Avatar Identity

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The visual narrative of Avatar: The Last Airbender – The Promise, a graphic novel and sequel to an animated series that aired on Nickelodeon from 2005 to 2008, relies on the setting of an Asiatic fantasy world divided into four nations. They are the Water Tribe, Earth Kingdom, Fire Nation, and Air Nomads. The population of each nation consists mostly of those with the ability to bend a respective element—with the exception of the Avatar, the mediator with the ability to bend all four elements, act as a bridge between the physical and spiritual realm and live on via reincarnation. In the immediate aftermath of the animated series, the Air Nomad-born Avatar Aang, Fire Lord Zuko and their allies—known collectively as Team Avatar—attempt to undo …show more content…

The Water Tribe is represented by the color blue and is based on the Inuit and other Native American tribes. The Earth Kingdom is represented by the color green and is based on the pre-communist China. The Fire Nation is represented by the color red and is based on Imperial Japan. Lastly, the Air Nomads is represented by the color orange and is based on the religious lifestyle of the Tibetan monks.
The nations’ respective inspiration not only reflects on the appearance of their people, but in their fashion, lifestyle, and architecture. However, none of these visual characteristics crossed over to other nations. They remained exclusive to one nation alone as culture is “used to refer to shared values, beliefs, parties, products and norms of social groups.” (Cruz & Sonn, …show more content…

The confrontation begins with the huge panel introducing the readers to Yu Dao. For the first time, we see the infusion of visual characters of the Fire Nation and Earth Kingdom—the combination of Chinese and Japanese architecture painted in shades of red and green. In the streets, we see people dressed in either in green and red mingling about. This is the first implication of Yu Dao’s multicultural society that goes against initial perceptions by Avatar Aang. However, Zuko’s focus was only on the mayor as his full body is shown walking as a way to show his intimidation as he confronts him and his daughter. In response, Mayor Morishita to kneel before him in the next panel and begs or forgiveness, which we see only at ground level behind Zuko, who remarks that he should burn down Yu Dao. Kori, who remains standing in the next panel, points out that doing wouldn’t make a difference as Harmony Restoration Movement would destroy the colonies anyway. But when the Fire Lord remarked how the Harmony Restoration Movement is a means to peace, Morishita frowns in the next panel and we him stand up in the next panel in both a literal and metaphorical sense to express his

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