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The importance of autoethnography
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Overview of autoethnographic research
Hayano (1979) first introduced the term “auto-ethnography” in response to his questions around the issue of how people could create ethnographies of their own cultures, but the extent of its relevance and application only arose in the coming years. This relevance was due to the shift away from canonical forms of research that were “author evacuated texts” (Sparkes, 2000, p. 22) towards a more personalised approach. This was a direct echo of the post-modern movement burgeoning at the time, which questioned the scientific paradigm that qualitative research was subjected to. Rather autoethnographies “are highly personalized accounts that draw upon the experience of the author/researcher for the purposes of extending sociological understanding” (Sparkes, 2000, p. 21).
This approach, which combines aspects of ethnography and autobiography (Ellis et al., 2011), found legitimacy based in the postmodern critique of how the mediums of scientific research - its lexicon and paradigm – constrained the findings of a study (Krizek, 1998; Kuhn, 2012) or as Richardson (2000) puts it “form and content are inseparable” (p. 923). In that way scientific research’s goal of pure objectivity is challenged as unattainable.
Often a paradigm developed for one set of phenomena is ambiguous in its
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Within this existential consideration, Richardson (2000) finds autoethnography as a writing style - combining the readable style of autobiography into the ethnographic approach - which may produce something that will make it off the shelf. If relevant research is what is intended to be produced, then its readability must be a primary
I began a study of autobiography and memoir writing several years ago. Recently I discovered two poets who believe that recording one’s place in history is integral to their art. Carol Muske and Joy Harjo are renowned poets who explore the intricacies of self in regards to cultural and historical place. Muske specifically addresses the poetics of women poets, while Harjo addresses the poetics of minority, specifically Native American, writers. Both poets emphasize the autobiographical nature of poetry. Muske and Harjo regard the self as integral to their art. In this representation of self, Muske and Harjo discuss the importance of truth-telling testimony and history in their poetics. Muske says, “…testimony exists to confront a world beyond the self and the drama of the self, even the world of silence—or the unanswerable…” (Muske 16).
Inevitably, all things evolve over time. From decade to decade, a person can find many differences as in slight variances between popular fads and so forth like styles of fashion and trends. Even writing takes on a new form and shape after awhile as we see in the essays “Our Secret” by Susan Griffin and “States” by Edward Said. These two reveal a more evident truth of a different use of language than it is customary to read just as it is seen in Michael Herr’s novel Dispatches, which is written in the style of “New Journalism” where real events are told in a story format or narrative to appeal to more readers. In that same fashion, Griffin and Said break from the a-typical mold of professional writing to better illustrate their respective ideas of past experiences and exile defining who a person will or has become.
I keep my journal hidden; the script, the drawings, the color, the weight of the paper, contents I hope never to be experienced by another. My journal is intensely personal, temporal and exposed. When opening the leather bound formality of Alice Williamson's journal a framework of meaning is presupposed by the reader's own feelings concerning the medium. Reading someone else's diary can be, and is for myself, an voyeuristic invasion of space. The act of reading makes the private and personal into public. Yet, for Alice Williamson and many other female journalists of the Civil War period, the journal was creating a public memory of the hardship that would be sustained when read by others. The knowledge of the outside reader reading of your life was as important as the exercise of recording for one's self; creating a sense of sentimentality connecting people through emotions. (Arnold)
When speaker Brené Brown was about to give a talk, the event coordinator struggled with calling her a “researcher,” saying that people might not want to come because they would think she was “boring and irrelevant.” Instead, she wanted to call her a “storyteller” since she thought Brene´Brown’s story-telling abilities were a highpoint. Brown’s academic insecurity was not satisfied in simply being called a “storyteller.” She decided her qualitative research was, in actuality, collecting stories and concluded, stories, were “data with a soul.” She then embraced the title “Researcher-Story-teller,” which combined her unique abilities (Brown, 2010). Building our own personal brand is a combination of strengths; its “what makes us
Toronto: Bantam Books, 1987. Print. The. Peterson, Linda H. "'The Feelings and Claims of Little People: Heroic Missionary Memoirs, Domestic(ated) Spiritual Autobiography, and Jane Eyre: An Autobiography." Traditions of Victorian Women's Autobiography: The Poetics and Politics of Life Writing.
The type of research conducted often depends on the epistemology of the researcher. Epistemology is considered the justification of knowledge; it is about the relationship between the researcher, knowledge, and how knowledge is created (Carter...
James P. Spradley (1979) described the insider approach to understanding culture as "a quiet revolution" among the social sciences (p. iii). Cultural anthropologists, however, have long emphasized the importance of the ethnographic method, an approach to understanding a different culture through participation, observation, the use of key informants, and interviews. Cultural anthropologists have employed the ethnographic method in an attempt to surmount several formidable cultural questions: How can one understand another's culture? How can culture be qualitatively and quantitatively assessed? What aspects of a culture make it unique and which connect it to other cultures? If ethnographies can provide answers to these difficult questions, then Spradley has correctly identified this method as revolutionary.
Authors are frequently categorized in some ways by the particular era they are writing in. This often gives a sense of what message the speaker is trying to relay, and the context in which the author is writing. Addressing the issue of self identity through this context allows a
I emphasize here the collusion between all parties involved, for it is important to recognize the ways in which informmants are also actors and agents, and that the negotiation of reality that takes place in the doing of ethnography involves complex and shifting relations of power in which the ethnographrapher acts and is also acted upon. (Kondo 75)
Shaffir, W. (1986). In the Field: An Introduction to Field Research/Ethnographic Research: A Guide to General Conduct (Book). Sociology of Health & Illness, 8 (2).
Anthropologists conduct fieldwork by studying people, their behaviours, and their culture. This is done in the field by actively striving to interpret and understand the world from the perspective of those studied (Powdermaker, 1968, Keesing 1981). Anthropological participant-observation includes a “deep immersion into the life of a people” (Keesing, 1981 p.16) with an aim to produce an ethnography that accurately details the experience in a holistic and valuable style (Powdermaker, 1968, Keesing 1981). Generally, full participation in a culture is thought to reduce the interference the researcher has on the behaviour of the informants (Seymour- Smith, 1986). Participant-observation is still widely used by anthropologists as it offers deeply insightful real world accounts which are difficult to achieve using other methods (Seymour-Smith, 1986, Li,
Qualitative research is an approach that attempts to situate an activity that locates the observer in the world by providing the study to occur in their natural setting and by attempting to make sense of, or interpret information (Denzin and Lincoln, 2005). A characteristic of qualitative research is to use a variety of empirical materials such as personal experience, interviews, and questionnaires. It is imperative to understand the task at hand and how to fully carry out the study when using a qualitative research approach in order to find out the information needed. One view of qualitative research is it involves examining individual’s experiences and documenting those experiences in detail (Jones, 2011). By documenting these observations the researcher is ensuring validity in his or her data and giving the correct creditability to those who participated in the study.
Using the author’s field research I felt that many of them tried to enter their situation as an outsider looking in as most researchers do. Given time most of them were able to some what be accepted into their social surroundings. No matter what role or relationship the researchers developed along the way they still had to make choices to would affect their data in different ways. They just had to pick the correct approach and apply it. Finally all stories proclaimed different discussions of social science by using different forms of "objectivity" and "subjectivity."
...es of the other participants, nor did it jeopardized the validity of the data collected and conclusions reached. This field experience certainly allowed the observer to begin to draw preliminary connections to her personal research interest based on what was learned about covert observation, note taking, ethnography study, and qualitative research.
Chapter four and five in Creswell (2013) helped me realize how important it is to focus on one type of qualitative research. This leads to writing a coherent paper in the approach chosen. It was also interesting to learn that because subjective and objective experiences, phenomenology lies somewhere in between both qualitative and quantitative research.