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Critically comment on Dickinson's obsession with death
Grief and loss in edgar allan poe
Immortality in literature
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In “This World is not Conclusion “, it is very evident that ED believed in some kind of continuance of consciousness after death .The title speaks volumes regarding her beliefs about the immortality of the human soul. ‘Conclusion’ in that sense means end or termination. So far as life is concerned, it means the cessation of mental functioning or the permanent halting of thought processes .If we suppose that the speaker of the poem is a stand-in for the poet herself, then she clearly is a dualist of sorts. Dualism is the belief that humans have two parts to them. One is the physical body, which is mortal, material and destroyable.
The other is the soul, mind, or spirit, which is immortal and undestroyable.
According to that philosophical view,
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So this life that we have, says the speaker of the poem, is not all that there is to human existence. There is a transcendental realm that is waiting for those who die. And yet, as positive as the speaker is about the reality of this realm or form of existence, they are unable to describe it and do not believe that anybody else can.
It “baffles” (5) or eludes comprehension and pinning down although it
“beckons” (5) or calls out to be believed in. In the 19th century and before, natural science, or the study of nature, including human beings, was called
Natural Philosophy. Hence, Dickinson’s choice of the word “philosophy” in the second line of the second stanza to signify science .Basically, the main point of that stanza is to assert that science cannot help us know what is beyond the physical universe because it is only useful when the material universe is
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concerned. Its subject matter is what lies inside the universe not what is beyond the veil of kenning.
The third stanza can be seen as a condensation of a dark and depressing chapter in the history of Christianity. Before Christianity became legal in
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So the writer is saying that “Men”, or believers in a heavenly kingdom, were despised and suffered a horrendous death for their beliefs. In the fourth stanza, the poet is excoriating “shown-faith”, or blind, unquestioning, uncritical faith. Faith in the doctrines of the Church without the assistance of reason. Faith that stifles reason. Faith in the words of preachers and clergymen, mere mortals. The polar opposite of reasoned-faith, which is arrived at through the use of reason which sets the human race apart from animals. The person who has this kind of faith is concerned mainly about other people’s opinion of them. Hence, they “blush” (14) if anybody discovers their “slips”(13)
, or weak and wavering conviction in what they believe in and “Pluck(s) at a twig of evidence—” to support their collapsing faith .The use of the term “twig” in the third line is very telling since twigs are weak .So the poet is saying that even when people with blind faith try to support their faith with evidence, they fail miserably.
Emily Dickinson ends the poem with a rather spectacular and unexpected declaration. She asserts that even mainstream Christianity, signified in the
Ayn Rand, in Anthem, illustrates a futuristic, socialist society. In the novel, Rand destroys any sense of individuality and describes the social setbacks endured after living ‘only for the brotherhood’. The individual person fails to exist and is but a ‘we’ and recognized by a word and a series of numbers rather than a name. Additionally, she describes the horrors encountered within this different system of life: from reproduction methods to punishments. Through the life of Equality 7-2521, Rand demonstrates a person’s journey from obedience to exile in this socialist society. Throughout the entire novel, Rand criticizes Marxist theory as she demonstrates socialism’s failure to suppress revolution, thwart material dialectic, and its detriment to humanity.
The society in Anthem is a very collectivist society, thus a single individual’s health and survival might not be as important as with an objectivist “society”. However, the society in Anthem does address health and survival in a collectivist way. By having the Old Ones not work and “the State take care of them” this society deals with one of the biggest health problems, old people (7). This society takes a socialist method of health care and the State provides for all of the Old Ones which shows how they are meeting the needs of health and survival. The society takes a different approach on survival. Because of the strong collectivism, individual lives do not matter and “there are no men but only the great WE”, as long as the WE survives any one person can die and the society will not care (3). Anthem’s society takes survival to mean the survival of the whole not the individual. This shows that society is not needed for the individual’s survival, as not only does this society provide little individual health care, Equality 7-2521 in the later part of Anthem is easily able to
Dickenson makes it very apparent that the narrator in this poem believes in God. Using the quotes, “Between the Heaves of Storm—” (Line 4) and “when the King Be witnessed— in the room—” (Line 7-8), Dickenson lets the reader know that she and the narrator have religious knowledge to say the least.
Ayn Rand, a Russian-American philosopher who had influenced Western society in 20th century with her ideas of rational egoism, laissez-faire capitalism, elevation of reason and comprehensive philosophical system called Objectivism.
In a society, at what point does uniting to benefit the greater good suppress one’s right to possess individuality? The social and political construct of utmost unity is called collectivism, or the practice of emphasizing a whole picture rather than each individual component. The common theme of collectivism versus individualism is prevalent within the novel Anthem by Ayn Rand, wherein the individual motivations of the members of society are suppressed without their knowledge. While contributing to the greater good may have its appeal, one must learn that for this to be possible, individual sacrifices are necessary. The ultimately collectivist society depicted in Anthem is justified by its rulers through ideas of
She chooses this arrangement of verse in order to ordain a religious aspect into the poem, which does well to suite the theme and what she is fond of. As the recollection of the speaker’s death progresses, Dickinson uses the stanzas to mark the stages of the
...sed society with religious overtones throughout the poem, as though religion and God are placing pressure on her. The is a very deep poem that can be taken in may ways depending on the readers stature yet one thing is certain; this poem speaks on Woman’s Identity.
...eart would split, but because she is able to see nature through her imagination she is safe from those effects, shown when she says, “So safer-guess-with just my soul” (18) While Emerson uses only sight to form a connection with nature, Dickinson uses both sight and imagination to connect people’s souls to nature when she says, “…with just my soul open the window pane”(19); the eyes are said to be the windows that lead to one’s soul, so through this statement Dickinson shows that there is a correlation between imagination, sight, and soul because through all of them one is able to become one with nature. Through the very act of writing this poem Dickinson reveals that poetic writing is another form of reaching oneness with nature.
Dickinson employs vivid impressions of death in this poem. In the first line, she employs the analogy between sleep and death; sleep is silent but death lives within silence. She uses the word “it” to help identify something other than human. She declares that “it….will not tell its name” as thought it refuses to speak and then resents the dead for its stillness and laziness. Then she acknowledges the attraction she has to death by doubting its “gravity”. In the third stanza, she expresses that she would not cry for the dead because not only is it offensive to the dead but it might panic the soul to return to dust. Christians believe that from the earth we are made and once we die, we return to the dust of the earth.
Works Cited for: Pojman, Louis P., and Fieser, James. Introduction to Philosophy – Classic and Contemporary. Readings Fourth Edition. In Defense of Life after Death, 1983, John Hicks, 380-386. New York: Oxford University Press, Inc., 2008.
Dickinson’s Christian education affected her profoundly, and her desire for a human intuitive faith motivates and enlivens her poetry. Yet what she has faith in tends to be left undefined because she assumes that it is unknowable. There are many unknown subjects in her poetry among them: Death and the afterlife, God, nature, artistic and poetic inspiration, one’s own mind, and other human beings.
The tone in the first stanza is of joyousness and excitement, as people make their way to heaven. Dickinson uses the words “gayer,” “hallelujah,” and “singing” to emphasize the uplifting feeling here. It could be argued that this is the point in the humans’ lives (or deaths, or afterlives, depending on how one looks at it) when they reach the pinnacle of happiness, for they have finally entered heaven. The humans, now dead, would then acquire wings, immortality, and an angelic status that rises far above that of humans. Much like Dickinson’s other poems, this one uses metaphors to represent similar things, such as “home,” which represents “heaven,” “snow,” which represents the “clouds” on which heaven resides, and “vassals,” which represents the “angels” who serve God.
“This World is not Conclusion” is Dickinson’s swan song on the subject of afterlife. She confirms all her previous statements, but in a more resolute and certain way.... ... middle of paper ... ... This, then, is the central theme of all her poems: Though she believes strongly in the idea of an afterlife, she understands that nothing is certain, but that a bit of logic and a large amount of faith will guide her through the chaotic journey towards her final resting place—wherever or whatever it may be.
Gerard Manley Hopkins was certainly very descriptive and passionate with his conflict between faith and doubt. His imagery, while at times a little hard to understand, does explain exactly how he is feeling at a given point in time from line to line. His imagery is quite varied and while they can easily be read just as fluff to add to the poem, they are really representations of the difficulties he faced with confronting religion as a true entity or just a belief we all like to have.
Many of her poems were a reaction to the rejection of many publishers and other literary critics. This particular poem’s character comes from Dickinson’s reaction to Ralph Waldo Emerson’s statement that “poets are thus liberating gods.” Here she is challenging the established literati by questioning popular Emersonian views. In particular, this poem is a reaction to Emerson’s belief that “the poet is the sayer, the namer, and represents beauty.” Basically, it is a reaction to the idea that the poet is the creator of beautiful words, liberating the common people by giving them words they would not have access to.