on our little balcony. You can see all the outside wards there."
Gaby sat upright in her bed and called Alex to sit beside her. Neither of them wanted to open the blinds of the window to check it out. They were afraid something would jump out and take them away forever. The noise didn’t stop, but then they heard a laugh. Confused, Gaby got up and called her brother to see if he would help her.
The short story is a concise form of narrative prose that is usually simpler and more direct compared to longer works of fiction such as novels. Therefore, because of their short length, short stories rely on many forms of literary devices to convey the idea of a uniform theme seen throughout the script. This theme is illustrated by using characteristics that are developed throughout the story such as, plot, setting and characters. The three main components are developed throughout the story in order to guide the reader to the underlying theme, which is necessary as a short story lacking a theme also lacks meaning or purpose.