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History of English American Literature
Themes in the open boat by stephen crane
The open boat by stephen crane symbolism
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Recommended: History of English American Literature
The Open Boat is based off the true story of the sinking of the Commodore. Stephen Crane had a traumatic shipwreck in January 1897. After the crash on the 10-foot boat, Crane was lost at sea for 30 hours. He was later rescued and wrote 3 different writings on the sinking of Commodore (Eye). Crane’s afterthought of the sinking of the Commodore led to the short story. It was initially published as “Stephen Crane’s Own Story” (Hayes). The Open Boat is now a fictional tale written by Stephen Crane to portray his struggling experience. Dudley specifies, “In his role as war correspondent, Crane booked passage to cover the revolt in Cuba and nearly lost his life in a shipwreck off the coast of Florida in January 1897--events that would form the basis for "The Open Boat (Dudley)”. The correspondent in the story can easily be realized as the author himself. Crane wrote “The Open Boat” when the initial thought of the literary world was the realism and naturalism were the primary focus (Eye). Eye’s observation is a key point to why so many people lean toward the fiction aspect of The Open Boat.
Although many disputes broke out about the idea of “The Open Boat” being fact or fiction, a vote of many scholarly patrons weighed toward the fictional aspect. This brought a wave of studies in the field of American literature. Eye Clarifies, “Among scholars, the consensus seems to be that, while "The Open Boat" is based in fact and served as an outlet for Crane's creative impulses, it is a work of fiction, one that has had great impact on the study of American literature and, in particular, the short story” (Eye). Debates are constantly roused over the fact or fiction aspect of the story.
When analyzing “The Open Boat”, commentators come from the ...
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... and the Short Story." Stephen Crane. Devon, U.K.: Northcote House, 2004. 62-69. Rpt. in Short Story Criticism. Ed. Jelena O. Krstovic. Vol. 129. Detroit: Gale, 2010. Literature Resources from Gale. Web. 14 Jan. 2014.
LaFrance, Marston. "'The Matter That Pleased Himself.'." A Reading of Stephen Crane. Oxford: Clarendon Press, 1971. 192-242. Rpt. in Short Story Criticism. Ed. Jelena O. Krstovic. Vol. 129. Detroit: Gale, 2010. Literature Resources from Gale. Web. 14 Jan. 2014.
Metzger, Charles R. "Realistic Devices in Stephen Crane's 'The Open Boat'." The Midwest Quarterly 4.1 (Oct. 1962): 47-54. Rpt. in Short Story Criticism. Ed. Joseph Palmisano. Vol. 70. Detroit: Gale, 2004. Literature Resources from Gale. Web. 14 Jan. 2014.
"The Open Boat." Short Story Criticism. Ed. Joseph Palmisano. Vol. 70. Detroit: Gale, 2004. Literature Resources from Gale. Web. 14 Jan. 2014.
Alistair Macleod’s “The Boat” is a tale of sacrifice, and of silent struggle. A parent’s sacrifice not only of their hopes and dreams, but of their life. The struggle of a marriage which sees two polar opposites raising a family during an era of reimagining. A husband embodying change and hope, while making great sacrifice; a wife gripped in fear of the unknown and battling with the idea of losing everything she has ever had. The passage cited above strongly presents these themes through its content
Rpt. in Short Story Criticism. Ed. Joseph Palmisano. Vol.
Stephen Crane’s short story, “The Open Boat” speaks directly to Jack London’s own story, “To Build A Fire” in their applications of naturalism and views on humanity. Both writers are pessimistic in their views of humanity and are acutely aware of the natural world. The representations of their characters show humans who believe that they are strong and can ably survive, but these characters many times overestimate themselves which can lead to an understanding of their own mortality as they face down death.
“Short Stories." Short Story Criticism. Ed. Jelena Krstovic. Vol. 127. Detroit: Gale, Cengage Learning, 2010. 125-388. Literature Criticism Online. Gale. VALE - Mercer County Community College. 28 February 2014
(Sept. 1976): 35-39. Rpt. in Short Story Criticism. Ed. Carol T. Gaffke. Vol. 26. Detroit:
In the short story “ The Open Boat,” by Stephen Crane, Crane does an outstanding job creating descriptive images throughout the entire story. With saying this, Crane uses symbolism along with strong imagery to provide the reader with a fun and exciting story about four guys who 's fight was against nature and themselves. Starting early in the book, Crane creates a story line that has four men in a great amount of trouble in the open waters of the ocean. Going into great detail about natures fierce and powerful body of water, Crane makes it obvious that nature has no empathy for the human race. In this story, Crane shows the continuous fight that the four men have to endure in able to beat natures strongest body of water. It 's not just nature the men have to worry about though, its the ability to work together in order to win this fight against nature. Ultimately, Crane is able to use this story, along with its vast imagery and symbolism to compare the struggle between the human race and all of natures uncertainties.
Stephen Crane’s story “The Open Boat” concerns four people who are trying to reach land after surviving a shipwreck off of the Florida coast. During the course of the story, they face dangers that are real physical threats, but they also have to deal with trying to make sense of their situation. The characters in this story cope with their struggles in two ways: individually, they each imagine that Nature, or Fate, or God, is behind their experiences, which allows them to blame some outside force for their struggle, and together, they form a bond of friendship that helps them keep their spirits up. .
Magill, Frank N., ed. Critical Survey of Short Fiction. Revised ed. Vol. 2. Pasadena: Salem Press, 1993. 7 vols.
The struggle for survival by mankind can be found in many different settings. It can be seen on a battlefield, a hospital room or at sea as related in “The Open Boat”, written in 1897 by Stephen Crane. The story is based on his actual experiences when he survived the sinking of the SS Commodore off the coast of Florida in early 1897. “The Open Boat” is Stephen Crane’s account of life and death at sea told through the use of themes and devices to emphasize the indifference of nature to man’s struggles and the development of mankind’s compassion.
In the story "The Open Boat," by Stephen Crane, Crane uses many literary techniques to convey the stories overall theme. The story is centered on four men: a cook, a correspondent, Billie, an oiler who is the only character named in the story, and a captain. They are stranded in a lifeboat in stormy seas just off the coast of Florida, just after their ship has sunk. Although they can eventually see the shore, the waves are so big that it is too dangerous to try to take the boat in to land. Instead, the men are forced to take the boat further out to sea, where the waves are not quite as big and dangerous. They spend the night in the lifeboat and take turns rowing and then resting. In the morning, the men are weak and exhausted. The captain decides that they must try to take the lifeboat as close to shore as possible and then be ready to swim when the surf inevitably turns the boat over and throws the men into the cold sea. As they get closer to land a big wave comes and all the men are thrown into the sea. The lifeboat turns over and the four men must swim into shore. There are rescuers waiting on shore who help the men out of the water. Strangely, as the cook, captain and correspondent reach the shore safely and are helped out of the water, they discover that, somehow, the oiler has drowned after being smashed in the surf by a huge wave. (255-270) “The Open Boat’s” main theme deals with a character’s seemingly insignificant life struggle against nature’s indifference. Crane expresses this theme through a suspenseful tone, creative point of view, and a mix of irony.
“The Open Boat” was written by Stephen Crane in 1897. This is an extremely powerful short story fictionalized by one of Crane’s own experiences out at sea. He is able to use what has happened to him, and spice it up to turn his story into a fictional account everyone can relate to. The reasons this story is so powerful is because of the literary devices Crane uses throughout the story, especially symbolism. In “The Open Boat,” Crane uses the four main characters, the dinghy, the waves, and the sea-weed as symbols to produce a microcosm of society.
The human voyage into life is basically feeble, vulnerable, uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the danger we face, we have to also overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap." Therefore, the incessant troubles arising from human conditions often bring about unpredictable crises as "shipwrecks are apropos of nothing." The tiny "open boat", which characters desperately cling to, signifies the weak, helpless, and vulnerable conditions of human life since it is deprived of other protection due to the shipwreck. The "open boat" also accentuates the "open suggestion of hopelessness" amid the wild waves of life. The crew of the boat perceive their precarious fate as "preposterous" and "absurd" so much so that they can feel the "tragic" aspect and "coldness of the water." At this point, the question of why they are forced to be "dragged away" and to "nibble the sacred cheese of life" raises a meaningful issue over life itself. This pessimistic view of life reflects the helpless human condition as well as the limitation of human life.
Abrams, M.H., The Norton Anthology of English Literature. Sixth Edition, Vol. 1. New York: W.W. Norton & Co. Inc., 1993
" Studies in Short Fiction 33.2 (Spring 1996): 171-184. Rpt. in Short Story Criticism. Ed. Joseph Palmisano.
Allen, Orphia J., Short Story Criticism. Vol 16. Ed. Thomas Vottler. Detroit, MI: Gale Research, Co., 1990.